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Ajouter une intrigue dans votre langueAfter an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.After an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.After an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.
- Réalisation
- Scénario
- Casting principal
Carole Ann Ford
- Bettina
- (as Carol Ann Ford)
Colette Wilde
- Nurse Jamieson
- (as Collette Wilde)
Chris Adcock
- Train Passenger
- (non crédité)
Michael Bishop
- Flight 356 Pilot
- (non crédité)
Avis à la une
A meteorite shower lights up the sky and blinds all that watches it. Most of the world population must also deal with some rather weird plant life that can uproot itself and seek human nourishment.
Howard Keel plays a sailor recovering from an eye operation, thus not being blinded by the mysterious glowing display. He finds a young girl that slept through the starry shower. Together they seek out help and a solution to this very weird problem. A couple of marine biologist, stranded in a lighthouse, get a 'hands on' encounter with the rampaging stalks of terror.
An evenly paced movie considering the slow moving menace. This makes you ponder watering your plants. Very good movie.
Also in the cast are Janina Faye, Nicole Maurey and Janette Scott.
Howard Keel plays a sailor recovering from an eye operation, thus not being blinded by the mysterious glowing display. He finds a young girl that slept through the starry shower. Together they seek out help and a solution to this very weird problem. A couple of marine biologist, stranded in a lighthouse, get a 'hands on' encounter with the rampaging stalks of terror.
An evenly paced movie considering the slow moving menace. This makes you ponder watering your plants. Very good movie.
Also in the cast are Janina Faye, Nicole Maurey and Janette Scott.
Reading the previous reviews for this film were like watching a tennis match. One reviewer made a valid negative point(or serve) whilst another made a positive point. Back and forth....back and forth. Those people that read the book seemed to be in general much less happy with the film than those who had never read the book. I can understand that, but looking at films and their adaptations of books must sometimes be done with a more discerning eye. And, of course, sometimes the adaptations of books are so horribly done that nothing but a feeling of resentment, disappointment, and hate can be achieved from the viewer. I have not read the John Wyndham novel..yet. I will. But as sci-fi films and horror films go, The Day of the Triffids is an enjoyable flawed..very flawed film. I have such concrete memories of seeing this as a child and after watching it again after at least twenty years, scene after scene came back to my consciousness. The vivid, colorful meteorite showers over a London backdrop, the night watchman working in the greenhouse, the crowds of sightless people begging for help from those that could see, and the battle between life and death on a remote lighthouse island. The special effects are not very good, the plants look...well..a bit preposterous. The acting is not very grand either. C'mon, what did you expect with Howard Keel in the lead...Shakespeare? Actually Keel is decent as is the cast for the most part. The biggest flaw in the film for me is the script....which has little cohesion as it jumps from one thing to another and then another. The ending was vastly unsatisfactory as it really abruptly ends. Maybe there was no money or good thoughts left. But notwithstanding all of this, The Day of the Triffids is a fun film and a trip down Memory Lane for me.
When a meteor shower leaves most of the world's population blind, a US Navy officer (Howard Keel) has to discover a way to fight the Triffids, dangerous plants that are capable of movement and killing humans.
This low-budget 1962 version of John Wyndham's famous novel pales in comparison with the much better 1981 BBC miniseries.
The main benefit of the film is Howard Keel. He acquits himself surprisingly well in the dramatic part, but I wonder what would have happened if he started singing a duet with a Triffid!
The special effects are passable, but there's a silly sub-plot about two marine biologists that seems shoehorned in. Veteran British character actor Mervyn Johns appears briefly, and it was fun seeing a pre-Doctor Who Carole Ann Ford as a French girl (her accent is terrible).
Overall, cheesy fun.
This low-budget 1962 version of John Wyndham's famous novel pales in comparison with the much better 1981 BBC miniseries.
The main benefit of the film is Howard Keel. He acquits himself surprisingly well in the dramatic part, but I wonder what would have happened if he started singing a duet with a Triffid!
The special effects are passable, but there's a silly sub-plot about two marine biologists that seems shoehorned in. Veteran British character actor Mervyn Johns appears briefly, and it was fun seeing a pre-Doctor Who Carole Ann Ford as a French girl (her accent is terrible).
