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6,1/10
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Ajouter une intrigue dans votre langueAfter an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.After an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.After an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.
- Réalisation
- Scénario
- Casting principal
Carole Ann Ford
- Bettina
- (as Carol Ann Ford)
Colette Wilde
- Nurse Jamieson
- (as Collette Wilde)
Chris Adcock
- Train Passenger
- (non crédité)
Michael Bishop
- Flight 356 Pilot
- (non crédité)
Avis à la une
Day of the Triffids is a delightful sci-fi horror movie from the sixties, and it will be a sure-fire hit with fans of this sort of cinema. The film stands halfway between a serious disaster movie (although it's definitely one that is much more ingenious than most actual disaster movies) and a silly B-movie complete with absolutely ridiculous monsters. Some viewers will most probably be deterred by the second side of the movie - but not me! I found the ridiculous monsters to be an absolute treat, and although the film is certainly messy; on the whole I think it came together rather well. Certainly no worse than you'd expect from this sort of movie. The film follows the story of a meteorite shower that beings down a new species of plant - the man-eating triffid! And, not only that, but the glare of the shower has blinded almost the entire population of the world; which is bound to lead only to trouble. Right from the word go, you know that you're in for a cool piece of kitsch as the voice-over introduces the new species of plant and the film keeps this atmosphere going throughout.
While many viewers will be put off by the silly special effects, the only thing that annoyed me about this is the pacing of the plot. The first fifty minutes at least are highly inventive and very involving so the running time just slips by as you lose yourself in the camp classic that you're watching. However, as we approach the hour mark, the plot slows down to walking pace, and although the inventiveness is still there; it never reaches the highs of the first half of the movie, which featured excellent flashes of brilliance as we see panic on an aeroplane as the pilot is blinded, trains crashing and the hapless, now blind, population of the UK trying to make their way through London station. Howard Keel makes a fine leading man, especially for a film like this. He has an almost cheesy aura surrounding him, and this helps the unintentional humour side of the movie when it's mixed with the rather awful and very corny script that the film works on. On the whole, while this movie won't do anything for fans of artistic and serious cinema, if you like to have fun with your film viewings; this one is recommended.
While many viewers will be put off by the silly special effects, the only thing that annoyed me about this is the pacing of the plot. The first fifty minutes at least are highly inventive and very involving so the running time just slips by as you lose yourself in the camp classic that you're watching. However, as we approach the hour mark, the plot slows down to walking pace, and although the inventiveness is still there; it never reaches the highs of the first half of the movie, which featured excellent flashes of brilliance as we see panic on an aeroplane as the pilot is blinded, trains crashing and the hapless, now blind, population of the UK trying to make their way through London station. Howard Keel makes a fine leading man, especially for a film like this. He has an almost cheesy aura surrounding him, and this helps the unintentional humour side of the movie when it's mixed with the rather awful and very corny script that the film works on. On the whole, while this movie won't do anything for fans of artistic and serious cinema, if you like to have fun with your film viewings; this one is recommended.
Reading the previous reviews for this film were like watching a tennis match. One reviewer made a valid negative point(or serve) whilst another made a positive point. Back and forth....back and forth. Those people that read the book seemed to be in general much less happy with the film than those who had never read the book. I can understand that, but looking at films and their adaptations of books must sometimes be done with a more discerning eye. And, of course, sometimes the adaptations of books are so horribly done that nothing but a feeling of resentment, disappointment, and hate can be achieved from the viewer. I have not read the John Wyndham novel..yet. I will. But as sci-fi films and horror films go, The Day of the Triffids is an enjoyable flawed..very flawed film. I have such concrete memories of seeing this as a child and after watching it again after at least twenty years, scene after scene came back to my consciousness. The vivid, colorful meteorite showers over a London backdrop, the night watchman working in the greenhouse, the crowds of sightless people begging for help from those that could see, and the battle between life and death on a remote lighthouse island. The special effects are not very good, the plants look...well..a bit preposterous. The acting is not very grand either. C'mon, what did you expect with Howard Keel in the lead...Shakespeare? Actually Keel is decent as is the cast for the most part. The biggest flaw in the film for me is the script....which has little cohesion as it jumps from one thing to another and then another. The ending was vastly unsatisfactory as it really abruptly ends. Maybe there was no money or good thoughts left. But notwithstanding all of this, The Day of the Triffids is a fun film and a trip down Memory Lane for me.
When a meteor shower leaves most of the world's population blind, a US Navy officer (Howard Keel) has to discover a way to fight the Triffids, dangerous plants that are capable of movement and killing humans.
This low-budget 1962 version of John Wyndham's famous novel pales in comparison with the much better 1981 BBC miniseries.
The main benefit of the film is Howard Keel. He acquits himself surprisingly well in the dramatic part, but I wonder what would have happened if he started singing a duet with a Triffid!
