Ajouter une intrigue dans votre langueWhen both parents are killed by man, the wolf Lobo learns the ways of the hunter.When both parents are killed by man, the wolf Lobo learns the ways of the hunter.When both parents are killed by man, the wolf Lobo learns the ways of the hunter.
- Réalisation
- Scénario
- Casting principal
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It's a Disney True-Life adventure shot near Sedonia, Arizona, with the cast and crew that was becoming standard for the series of pseudo-documentaries, with James Algar directing and Rex Bell narrating, with songs by the Sherman twins and incidental music by the Sons of the Pioneers.
It's the story of Lobo, a wolf in the 19th Century, about the time cattle ranching was introduced following the wiping out of the buffalo, based on a story by Ernst Thompson Seton. There's the usual amazing photography, not just of the red butte-and-mesa land, but the amazingly trained animals.
Enjoyable as the parts of the movie are, I noticed that the story-telling aspect had fallen into set patterns. When the young Lobo makes friends and goes frolicking with a young antelope, it struck me: in many ways, this movie is BAMBI, only Man has entered the desert, with guns and traps and dogs. There's clearly a character, an uncredited actor who has set himself against Lobo, but he is given no personality; he is referred to only as "the hunter."
Disney was by no means a one-man operation; there were many creative people working for him. However, his management-by-wandering-around style meant that, although he might have one project at a time uppermost in his mind -- at this point, probably MARY POPPINS -- he might turn up at any point. The folks in the animation section had a warning for when was was around: "Man is in the Forest."
It's the story of Lobo, a wolf in the 19th Century, about the time cattle ranching was introduced following the wiping out of the buffalo, based on a story by Ernst Thompson Seton. There's the usual amazing photography, not just of the red butte-and-mesa land, but the amazingly trained animals.
Enjoyable as the parts of the movie are, I noticed that the story-telling aspect had fallen into set patterns. When the young Lobo makes friends and goes frolicking with a young antelope, it struck me: in many ways, this movie is BAMBI, only Man has entered the desert, with guns and traps and dogs. There's clearly a character, an uncredited actor who has set himself against Lobo, but he is given no personality; he is referred to only as "the hunter."
Disney was by no means a one-man operation; there were many creative people working for him. However, his management-by-wandering-around style meant that, although he might have one project at a time uppermost in his mind -- at this point, probably MARY POPPINS -- he might turn up at any point. The folks in the animation section had a warning for when was was around: "Man is in the Forest."
Someone here said that his father-in-law wrote the screenplay for the movie. He must be immensely proud of him. My mother took me to the movies in 1962 when it was released and as an 8 year old I was gripped. Disney was in it's 'animals' stage and Lobo was one of the best. I hadn't seen the film again until earlier this year but it was as wonderful as I remember it. Over the years that song "Lobo, Lobo, Lobo, Lobo your name will survive..." was all I could remember but I remembered it a lot over the years so it was great to hear the full song once again.
I see there's a number of people here that didn't get it, probably expected a kind of Jaws with wolves. No. This is a scary yet heartwarming film and it's beautifully filmed, the narration is excellent. I loved the way Disney filmed the wolves and through editing created a story - they did this with their other animal movies also.
Once upon a time innocence meant something to a child, movies like Lobo helped create that innocence.
I see there's a number of people here that didn't get it, probably expected a kind of Jaws with wolves. No. This is a scary yet heartwarming film and it's beautifully filmed, the narration is excellent. I loved the way Disney filmed the wolves and through editing created a story - they did this with their other animal movies also.
Once upon a time innocence meant something to a child, movies like Lobo helped create that innocence.
I'm a little biased; the writer (Dwight Hauser) is my wife's father. We were looking for a copy and came across this site. It was fun for me to watch Marcia (my wife) watch the movie. And as with many thousands of other old folks, I remember it from my own childhood.
I wonder if Lobo's mother was really injured. It certainly looked like it. I asked Marcia, but she didn't know. It seems doubtful Disney would have gone about it that way. Kinda heart wrenching, but an accurate reflection of the disdain held for wolves in those days...heck...even these days by a remaining few.
This is a great find! We are passing it out to all the grandkids...:-)
Derek
I wonder if Lobo's mother was really injured. It certainly looked like it. I asked Marcia, but she didn't know. It seems doubtful Disney would have gone about it that way. Kinda heart wrenching, but an accurate reflection of the disdain held for wolves in those days...heck...even these days by a remaining few.
This is a great find! We are passing it out to all the grandkids...:-)
Derek
During his lifetime, producer Walt Disney did turn out some interesting animal-themed shorts and movies. However, "The Legend of Lobo" is one time where Disney was apparently unable to give sufficient inspiration to his filmmakers. There are a number of things I could list that illustrate why this effort is a misfire, such as the obvious padding even for a 67 minute running time, the too-cutesy narration, and an ending that is abrupt and without a satisfying payoff. But I think that the main fault with the movie is that the wolf Lobo never becomes a strong animal figure. Yes, the first half follows him around when he is a pup, but he is then an immature animal that lacks any soul. It's even worse when Lobo becomes a full grown adult wolf - you never get a sense of any kind of personality you can relate to or understand. By the way, no director is listed in the credits for the movie - if the director decided to take his name off the credits after seeing the end results, I can certainly understand his decision.
Not enough there for a good film.
'The Legend of Lobo' features some cute animals and interesting situations, but with its 67 minute run time and lack of any substantial characters it's hard to get into it in film terms; like 'Nikki, Wild Dog of the North', it is too close to a documentary; though, to be fair, this is better than that.
The usual animal welfare concerns appear, but it does seem improved; at least compared to the aforementioned production from 1961. Rex Allen makes for a satisfactory narrator, at least. The music is decent, too.
As noted, there are adorable shots of animals but there simply isn't enough to make it a film worth watching in my eyes.
'The Legend of Lobo' features some cute animals and interesting situations, but with its 67 minute run time and lack of any substantial characters it's hard to get into it in film terms; like 'Nikki, Wild Dog of the North', it is too close to a documentary; though, to be fair, this is better than that.
The usual animal welfare concerns appear, but it does seem improved; at least compared to the aforementioned production from 1961. Rex Allen makes for a satisfactory narrator, at least. The music is decent, too.
As noted, there are adorable shots of animals but there simply isn't enough to make it a film worth watching in my eyes.
Le saviez-vous
- AnecdotesThere is no dialogue in the film, a very adventurous move from such a "safe" studio as Disney.
- Citations
Rex Allen - Narrator: Singing: Across the lonely campfire when the wolves begin to call. The riders tell the story of the bravest wolf of all. The king of all the hunters, born to lead the rest. His name became a legend across the great southwest. Lobo Lobo your name will survive for no man could bring you in dead or alive!
- ConnexionsFeatured in L'ami public numéro un: Les animaux (1964)
- Bandes originalesThe Legend of Lobo
Written by Richard M. Sherman and Robert B. Sherman
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Détails
- Durée
- 1h 7min(67 min)
- Rapport de forme
- 1.37 : 1
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