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Trois femmes

Titre original : Teen Kanya
  • 1961
  • Tous publics
  • 2h 53min
NOTE IMDb
7,9/10
1,8 k
MA NOTE
Trois femmes (1961)
ComedyDramaFantasyHorror

Ajouter une intrigue dans votre langueBased on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls.Based on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls.Based on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls.

  • Réalisation
    • Satyajit Ray
  • Scénario
    • Satyajit Ray
    • Rabindranath Tagore
  • Casting principal
    • Anil Chatterjee
    • Chandana Banerjee
    • Aparna Sen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    1,8 k
    MA NOTE
    • Réalisation
      • Satyajit Ray
    • Scénario
      • Satyajit Ray
      • Rabindranath Tagore
    • Casting principal
      • Anil Chatterjee
      • Chandana Banerjee
      • Aparna Sen
    • 10avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires au total

    Photos5

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    Rôles principaux24

    Modifier
    Anil Chatterjee
    Anil Chatterjee
    • Nandal (segment "Postmaster")
    • (as Anil Chattopadhyay)
    Chandana Banerjee
    • Ratan (segment "Postmaster")
    • (as Chandana Bandyopadhyay)
    Aparna Sen
    Aparna Sen
    • Mrinmoyee (segment "Samapti")
    • (as Aparna Das Gupta)
    Sita Mukherjee
    • Jogmaya (segment "Samapti")
    • (as Sita Mukhopadhyay)
    Nripati Chatterjee
    • Bishey (segment "Postmaster")
    • (as Nripati Chattopadhyay)
    Khagen Pathak
    • Khagen (segment "Postmaster")
    Gopal Sen
    • Bilash (segment "Postmaster")
    Krishnakamal Bhattacharya
    • (segment "Postmaster")
    Haridhan Nag
    • (segment "Postmaster")
    Narayan Ghosh
    • (segment "Postmaster")
    Batakrishna Nandan
    • (segment "Postmaster")
    Haricharan Nag
    • (segment "Postmaster")
    Khana Roy Chowdhury
    • (narrator) (segment "Postmaster")
    Kali Bannerjee
    Kali Bannerjee
    • Phanibhushan Saha (segment "Monihara")
    • (as Kali Bannerji)
    Kanika Majumdar
    • Manimalika (segment "Monihara")
    Kumar Roy
    • Madhusudan (segment "Monihara")
    Govinda Chakravarti
    • Schoolmaster and narrator (segment "Monihara")
    • (as Gobinda Chakrabarti)
    Soumitra Chatterjee
    Soumitra Chatterjee
    • Amulya (segment "Samapti")
    • (as Soumitra Chattopadhyay)
    • Réalisation
      • Satyajit Ray
    • Scénario
      • Satyajit Ray
      • Rabindranath Tagore
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    7,91.7K
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    Avis à la une

    Ven-3

    How to make a movie from a simple story !

    I have been a fan of Ray for a long time and I have seen most of his famous films. This film was not available for some time because the quality of the film was deteriorating so badly that they had to restore the entire film. Originally made with three entirely unrelated short stories by Nobel Prize winner Rabindranath Tagore, the restored version has only two stories of the original three. In both the stories Postmaster and Samapti you will find the inimitable Ray touch. You can see the same neo realistic portrayal of simple lives and events of ordinary people. Postmaster evokes a feeling of pity for the young girl, but at the same time it seems to reflect the strength and courage of ordinary people going about their lives. The second story "samapti", though not as tight as the first (it winds around a bit before it reaches a climactic finish) again pours life into a simple story about a young girl who is reluctant to let go of her childhood and who is pushed into the world of adulthood. Aparna Sen ( Ray finds such beautiful women to play in his movies) plays this part brilliantly. The picturisque Bengal country side comes to life in this colourful black and white film. A must see for anyone who likes films.
    8gbill-74877

    Great collection of stories from Tagore/Ray

    A collection of three stories originally written by Rabindranath Tagore, and adapted here by Satyajit Ray. I don't know if there was meant to be a common theme, but each portrays a girl's relationship to a young man and their primary desire in life. (I say 'girl' but in the middle story, the main character is a woman). One wants to learn from a father figure, another has a burning desire for riches, and the last has a fierce need for independence. Tension results when those desires are threatened. The stories are simply told which suits them well, and while the quality of the print that I saw wasn't the highest, the quality of the filmmaking is solid, blending solid cinematography and great music into stories that touch various emotions.

    The Postmaster has a young man coming to a small village from Calcutta to take the job of a postmaster, and there befriending his servant, an orphan girl. In addition to all her chores she helps him deal with a local madman, as well as nurses him back to health when he contracts malaria. Meanwhile, he begins teaching her how to read and write Bengali. It's a story about the pain of separating from someone you've been touched by, echoed in the lyrics of the traditional music some of the old men play one night. Ray gives us a very nice scene when the young girl comes to the postmaster at night during his sickness, and he doesn't recognize her; the way it's shot, she almost seems otherworldly. It's the feeling of this one that delivers the biggest impact though, so touching, and so true to how things often go in life.

    Monihara (Lost Jewels) is about a wife who covets jewelry above all else, and continually gets her husband to buy her a piece here or there. When his business suffers from a fire, she worries that he will need to take some of it back, and flees with the help of a cousin. The framing to the story has an author talking to a robed man who faces away from him and speaks as if he's disembodied, setting a ghostly tone, and throughout the film we get the feeling that there is something supernatural going on. For example, when the man approaches his wife from behind as she stares out the window of the mansion they've inherited, Ray moves the camera slowly to the sound of eerie music, a fantastic scene. I absolutely loved the soundtrack which Ray also scored. It's spooky and foreboding, and reflects the sickness of greed and this couple's broken relationship perfectly.

