Le seigneur d'Hawaï

The first thing that hit me about this movie was an appreciation of the wide screens and bright colours that prevailed in movies of that era. Hawaii looks great here. On a large screen, that alone would have been worth the price of admission.

As for that other stuff, cast, acting, directing, story, dialogue, etc. Well, this is a soap opera and don't expect too much more except that the plot angles focus on race, ethnic relations and class and this gives them a bit more substance than some other soap operas such "The Picnic" or "Portrait in Black". At the time, it probably skated the line between being edgy enough to intrigue the audience but not so controversial to be scandalous. Today, it comes across as pretty mild although the issues themselves have certainly not disappeared.

Nothing and no one is either brilliant or terrible although Philip Ahn's small part is excellent and produces a strong moment. Heston has his huge screen presence but this is not one of his classic roles. There is not enough there for it to possibly become that. Mimieux looks great and her role is as essential as Heston's and is a soap opera archetype. Nuyen also looks great and, as usual for her in the 60s, melancholy.

An overwrought, overcooked screen-adaptation of Peter Gilman's book by screenwriter Marguerite Roberts concerning a politician and land baron in Hawaii who is having an affair with a native girl--yet who butts heads with his own sister over her affair with an island boy! Somewhat stilted soaper from director Guy Green is occasionally funny unintentionally. Despite a good cast (including Charlton Heston, Yvette Mimieux, and James Darren), the characters themselves aren't a very likable lot, and the plot-developments are eventually stagnated by Roberts and Green's lack of inspiration and invention. There was potential here for a really strong melodrama, but it goes unrealized. The Hawaiian locales are certainly nice compensation, as is Johnny Williams' rousing score. **1/2 from ****

I wonder if the late J. Strom Thurmond of South Carolina ever saw this film. He would have understood the character of Charlton Heston in this movie as few others are capable of. As we all know, several years after Thurmond's death in 2003 at 101, a black woman who was his illegitimate daughter came out with a book about the South's long standing segregationist and Dixiecrat candidate for president in 1948.

The film is set in Hawaii in 1959 just upon Hawaii's admission as a state and Charlton Heston comes from a family not unlike the Parkers who still have a ranch on Hawaii's big island that takes a lot acreage there and is the state Ponderosa. Heston's being touted as someone who could be one of their first two US Senators. He's a widower whose wife and son were killed years ago in the famous tidal wave at Hilo and lives at the ranch with his wife's sister Elizabeth Allan and his sister Yvette Mimieux.

Having visited Hawaii for a glorious week I can speak to Hawaii's reputation for tolerance, but even paradise will have a few racial trolls. Even though he's got a Eurasian mistress, France Nuyen of long standing whom he's just put in a family way, he objects mightily to the proposed interracial marriage of native Hawaiian James Darren and Mimieux. When his objections become the underlying cause of tragedy, Heston's political career is shot to pieces. What might fly in Alabama has no place in Hawaii.

During his career Heston also played Thomas Jefferson which came out the same year as Diamond Head. I'm wondering if he didn't channel some of Jefferson into playing 'King' Howland who had a well known backstairs interracial relationship with Sally Hemmings. If Patsy or Polly Jefferson had ever come to father and said they were going to marry some free black man, I imagine Jefferson would have reacted the same way as Heston does with Mimieux.

Diamond Head is a nice Hawaiian soap opera which could have made some great prime time Dynasty like viewing with a pineapple twist. But it fails utterly in conveying any serious message about racial tolerance. Still you can't shoot a bad looking film on Hawaii and since the cast shot it on location, they're all ahead of the game if they got to spend time on the islands. Charlton Heston even got to do it again several years later in The Hawaiians.

Besides those I've mentioned look for George Chakiris as Darren's half brother, Aline McMahon as their mom and Philip Ahn as a most efficient police inspector. What I liked about what Ahn did with the part is that it could have been played like Charlie Chan and it wasn't.

You can never go wrong with a Hawaiian based film. Even the worst films are never bad looking and Diamond Head is far from the worst.

Richard 'King' Howland and his sister Sloane (Heston and Mimieux) live on an island, the only wonderful place that gets bigger every time they saw it from the sky…

Sloane has just returned from California graduated but she despises waiting… She has something on her mind to tell her brother about Paul (James Darren). So she asks her brother how did he feel about Paul Kahana?

The whole film is about racial intolerance and it sends a strong message, which kept the story interesting… Trade with them, be friends with them, even sleep with them, but don't marry them…

This is Hawaii… It can happen here, and it does all the time… For Laura Beckett (Elizabeth Allen), King's sister-in-law, it happens, but not to people of their class… For King, if Sloane marries Paul, her children will inherit Manoalani one day, and all that goes with it… Paul is pure Hawaiian… Their families have been in these islands over a hundred years… They have never mixed their blood…

Charlton Heston plays a rich narrow-minded pineapple grower, obstinately and intolerantly devoted to his own beliefs, even though he himself having an affair with Mai Chen (France Nuyen), the woman who doesn't ask questions…

Mai knows that most women can make the world go away for a while, but none can make it stay away…Richard Knows that he's in danger of becoming an uncle… His sister and himself are the last of their line…Her son will own Manoalani one day and he has to be the right kid of son… Obviously he could have a child… He might even have a son… But he has no intention of marrying again… But Mai Chen thinks differently… He should have his own son… But King had a son… His name was Richard Howland III… He was 3 years old that day… A tidal wave, 40-foot crest smashed into Hilo and killed him and his mother and 120 others … So he doesn't want another son…

Yvette Mimieux achieved stardom in "Where the Boys Are" (1960) and here, she is incredibly fresh, innocent and beautiful…

Filmed in Color and Wide Screen, the photography is too beautiful presenting a tropical paradise of turquoise waters, white sandy beaches, waving palm trees, lush tropical vegetation and gentle sunshine

A good film, Macbeth and Romeo-Juliet in a Hawaiian setting. Credible performances, but this film could have been shot in California or mostly on a soundstage. It deserves better than a 4.5 of 10 but surely not more than a 7. A poignant social, cultural commentary on Hawaii becoming a State in mid-Twentieth century.