Billy Budd
- 1962
- Tous publics
- 2h 3min
NOTE IMDb
7,8/10
5,3 k
MA NOTE
Lorsqu'un marin au grand cœur tue accidentellement le maître d'armes, ses supérieurs doivent décider s'il faut le pendre ou le libérer.Lorsqu'un marin au grand cœur tue accidentellement le maître d'armes, ses supérieurs doivent décider s'il faut le pendre ou le libérer.Lorsqu'un marin au grand cœur tue accidentellement le maître d'armes, ses supérieurs doivent décider s'il faut le pendre ou le libérer.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 2 victoires et 8 nominations au total
Ray McAnally
- William O'Daniel - Maintopman
- (as Ray McAnnally)
Niall MacGinnis
- Nathaniel Graveling - Ship's Master, Rights of Man
- (as Niall McGinnis)
Avis à la une
One of the best dramas of the sixties. The acting in this movie is superb. With an all star cast of Robert Ryan, Peter Ustinov, Melvyn Douglas and Terrance Stamp you can't go wrong. Filmed in glorious black and white. Ustinov at his best as the perplexed Captain and my favorite Robert Ryan as the sadistic Master of Arms. Billy Budd is a high seas adventure which won't disappoint.
This film which was made at the now legendary, Allied Artists Studios (cough cough) is nothing short of a Masterpiece. Filmed totally on board a reconstructed Man O'War, it features Oscar level performances by Peter Ustinov, Terrance Stamp, Melvin Douglas and the performance of a lifetime by Robert Ryan (as Klaggart, the very human manifestation of evil). If one accepts this movie as a biblical allegory, then it could not end any other way. This is not your typical Hollywood fare, it is filled with intelligent performances, and good direction under difficult conditions. And it's in glorious black and white.
I saw this when it first came out and loved it! The makers of this film (from the UK) are to be praised for addressing a subject historically so controversial that their countrymen could object it has anti-British content based on familiar stereotypes. Yet it is undeniably true. The British Empire thrived on a system of enforced labor, which included plantation slavery, pressgangs in the Navy and crimping of soldiers into the Army. The practice of stealing American sailors off of American ships and forcing them into the British service remained a vexed question between the two countries even after the revolution. Americans who had won their freedom in the revolution had to surrender it to the same tyrants on the high seas. "Billy Budd" shows the tragic injustice of being forced to serve an enemy, suffer his contempt and be punished for the natural act of defending oneself.
Technically, the film couldn't be better. The drama is excellently drawn in well lit black and white and cuts from scene to scene in a manner that never sacrifices clarity to suspense, telling the story as well as it can be told on screen. The close ups reveal all the nuances of character implied in Melville's great novel, making very accessible the emotion of righteous indignation, which is the film's final message. Today, a production crew like the one that made "Billy Budd" could make itself very busy faithfully translating literary classics onto the screen.
Technically, the film couldn't be better. The drama is excellently drawn in well lit black and white and cuts from scene to scene in a manner that never sacrifices clarity to suspense, telling the story as well as it can be told on screen. The close ups reveal all the nuances of character implied in Melville's great novel, making very accessible the emotion of righteous indignation, which is the film's final message. Today, a production crew like the one that made "Billy Budd" could make itself very busy faithfully translating literary classics onto the screen.
This movie was adapted by a novel from Herman Melville and directed by Peter Ustinov. It was unfortunate that this movie came out at the same time as Mutiny On The Bounty and as overshadowed by that movie. This is a much better movie and has a great cast with Peter Ustinov playing the captain, Melvyn Douglas playing an old sailor, Terence Stamp playing the title character and Robert Ryan playing John Claggart, the Master-at-arms. Robert Ryan easily steals the movie and when Ustinov was casting this picture he didn't know why Ryan would want this role when he was trying to stay away from roles like this. Ryan always played great villains and this was one of his best roles. Everyone in this movie was great and so is the film.
If you've read the Melville story, this film will be a delightful surprise, especially in contrast to what usually happens to film adaptations of literature. For those of you who've never heard of Herman Melville, it's no matter. This film can stand on its own without reference or support from its original source.
A cheerful, innocent young man with wide eyes and blonde hair is conscripted from his commercial schooner to serve aboard an English Royal Merchant ship, which is akin to being Shang-Hai'd, but without the knock to the head. Everyone on both his old and new ship loves Billy Budd, an affable, competent young seaman who can fathom no sinister purpose in man nor beast, until he meets the master-at-arms of his new vessel.
I don't want to give away any more of the story, so give this lovely film a try if the premise interests you.
A cheerful, innocent young man with wide eyes and blonde hair is conscripted from his commercial schooner to serve aboard an English Royal Merchant ship, which is akin to being Shang-Hai'd, but without the knock to the head. Everyone on both his old and new ship loves Billy Budd, an affable, competent young seaman who can fathom no sinister purpose in man nor beast, until he meets the master-at-arms of his new vessel.
I don't want to give away any more of the story, so give this lovely film a try if the premise interests you.
Le saviez-vous
- AnecdotesHerman Melville had been writing poetry for thirty years when he returned to fiction with "Billy Budd" in late 1888. Still unfinished when he died in 1891, it was forgotten. Melville's biographer accidentally stumbled upon it when going through a trunk of Melville's papers in his granddaughter's New Jersey house in 1919. Melville's widow worked to help complete it, and it was finally published in 1924. Over the years, other unsatisfactory versions were published, but it wasn't until Melville's original notes were found that the definitive version was ultimately published in 1962. Coincidentally, Sir Peter Ustinov's movie version was released the same year.
- GaffesWhen Billy Budd first comes onboard the British ship, he witnesses a sailor being flogged and is told by everyone that no one even knows what the sailor had done. This would not be the case in the Royal Navy, since at all floggings the Captain was required to read in front of the crew the specific Article of War which had been violated and then state the number of lashes for the offense.
- Citations
Billy Budd: There are many ways to lie, Mr. Claggert, but there is only one way to tell the truth.
- Crédits fousAs the cast is listed onscreen, the actors are heard stating their characters' names and ranks.
- Versions alternativesWest German theatrical version was cut by approx. five minutes.
- ConnexionsFeatured in L'homme qui venait d'ailleurs (1976)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Die Verdammten der Meere
- Lieux de tournage
- Sierra Helada, Alicante, Comunidad Valenciana, Espagne(final scene: naval battle under the cliffs)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 3min(123 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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