Suspicion

Alfred Hitchock Presents ran half-hour shows, which stuck strictly to whodunits. The Alfred Hitchock hour tended more toward one-hour dramas with twist endings. As usual, each episode boasted a pageant of stars. Stories were not as tightly knit. Some episodes were laconic. This was television's last attempt at the Playhouse 90s, Alcoa/Goodyear TV Playhouses, the Loretta Young Shows and Kraft Mystery Theatres. It was the last of an age of television, which story lines lasted an entire hour, rather than being broken up into various story lines and woven subplots. Here were the the last of the great playwrights, in their eleventh hour, just before Fred Silverman turned television into tedium.

I've always enjoyed anthology shows like Alfred Hitchcock Presents, The Alfred Hitchcock Hour and the Twilight Zone. Overall the all of them had some really great episodes that I love to view over and over. I now have them all on DVD or Blu Ray. My favorite episodes have some humor sprinkled in the the mystery and suspense. Then the twist ending or shock ending that makes them better. Some of my favorites are "Final Vow" with Carol Lynley, "Diagnosis Danger" with Michael Parks, "Last Seen Wearing Blue Jeans" with Katherine Crawford, "Terror at Northfield" with Dick York, "See the Monkey Dance" with Efrem Zimbalist Jr., "A Matter of Murder" with Darren Mcgavin, "The Ordeal of Mrs. Snow" with Patricia Coolidge, "A Home Away From Home" with Ray Milland, "Nothing Ever Happens in Linvale" with Fess Parker(My favorite episode), "The Jar" with Pat Buttram. There are far too many of the shows that don't feel like a Hitchcock show or are down right boring. But the episodes I listed above are well worth watching.

First of all, Alfred Hitchcock's introduction, station brake and wrap up monologues are worth the price of watching those commercials alone — which regularly were humorously ridiculed by Hitchcock himself. Watching these shows these many years later is therapy for the lightening fast world of the 21st century. Lots of husbands killing wives and wives killing husbands. And of course, then, nobody could get away with anything — if not in the story itself then in the ending wrap up by Hitchcock.

AND, it was an era when REAL ACTORS were on TV — not the pretty face empty nothing's on TV today. Living in impossible apartments and working in impossible work places and performing impossible plots.

They say the small things in life make a big difference and I am inclined to agree. It also makes fine acting. Films in the last 20-30 years costing up to 100 million. That takes a lot of footfall to break even. I recently bought a portable radio. Just turn a switch and move a dial for Mozart. Same with TV. Actor shining like never with so little time on screen.

I want to implore people to cancel all subscription plans and go for a few months through the Hitchcock TV library. I guarantee after seeing and hearing (some great music too, orchestra not synth) you will never venture back.

Start with: "Consider Her Ways" Great script (From real books and authors) and try to remember this was not written in 2020. Move on to a classic radio play turned to TV: The Evil of Adelaide Winters.

Happy viewing. Best wishes, Cliff Taylor

I occasionally hear of people making lists of the all-time best tv series (TV Guide did it recently), and they never seem to mention either of Hitchcock's Television series, even though these are the same people that call Hitchcock among the greatest directors. I watched this show all the time when I was younger (or so I seem to remember), but it does not seem to be on very often any more. Hitchcock's shows are much better than his movies, in my opinion. The thing about the show is that it is limited to only an hour, so the story is forced to progress more quickly, and keeps me interested more easily. My favorite episodes are "The Return of Verge Likens" with Peter Fonda, "The Man from Rio" with Peter Lorre and Steve McQueen, and "One More Mile to Go."