    The wife (Kanika Majumdar) gets a chance to sing of longing and melancholy; she's a beautiful woman with a wonderful voice, and it's too bad her character is such a shallow person. We get the idea from the author that if her husband was more forceful, she would love and respect him more. "He didn't realize that in matters of the heart, it's brute force, not meek reticence which really works. A woman prefers the harsher things, like sour green mango and hot chilies," he tells us. While that's pretty direct, I liked how the narrative didn't explicitly inform us exactly what happens to her after she leaves, allowing the viewer to fill in the blanks. It's just a lovely, haunting little story.

    The last story, Samapti (The Conclusion) has a young man returning home after his exams, only to have his mother begin pushing him to get married. She arranges things with the daughter of friends of the family, but the trouble is, he doesn't feel anything for her. Instead, he finds himself drawn to a young girl who runs around the village and gets up to various mischief, an independent free spirit who is so counter to the social convention that she's referred to as "Crazy Girl." Against his mother's wishes (and the girl's too) he arranges to marry her, not realizing that the thing that draws him to her is the very thing that will make having her settle down into the role of a wife so difficult. It's like putting a bird in a cage. I love the defiance of the girl (Aparna Sen) and the tension with her husband (Soumitra Chatterjee), though this one did seem to lag a bit, and the ending seemed a bit too cheery, perhaps to compensate for the other stories.

    Overall, a good collection, and worth seeing.
    7arunavaghosh-38673

    The Legendary of Bengali Cinema!

    When the writing is of Kaviguru and the depiction is of Ray, what can it be other than a true Masterpiece! Of the three segments, I like the last one the most. The horror of that segment can be felt if you are really immersed in the movie. If you are watching it just to watch, then you may not feel anything, but if you are really into the film, then you can feel every word.

    Without any superior technology, the acting and the depiction of the actors and actresses, and the director, respectively, have made it very real. I am giving it a seven because of my own taste. This piece is from the olden days, and for that reason, the fluidity is missing. But, I have that much sense to call it a MASTERPIECE.
    9bcsiegfr

    Has one of the most heart-wrenching moments I have ever seen in cinema.

    Two daughters by Satyajit Ray was my first introduction to Indian cinema. Satyajit Ray has produced a gem of a movie that differs from almost any other Indian films I have seen. Two daughters actually consists of two separate stories based on stories written by Rabindranath Tagore.

    The Postman is the better of the two stories. Not giving away the plot, this movie had one of the most heart-wrenching scenes in cinema. The simple, but powerful way Ray pulls his quiet films together at their end makes these quiet films very memorable. Sampati drags out somewhat longer, but has a powerful climax of its own. After years, these two movies have stuck in my memory. I would recommend them to anyone.
    8SAMTHEBESTEST

    A Classic Poetic and Artistic Woman oriented Anthology by Satyajit Ray.

    Teen Kanya / Three Daughters (1961) : Brief Review -

    A Classic Poetic and Artistic Woman oriented Anthology by Satyajit Ray. I never knew that Indian Cinema has seen Anthology during 60s decade (please spare me if I'm wrong) before modern filmmaking got recognition in India. So, this idea of making Anthology in early 60s had already left stunned and additionally it has 3 wonderful stories to tell and every single one has got a powerful storyline. Based on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls. First is The Postmaster, a story of a pre-adolescent orphan girl who shares a warm bond with the new postmaster who teaches her to write and read. This story ends on such a heart-wrenching note that will definitely leave you dazed. The second one is kind of psychological drama of a married woman who is obsessed with Jewels and her husband who is desperate to get loved by her. This one is titled Monihara and it's very gripping and thrilling ride. The final one is Samapti. Mrinmoyee, a funky teenage girl is married against her choice to a good fella Amu. After marriage she disown this relationship but when husband goes away, she realises the real meaning of Husband-Wife's relationship. If i have to rank these 3 quality wise, then The Postmaster will top the list. Sampati and Monihara to be be followed. Acting, writing, execution and cinematography everything is absolutely Classy. Hats off to Satyajit Ray for giving that much needed experimental Cinematic Classic to Indian Cinema even before Indian Cinema was ready to accept it. This is Indian Cinema's answer to Hollywood filmmaking that how to create a Magical Classic Film out of simple short stories. Overall, a Cult that started another new wave in Indian Cinema.

    RATING - 8/10*

    By - #samthebestest.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The "Monihara" segment of the film was dropped for the first international release because subtitles could not be finished in time due to budgeting constraints.
    • Citations

      Ratan (segment "Postmaster"): I can sing too.

      Nandal (segment "Postmaster"): Is that so?

      Ratan (segment "Postmaster"): I can sing now if you like.

      [singing]

      Ratan (segment "Postmaster"): In the lonely forest, A little girl is crying, Calling for you, Tears drop from her eyes, In the lonely forest, A little girl is crying, Calling for you, Tears drop from her eyes, With a trembling voice, She keeps calling out, With a trembling voice, She keeps calling out, The girl is lost in the forest, And nobody hears her, Nobody answers her

    • Versions alternatives
      Original Indian version includes three episodes and runs 171 minutes; the version released in the USA (retitled "The Two Daughters") features only two episodes and is 114 minutes long.
    • Connexions
      Features Conversation with James Ivory (2010)

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    FAQ17

    • How long is Three Daughters?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 septembre 1993 (France)
    • Pays d’origine
      • Inde
    • Langue
      • Bengali
    • Aussi connu sous le nom de
      • Le directeur de la poste
    • Société de production
      • Satyajit Ray Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut aux États-Unis et au Canada
      • 81 200 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 53 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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