James Bond 007 contre Dr. No

No matter whether or not you like this film in the end...if you don't get some feeling of joy the first time Sean Connery says "Bond. James Bond." at the card table, I feel sorry for you.

This Bond film has a lot less stuff going in it than most, but for what it's worth, and what it has inspired, it's a classic.

People who can't tolerate and appreciate older cinema from the 60's might laugh at the action scenes, set and costume design of the movie, but if one considers the year in which this was made, it's all rather exquisite. The film is also full of things that would be considered politically incorrect, and the way Bond and Moneypenny flirt in the office would ensue mass sexual harassment lawsuits in this day and age.

The film has an underused villain in Dr. No. Joseph Wiseman sets the standard on how Bond villains, and the majority of how other movie villains, act. One of the things that I love about Bond films is that you will see things that you will never see in other movies. I mean where else but a Bond film would a half Chinese, half German man with metal hands and a compulsive paranoia about radiation, with metal hands live on an island with a "dragon-mobile"?

Dr. No is a definite good start to the Bond series. Ursula Andress as Honey Ryder may only be there for eye candy...but she's great eye candy. Sean Connery is Bond, and pure enjoyment while in this role. So if you are looking for a classic enjoyable movie, this is just what the doctor ordered.

I first saw this in the late 80s on a vhs. Revisited it recently. It is the first film in the Bond series where Bond is sent to Jamaica to investigate the disappearance of a fellow British agent. The trail leads him to Dr. No, a former member of a Chinese crime syndicate but currently working for SPECTRE. Here Bond faces dragon-disguised swamp buggy, venomous tarantula spider, 'three blind mice' n a villain with metal hands. Fortunately Bond has three amazing ladies to cool off, Eunice Gayson, Zena Marshall n Ursula Andress.

Some interesting facts from the novel which is missing in the movie. The Chinese gangsters tortured Dr No, cut off his hands n shot him through the left side of the chest and left him for dead. Dr No survived due to a condition called dextrocardia in which his heart is on the right side of the body. He later joined SPECTRE n got his metal hands.

This movie was pretty good. It started off a little slow but picked up towards the end. The ending seemed just a tad rushed but all the loose ends were tied up.

Maybe my favorite Bond girl to date. She was stunning and so natural.

I wish they could have fleshed out Dr No a little more. They didn't say much about him. He seemed like a pretty cool villain.

Sean Connery again is easily my favorite Bond. He was a natural for this role.

"Dr. No" is not my favorite James Bond film. But I'm glad it succeeded, because it led to subsequent 007 films that were really very entertaining, especially "Goldfinger". Everything about "Dr. No": the story, the music, the special effects, the dialogue, even the acting is so ... tentative. The film lacks the self-confident flair and cinematic flamboyance that characterize later 007 films from the 1960s. That is not a criticism, given that "Dr. No" was the first Bond film, and was low-budget. No one knew how the film would be received.

Through the years Sean Connery is the only actor who has done justice to the James Bond character, in my opinion. Although his acting in "Dr. No" is probative at best, he still manages to convey an aura of intelligent charisma. And that charisma would become less restrained in later films.

The visuals in "Dr. No" are very dated. What seemed futuristic in 1962 seems stodgy now. All that engineering design, those clunky computers, and that modernistic interior decor, all included to wow viewers then, seem, half a century later, quaint, obsolete, even archaic. The film's story, about an evil genius out to scuttle the U.S. missile program and dominate the world, likewise seems dated. I must admit, however, that Joseph Wiseman, as the villain, is well cast, with his passive face and those eyes that seldom blink.

That the James Bond character and his adventures have survived all these years demonstrates the enduring appeal of cinematic heroes who, like superman, embody all that is good and strong, in their successful efforts to conquer evil. I just wish that contemporary 007 films had the cinematic credibility of those 1960's Bond films: "You Only Live Twice", "From Russia With Love", "Thunderball", and of course "Goldfinger", all of which owe their existence to the success of "Dr. No".

Dr. No is a 1962 film directed by Terence Young and based off of Ian Fleming's novel of the same name. It is the first film to feature James Bond, the world's most famous secret agent. This alone has earned it a spot in history as the start of one of the longest running and most significant film franchises ever made. At the time of my writing this, there are 25 films spanning 58 years, with a 26th to be released in three months. For this reason, Dr. No will always hold a special place in the hearts of many fans, from many generations. As a latecomer to the series, I do not share this nostalgia, but the film still holds up very well. Watching it today, one of the most notable things about Dr. No is the overabundance of tropes. It checks every box you would come to expect from a James Bond film, and come to resent from their many copycats. Nonetheless, it is a film that is absolutely oozing with style. Sean Connery pulls of the lead roll with seemingly effortless sophistication and charisma, and I would give him a large part of the credit for this film's success, and by extension the success of the franchise. The story that Dr. No tells is simple and straightforward, but I generally feel that this works in its favor. We are thrown right into the action, and we are shown with great efficiency and effectiveness exactly the type of character that Bond is. This is not a film that wastes your time. The first 80 minutes of Dr. No are everything you want from a Bond film, but near the end I sadly feel that it falters somewhat. Though it still far from terrible and retains every ounce of the style that makes this film so great, the storytelling in the final act is simply not as good. I do feel that a lot of this may be due to it not necessarily aging the best. Dr. No is an incredibly clichéd villain, and although it should certainly be noted that this film is largely responsible for most of the tropes it presents, it can still feel somewhat tiresome. Dr. No is a ridiculously overdramatic villain, and between his private island and his robotic hands he fits the mold for a 'Bond villain' perfectly. This isn't necessarily a bad thing, but when it comes to the final act a villain that is supposed to be very menacing and incredibly intelligent ends up coming across as incompetent. This leads to an ending that feels quite abrupt, and even a little anticlimactic. The Bond franchise is also notorious for its 'Bond girls,' female leads who are usually throwaway characters, included entirely for sex appeal. Dr. No is no exception. The character of Honey Ryder in this film has no real bearing on the story, and everything could have played out in exactly the same way without her inclusion. Bond always has, and always will be a womanizer, a character trait with which I have no problem, but this often comes at the expense of the female leads. For this reason, I am glad that, while certainly very present, these aspects of Bond's character are less extreme than they are in some of the later films. Honey Ryder is an unfortunately irrelevant character, but she is also a very small one. The film doesn't spend too much time on these parts of the story. Dr. No is not the best Bond film, but it is the first, and for that it deserves recognition. It does an excellent job of establishing Bond's character, and it is gripping from start to finish. If you want to watch a Bond movie, then Dr. No will give you everything you expect to see, and very little else. It is far from a masterpiece, but it established all of the tropes you expect to see from a Bond film, good and bad, and that at the very least is laudable.