The Devil's Hand

A happily engaged man becomes plagued by vivid dreams of a beautiful woman. He ultimately meets her face-to-face, finding that she is a member of a secretive, near-lost religion which enables its loyal followers to obtain their heart's desires. Bewitched by this seductress, he quickly casts aside his fiancée to become her lover and converts to said religion. Predictable but amusing turmoil ensues in this poverty row potboiler, one which some viewers may find surprisingly watchable despite its very evident financial privation.

Briskly paced cheap thrills with a deliciously tacky veneer distinct to early-60s low-budget cinema...this much-forgotten curiosity should please most undemanding genre fans and enthusiasts of vintage lower-berth film oddities.

5.5/10

An early effort from Crown International Pictures, The Devil's Hand stars Robert Alda (Alan's dad) as Rick Turner, who is visited nightly in his dreams by a beautiful blonde woman. After finding a doll in a shop window that is the exact likeness of the mysterious woman, Rick is able to track down his nocturnal visitor, Miss Bianca Milan (Linda Christian), but, hypnotised by her beauty, finds himself lured away from his longtime girlfriend Donna (Ariadne Welter) and into a devil worshipping cult run by sinister doll-maker Francis Lamont (played by Neil Hamilton, TV Batman's Commissioner Gordon).

A cheap and cheerful piece of '60s Satanic horror, The Devil's Hand is undemanding drive-in fodder that benefits from a brisk pace (and a not-too-long running time), reasonable performances, and a fun plot that includes voodoo, bongo drums, a traitor in the cult's midst, ritualistic gyrating, Russian roulette with swords, and a fiery demise for the baddies at the end. All this and a cool twangy surf guitar number during the opening credits make for a reasonably fun, if not all that memorable, time.

Favourite moment: when Rick sneaks into the doll shop, a front for the cult, and proceeds to make a total racket whilst bumbling around their place of worship. Way to go, twinkletoes!

A man has strange visions of a mystery woman. One day he notices a doll in a shop window which exactly resembles the enigmatic lady who inhabits his dreams. He ventures in and is soon entwined in an underground voodoo cult.

The Devil's Hand in another low budget offering from Crown International Pictures, who were one of the main B-movie producers of their time. This one is on the whole fairly standard stuff with not a huge amount to differentiate it from the crowd. It focuses on occult practices, yet, aside from the dastardly leader, we never really see the cultists do much in the way of evil. We see their ceremonies in action though, which consisted of a revolving sword device that members of the cult spun like they were trying to win money on a game-show. Not only that but there was also a seemingly ever-present bongo player who ensured that a voodoo vibe was maintained at all times. The dolls themselves were quite a cute idea and certainly were the most memorable part of the cult's practices. The film itself has an early 60's charm about it that buys it some credit, while it is short and fast-paced enough to never outstay its welcome. It should please those with a taste for old school horror flicks, at least some extent.

"The Devil's Hand" is a slick little B-film that moves at an amazingly fast clip. Don't look for deep characterizations, or explorations of motives, or anything else that would make the story stumble.

This flick takes itself seriously. It's established at the outset that the Gamba cult is real, and several scenes indicate that it has actual power. And there's never a nudge or wink from any of the characters to indicate otherwise.

The acting may not be top-notch, but it's credible enough. The opening theme is quite cool, too, and would be a good addition to a surf rock collection; unfortunately, it's never identified.

And the overall theme is still relevant today—how easy it can be to get sucked into a cult (religious, political, philosophical—take your pick) because of one's hopes of improving his lot. Look at the worshipers; by and large they look just like you'n'me. No wild-eyed zealots, no borderline personalities, just…ordinary people.

My only real quibble is the casting of Neil Hamilton as the villain. He seems to have been rather a one-note talent; his demeanor throughout the movie, whether fronting the doll shop or presiding over potential human sacrifice, is rather bland. Or maybe I just can't accept Commissioner Gordon being on the wrong side of the law!

I saw this by chance as one of those DVD package deals(reasonably priced with cinema nuggets). This particular film grabbed from the outset with it's "graveyard twangy" credits theme. The story is part"I Walked with a Zombie", "Eraser Head",and a dab of "Rosemary's Baby". A sporty dressed Robert Alda goes through the film as if on tranquilizers adding to the black&white "dreamlike' quality of the movie.The actors should be credited for doing their best to sell this very kooky story with equally kooky dialog. There's a sexy " Siren Witch" and a sinister Warlock, who looks like a bank president.Considering the apparent woeful budget of this endeavor , I say kudos for trying and take a look- you've seen worse.