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La Fièvre dans le sang

Titre original : Splendor in the Grass
  • 1961
  • Tous publics
  • 2h 4min
NOTE IMDb
7,7/10
24 k
MA NOTE
Natalie Wood and Warren Beatty in La Fièvre dans le sang (1961)
A fragile Kansas girl's love for a handsome young man from the town's most powerful family drives her to heartbreak and madness.
Lire trailer3:59
1 Video
99+ photos
DrameRomanceRomance pour adolescents

L'amour des jeunes amoureux Deanie et Bud est submergé par les attentes oppressives de leurs parents et de la société dans une petite ville du Kansas en 1928, menaçant l'avenir de leur relat... Tout lireL'amour des jeunes amoureux Deanie et Bud est submergé par les attentes oppressives de leurs parents et de la société dans une petite ville du Kansas en 1928, menaçant l'avenir de leur relation.L'amour des jeunes amoureux Deanie et Bud est submergé par les attentes oppressives de leurs parents et de la société dans une petite ville du Kansas en 1928, menaçant l'avenir de leur relation.

  • Réalisation
    • Elia Kazan
  • Scénario
    • William Inge
  • Casting principal
    • Natalie Wood
    • Warren Beatty
    • Pat Hingle
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    24 k
    MA NOTE
    • Réalisation
      • Elia Kazan
    • Scénario
      • William Inge
    • Casting principal
      • Natalie Wood
      • Warren Beatty
      • Pat Hingle
    • 167avis d'utilisateurs
    • 72avis des critiques
    • 74Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 3 victoires et 7 nominations au total

    Vidéos1

    Official Trailer
    Trailer 3:59
    Official Trailer

    Photos121

    Voir l'affiche
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    + 114
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    Rôles principaux41

    Modifier
    Natalie Wood
    Natalie Wood
    • Wilma Dean Loomis
    Warren Beatty
    Warren Beatty
    • Bud Stamper
    Pat Hingle
    Pat Hingle
    • Ace Stamper
    Audrey Christie
    Audrey Christie
    • Mrs. Loomis
    Barbara Loden
    Barbara Loden
    • Ginny Stamper
    Zohra Lampert
    Zohra Lampert
    • Angelina
    Fred Stewart
    Fred Stewart
    • Del Loomis
    Joanna Roos
    Joanna Roos
    • Mrs. Stamper
    John McGovern
    John McGovern
    • Doc Smiley
    Jan Norris
    Jan Norris
    • Juanita Howard
    Martine Bartlett
    Martine Bartlett
    • Miss Metcalf
    Gary Lockwood
    Gary Lockwood
    • Allen 'Toots' Tuttle
    Sandy Dennis
    Sandy Dennis
    • Kay
    Crystal Field
    Crystal Field
    • Hazel
    Marla Adams
    Marla Adams
    • June
    Lynn Loring
    Lynn Loring
    • Carolyn
    Phyllis Diller
    Phyllis Diller
    • Texas Guinan
    Sean Garrison
    Sean Garrison
    • Glenn
    • Réalisation
      • Elia Kazan
    • Scénario
      • William Inge
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs167

    7,723.6K
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    Avis à la une

    9bob-790-196018

    A celebration of romantic love, sex included

    This is a fine movie, with a great screenplay by William Inge, director Elia Kazan's ability to convey powerful emotions, and a marvelous performance by Natalie Wood.

    Typically relegated to the second ranks among playwrights, Inge deserves more critical respect than he receives. Here, as in "Picnic," he celebrates romantic love, shows how inseparable it is from sex, and portrays the damage done by a conventional world that insists on separating them.

    We belittle the small-town characters in the film, who see the world in terms of "good" girls and "bad" girls, but many reviewers have shown a similarly reductionist outlook on a more sophisticated level. They have seen this movie as "Freudian," showing love to be a sublimation of sex. Or they have belittled it as just another "rebellious youth" film of the type that was so popular in the 1950s and early 1960s. Pauline Kael wrote about Natalie Wood's apparently too active "behind," and on TCM, Robert Osborne introduced the movie as one in which the young couple is motivated by "hormones."