Overall, cheesy fun.
When I got my driver's license, I headed off to a nearby town to see a movie. This was it. I loved it. It has really received a bad rap. The story begins with a city full of blind people--Stricken by a meteor shower which has also brought spores to earth--the spawn of Triffids--flesh eating plants. While the plants are not sighted or masterfully created, the quest by Howard Kiel and his young counterpart, and the horror they encounter, is quite good. I found it anything but boring. It speaks to the realities of the created situation, and the acting is good. There is a nice subplot of a depressed lighthouse keeper and marine biologist and his wife/associate who seek an answer. It was quite suspenseful and well paced. Some real questions are asked and answered. It's not a masterpiece, but it holds up very well after all these years.
A intensely colourful and bright meteor shower covered the sky one night blinding most of the world's population and making people defenseless to man eating plants called "Triffidus Celestus'' that were grown from meteor-borne spores. Though, there are some people that can see. An American seaman whose eyes were bandaged during the meteor shower is battling his way through triffids and helping out people. While, a couple in a lighthouse are fending off Triffids and trying to find a way to stop them.
John Wyndham's novel was brought to the big screen in this classic Sci-Fi with an A-grade story with b-grade effects, but it holds up fairly well. This is incredibly engaging kitsch with a nice idea that's very imaginative and it gives us a thrilling enough adventure. The film might be rough around the edges, but still it's rather effective because of a riveting story that we don't know what to expect and a solid lead performance by Howard Keel.
It's a film of two halves making it fairly uneven. The opening half creates such a grand apocalyptic feel, becoming quite unsettling at times with good location photography of an eerie London that captures such a mysterious vibe. It's indeed very atmospheric. While the second half slows down a bit and kinda goes berserk with its stars "The Triffids". It's rather amusing when they're moving about and springing out of nowhere, but because of that it drifts away from the edginess of the opening half and becomes rather padded.
Throughout the story we follow an American seaman trying to get to safety and helping blind people on his way and then there's a couple stranded in a lighthouse. While the first of the two is definitely the most interesting, but after a while it starts to fizzle out and leads to anticlimax. While the sequences with the couple (there weren't many) were mostly dull because of the bland dialogue and her constantly screaming and him constantly yelling, but the set-up for them was interesting enough. However, the climax involving the lighthouse couple is tense and exciting.
The special effects were rather ordinary, cheap and shoddy. Visually wise it was quite stunning and vibrant, with the lights in the sky as the meteor shower were fairly hypnotizing. There was good composition with colour and lighting. Though, the plants don't look terribly great and will cause a chuckle, but still they are a sight to see, as they look wicked and rather horrendous in nature or maybe just plain ridiculous. Most of the violence happened off screen/implied. The music score was rather enforcing and good in keeping such downbeat mood. There are some incredibly well staged sequences and there are scenarios in the story that lacked logic and cohesion, but it didn't bother me too much.
Howard Keel was fairly spirited and witty in his role. There are some fair if mundane support roles from Nicole Maurey, Alison Leggatt, Mervyn Jones and Janina Faye. While Kieron Moore and Janette Scott as the couple were rather shallow in their portrayals and that's mostly because they aren't given much screen time.
The mysterious opening 45-minutes is engrossing and builds tension and uneasiness nicely. The pretty routine mid-section gets bogged down and is far less involving. Some interesting sub-plots add some life and another dimension in the slow mid-section. While leading up to the ending it has some bizarre visuals of the triffids and some entertaining moments. Though, when it came to the ending for me it just came across forced and hard to swallow.
It's really nothing fancy, but overall it's an entertaining effort with ordinary special effects and cheesy dialogue that seem to add a lot of charm too it all.
John Wyndham's novel was brought to the big screen in this classic Sci-Fi with an A-grade story with b-grade effects, but it holds up fairly well. This is incredibly engaging kitsch with a nice idea that's very imaginative and it gives us a thrilling enough adventure. The film might be rough around the edges, but still it's rather effective because of a riveting story that we don't know what to expect and a solid lead performance by Howard Keel.
