Un goût de miel

I first watched this film when I was about 14 years old sat at home with my mam and dad and I was absolutely riveted. Ever since then I have kept an eye out for it in the TV listings but never spotted it until now !...they have finally released it on DVD and it was worth the wait. The black and white photography is stunning, painting a grey stark picture of life in the poverty stricken back streets of Salford and Eccles in the late 50's and early 60's. I grew up around most of the locations, many of the streets are now bulldozed and many of the historical landmarks are now set against different backdrops...maybe not as grim, but in my opinion not as interesting or compelling. The theme of the film is warm and loving giving a realistic picture of people in the area at that time..friendly, caring, enjoying life when they can as life could be hard, poor housing, low wages the dirt and grime of living and working in the post war northern inner city.

Barton Swing Bridge and the Manchester Liners Shipping Company, Old Trafford Football Ground - complete with floodlight pylons, the atmosphere of a back street boozer and Blackpools brightly lit amusements are seen in all their grim Majesty.

The acting is tremendous,Dora Bryan superbly cast as the selfish mother...she should have gone on to stronger roles after this performance. Rita Tushingham the gawky teenager full of youthful wonder of her harsh world and Murray Melvin as the young adolescent battling with his sexuality and feelings for the enchanting Tushingham.

It really is a must see for anyone interested in this genre or who lives or has worked around Manchester. It shows the hope and warmth of people who have nothing, who only maybe aspire to a simple life...but who have had a Taste Of Honey.......

Shelagh Delaney's screenplay for "A Taste of Honey," based on her play of the same name, remains a moving period drama. Beautifully directed by Tony Richardson, this film evokes all the stark realism of the famed English "New Wave/kitchen sink" dramas (made popular by John Osborne) of the late 50s/early 60s.

Rita Tushingham is striking as an working-class adolescent girl, growing into maturity--first through her pregnancy by a young sailor, played by Paul Danquah, and then by her association with a sensitive man, played by Murray Melvin. Dora Bryan is impressive Tushingham's mom.

The sparse photography, sets and score, all combine to make an unforgettable statement.

A Taste Of Honey is primarily known for the debut of Rita Tushingham who became a star with this and has had a half century career. But for it's time it was a daring film exploring things we still didn't talk about in the USA. For instance there was that love that dared not speak its name.

This film is set in working class Manchester and the cinematography was reflective of a very grimy environment that single mom Dora Bryan is raising her daughter Tushingham in. Bryan's pushing 40, but she likes to party still especially with her new boyfriend Robert Stephens. Rita is clearly in the way.

Interracial love was something not talked of in the USA, but it's here as young Rita drifts into losing her virginity and getting pregnant by a black sailor Peter Danaquah. He goes off on a long sea voyage without knowing what has happened.

The British may be more frank in talking about it, but interracial love and sex was quite the same as here back then. You can bet the rent money that A Taste Of Honey got no bookings in our Dixie states.

But here next relationship is with Murray Melvin who is as my late British friend Jeff Barker would say was as 'gay as green shoes' which is apparently a British expression. No closet for this man in 1961. The omnipresent Code imposed the cone of silence around anything remotely hinting of homosexuality

Tushingham meets Melvin as a customer in a shoe store she works in and the two hit it off. He knows her plight and maybe sex might not be in the future for these two, it's plain they've got a nice friendship working and can support each other and the interracial child coming into the world.

A Taste Of Honey was based on a play by Shelagh Delaney which when it got to Broadway boasted an impressive cast of Angela Lansbury as the mother, Joan Plowright as the daughter, Nigel Davenport as the boyfriend of the mother, Andrew Ray as the gay friend and the sailor was played by a young Billy Dee Williams. I'd love to have seen that production.

Still no complaints about this film. Groundbreaking, touching, and entertaining.

Jo's (Rita Tushingham) a daydreaming teen with a distracted mom (Dora Bryan) in search of Mr. Right or a reasonable facsimile. When ma hooks up with a guy she leaves Jo to fend for herself. Jo enters into a romance with a boat cook who ships out to sea after impregnating her and she forms a living arrangement with a gay man (Murray Melvin) to make ends meet and for moral support. When mom returns the two lock horns, debating who is the better fix for Jo and her family way.

What might pass for a very dark Hallmark domestic drama today was a groundbreaking event in 1961. Interracial relationships were scarce on the screen and homosexuality would be a crime until the law was relaxed in 67. Director Tony Richardson met the controversy head on in Honey, softening neither the outcome or its characters. Tushingham is exasperatingly brilliant as the independently minded Jo. You sympathize with her but she can be trying and stubborn. Murray Melvin is also sympathetic, avoiding caricature flamboyance with a low key sensitivity, stating his case as an outsider. Dora Bryan as Jo's floozy mom is abrasively outstanding as she lectures Jo with challenged nurturing skills on the ugly reality of her class and future.

Director Richardson captures the bleak industrial landscape of Manchester, England, managing to romanticize it in moments between the lovers but refusing to sell out the story with its sober, somber climax.

A glum well played drama.

Taste of Honey is evocative of life in Lancashire in the 1960's. The scenes of what were called the "Whit Walks" must bring back memories to many Lancashire folk, as must the scenes of England's most famous seaside resort; Blackpool. The film made Rita Tushingham a houshold name. Her portrayal of the the schoolgirl "done wrong" is second to none. Her large wide eyes show the fear and her innocence at the same time. Dora Bryan is magnificent as the "couldn't-care-less" mother who's quest for a good time is at the expense of all others. The film is well worth a watch, particularly if you are a fan of British films of the 60's. Watch out for a continuity gaff in the scenes on the pier!