The special effects are passable, but there's a silly sub-plot about two marine biologists that seems shoehorned in. Veteran British character actor Mervyn Johns appears briefly, and it was fun seeing a pre-Doctor Who Carole Ann Ford as a French girl (her accent is terrible).
Overall, cheesy fun.
This low-budget 1962 version of John Wyndham's famous novel pales in comparison with the much better 1981 BBC miniseries.
The main benefit of the film is Howard Keel. He acquits himself surprisingly well in the dramatic part, but I wonder what would have happened if he started singing a duet with a Triffid!
The special effects are passable, but there's a silly sub-plot about two marine biologists that seems shoehorned in. Veteran British character actor Mervyn Johns appears briefly, and it was fun seeing a pre-Doctor Who Carole Ann Ford as a French girl (her accent is terrible).
Overall, cheesy fun.
A meteorite shower lights up the sky and blinds all that watches it. Most of the world population must also deal with some rather weird plant life that can uproot itself and seek human nourishment.
Howard Keel plays a sailor recovering from an eye operation, thus not being blinded by the mysterious glowing display. He finds a young girl that slept through the starry shower. Together they seek out help and a solution to this very weird problem. A couple of marine biologist, stranded in a lighthouse, get a 'hands on' encounter with the rampaging stalks of terror.
An evenly paced movie considering the slow moving menace. This makes you ponder watering your plants. Very good movie.
Also in the cast are Janina Faye, Nicole Maurey and Janette Scott.
Howard Keel plays a sailor recovering from an eye operation, thus not being blinded by the mysterious glowing display. He finds a young girl that slept through the starry shower. Together they seek out help and a solution to this very weird problem. A couple of marine biologist, stranded in a lighthouse, get a 'hands on' encounter with the rampaging stalks of terror.
An evenly paced movie considering the slow moving menace. This makes you ponder watering your plants. Very good movie.
Also in the cast are Janina Faye, Nicole Maurey and Janette Scott.
The film opens with a marvellously atmospheric sequence of a night security guard being stalked by an aggressive man-size killer plant in a huge greenhouse. Illuminated by a night sky full of falling comets, the use of darkness with splashes of technicolor makes this visually very rich and introduces the triffid as a terrifying menace. For a British-made sci-fi story, this is an ambitious attempt to follow action across three countries, show society in ruins and portray (not quite as successfully) a rampaging army of killer plants! The grim early scenes of blinded populous are quite upsetting, a plane falls out of the sky because the pilot cannot see but he knows he is running out of fuel, a train crashes into a terminus and its blinded passengers can't help themselves amongst the wreckage... The film follows an American sailor, who has not been blinded by the comets, as he tries to reach safety. This story is intercut with a couple stranded in a lighthouse surrounded by Triffids - these scenes were all added by the (uncredited) director Freddie Francis after the original cut of the movie came in way under its correct running time. The woman in the lighthouse scenes is played by Janette Scott, who has been immortalised in the lyrics of the title song of "THE ROCKY HORROR PICTURE SHOW". If possible watch a widescreen version of this movie - it makes a lot more sense.
Le saviez-vous
- AnecdotesKieron Moore and Janette Scott were only added to the cast when it was discovered upon completion of filming that there was only 57 minutes of good usable footage available. The whole lighthouse sequence, directed by veteran Cinematographer Freddie Francis, was only added to help extend the movie's running time - even though these scenes contain the movie's surprise- twist denouement. Presumably this was a last-minute script change. Freddie Francis, when asked about his uncredited contribution to the film, implied strongly that the whole production had been chaos.
- GaffesTom and Karen are on a lighthouse situated on rocks when triffids appear. Tom turns a fire hose on them spraying the with salt water which causes them to melt in which case hoe did they survive the spray from the waves crashing on the rocks. The force of water from the hose Tom and Karen later use to destroy the triffids is much greater than what the triffid would have been subjected to by sea spray; when Karen told Tom about the triffid being on a rocky ledge and they returned to look for it, they were not soaked by the sea spray, so evidently the triffid would not have been either. As seen earlier in the film , the triffids grow incredibly quickly, so would only have been there for a few minutes when Karen saw it. In the short time she was away, the triffid moved away from the danger.
- Citations
Tom Goodwin: [to Karen] Keep behind me. There's no sense in getting killed by a plant.
- Versions alternativesIn pan & scan versions of this film, there is an extra scene as Bill & Susan depart England for France. They are seen on the small motorboat and Susan asks Bill "Where are we going?". Bill answers "We're going to that meeting in Paris, if we can make it". They then hear an explosion behind them, and we see that the ship they had just left from has exploded. We then see their small boat heading out to sea past an estuary lighthouse. This scene is missing from the letterbox versions.
- ConnexionsFeatured in Aweful Movies with Deadly Earnest: The Day of the Triffids (1975)
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- How long is The Day of the Triffids?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Day of the Triffids
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 750 000 $US (estimé)
- Durée1 heure 33 minutes
- Rapport de forme
- 2.35 : 1
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By what name was La révolte des triffides (1963) officially released in India in English?
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