It's a film of two halves making it fairly uneven. The opening half creates such a grand apocalyptic feel, becoming quite unsettling at times with good location photography of an eerie London that captures such a mysterious vibe. It's indeed very atmospheric. While the second half slows down a bit and kinda goes berserk with its stars "The Triffids". It's rather amusing when they're moving about and springing out of nowhere, but because of that it drifts away from the edginess of the opening half and becomes rather padded.
Throughout the story we follow an American seaman trying to get to safety and helping blind people on his way and then there's a couple stranded in a lighthouse. While the first of the two is definitely the most interesting, but after a while it starts to fizzle out and leads to anticlimax. While the sequences with the couple (there weren't many) were mostly dull because of the bland dialogue and her constantly screaming and him constantly yelling, but the set-up for them was interesting enough. However, the climax involving the lighthouse couple is tense and exciting.
The special effects were rather ordinary, cheap and shoddy. Visually wise it was quite stunning and vibrant, with the lights in the sky as the meteor shower were fairly hypnotizing. There was good composition with colour and lighting. Though, the plants don't look terribly great and will cause a chuckle, but still they are a sight to see, as they look wicked and rather horrendous in nature or maybe just plain ridiculous. Most of the violence happened off screen/implied. The music score was rather enforcing and good in keeping such downbeat mood. There are some incredibly well staged sequences and there are scenarios in the story that lacked logic and cohesion, but it didn't bother me too much.
Howard Keel was fairly spirited and witty in his role. There are some fair if mundane support roles from Nicole Maurey, Alison Leggatt, Mervyn Jones and Janina Faye. While Kieron Moore and Janette Scott as the couple were rather shallow in their portrayals and that's mostly because they aren't given much screen time.
The mysterious opening 45-minutes is engrossing and builds tension and uneasiness nicely. The pretty routine mid-section gets bogged down and is far less involving. Some interesting sub-plots add some life and another dimension in the slow mid-section. While leading up to the ending it has some bizarre visuals of the triffids and some entertaining moments. Though, when it came to the ending for me it just came across forced and hard to swallow.
It's really nothing fancy, but overall it's an entertaining effort with ordinary special effects and cheesy dialogue that seem to add a lot of charm too it all.
Le saviez-vous
- AnecdotesKieron Moore and Janette Scott were only added to the cast when it was discovered upon completion of filming that there was only 57 minutes of good usable footage available. The whole lighthouse sequence, directed by veteran Cinematographer Freddie Francis, was only added to help extend the movie's running time - even though these scenes contain the movie's surprise- twist denouement. Presumably this was a last-minute script change. Freddie Francis, when asked about his uncredited contribution to the film, implied strongly that the whole production had been chaos.
- GaffesTom and Karen are on a lighthouse situated on rocks when triffids appear. Tom turns a fire hose on them spraying the with salt water which causes them to melt in which case hoe did they survive the spray from the waves crashing on the rocks. The force of water from the hose Tom and Karen later use to destroy the triffids is much greater than what the triffid would have been subjected to by sea spray; when Karen told Tom about the triffid being on a rocky ledge and they returned to look for it, they were not soaked by the sea spray, so evidently the triffid would not have been either. As seen earlier in the film , the triffids grow incredibly quickly, so would only have been there for a few minutes when Karen saw it. In the short time she was away, the triffid moved away from the danger.
- Citations
Tom Goodwin: [to Karen] Keep behind me. There's no sense in getting killed by a plant.
- Versions alternativesIn pan & scan versions of this film, there is an extra scene as Bill & Susan depart England for France. They are seen on the small motorboat and Susan asks Bill "Where are we going?". Bill answers "We're going to that meeting in Paris, if we can make it". They then hear an explosion behind them, and we see that the ship they had just left from has exploded. We then see their small boat heading out to sea past an estuary lighthouse. This scene is missing from the letterbox versions.
- ConnexionsFeatured in Aweful Movies with Deadly Earnest: The Day of the Triffids (1975)
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- How long is The Day of the Triffids?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Day of the Triffids
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 750 000 $US (estimé)
- Durée1 heure 33 minutes
- Rapport de forme
- 2.35 : 1
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By what name was La révolte des triffides (1963) officially released in India in English?
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