    In the movie, it is plain that the young couple truly love each other, and it is also plain that they desire each other sexually. So it always will be with young people in love. This is the glory of romance. People frequently love without a sexual involvement, and people frequently have sex without love. But romantic love is a matter of both "body" and "soul" acting as one.
    8itsvalli

    Natalie wood at her best!

    this is not a moving story. this is not awfully romantic or sentimental. but what this is, its a wonderful expression of indecision and mental stigma that you go through adolescence - not just in 60s even now I would imagine.

    one of the most recognizable starts in the film history. its worth watching just for this opening sequence.

    Beatty's first film. great find. scenes with his dad are wonderfully done.

    Natalie wood - perfect. superb actress.

    awesome end! Don't miss it.
    9antoniocasaca123

    Perhaps the best film ever to show the consequences of sexual repression

    I found the film beautiful. Perhaps the best film ever to show the consequences of sexual repression. Natalie Wood is absolutely superb, both in terms of beauty and in terms of her fantastic performance. Warren Beatty, in his first film role, is fine too. Elia Kazan knew how to make movies. This "splendor in the grass", "on the waterfront", "a streetcar named desire", among others, are movies that remain in our memory, which made us experience sensations and feelings, which "touched" us in our soul.
    cinefilo-6

    A Masterpiece a film to never forget.

    This one of the greatest movies i ever seen.Everything is perfect. Based on a play by William Inge,Natalie Wood shines in every scene and also marks the movie debut of Warren Beatty. The Movie is a true classic directed by master Elia Kazan,set in Kansas during depression era a love story between a rich boy (Beatty) and poor girl (Wood),the families are against the romance. The supporting players also giving good performances including Pat Hingle and Audrey Christie. I watched this movie many times and when is released in DVD in Brazil,i want to buy. Natalie carries the movie with dignity and how great actress she was,a tour de force she gives and unfortunately,she didnt receive the academy award she really deserves.Her performance have academy award caliber and she never get the recognition she really deserves. But for all fans she did marvelous movies,many of them classics like "Splendor in the Grass".
    8Boba_Fett1138

    Love can drive you really crazy.

    It must have been so easy and tempting to turn this movie into something overblown and melodramatic but the reason why "Splendor in the Grass" works out is because it doesn't fall for any of that and manages to be an original and effective movie within its genre, without actually featuring an original story.

    It's fair to say that it's being thanks to Elia Kazan's directing and storytelling technique that this movie works out as something so effective and powerful. He slowly lays everything out and develops the story and all of its characters and their (love) relationships with each other. It makes all of its build up work out, as well as the pay off, at the end of it all. It besides is being a movie that really give all of its actors the room to really shine and tell the story, at times without using any words.

    Natalie Wood and Warren Beatty were such a great young screen couple within this movie. You could really feel their love and all of their emotions within this movie. But the movie has many more other great characters and actors in it, such as Pat Hingle, in perhaps his very best role. Such a shame that as an actor he never really received the recognition he deserved because he was a really capable one, who had a wide range as well.

    The movie doesn't ever get overblown or sappy, despite of all of its heavy handed subjects in it. I mean, lots of stuff and drama is happening in this movie but yet it really manages to remain a really down to Earth one. Really no matter how unlikely the story ever gets, the movie manages to make everything come across as something realistic. You can feel all of the emotions the characters have to suffer through, which is of course about the biggest compliment you can ever give any drama.

    Really a must-see if you're into old fashioned, big, family-drama's.

    8/10

    http://bobafett1138.blogspot.com/

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Right before shooting was set to begin, Pat Hingle suffered devastating injuries when he accidentally fell 54 feet down an elevator shaft in his apartment building. It would take Hingle over a year to fully recover from the accident. In the meantime, however, he decided to go ahead and do the film - he would simply incorporate his limp into the character. "I broke everything," Hingle said later. "I landed upright, so I broke hips and knees and ankles and ribs, and that sort of thing. That lurching walk that Ace Stamper has - that was as good as I could walk."
    • Gaffes
      During the bathtub scene, there is chunk of dry ice providing the "steam".
    • Citations

      Miss Metcalf: Now, what do you think the poet means by this line ? Deanie Loomis.

      Wilma Dean: I'm sorry, Miss Metcalf. I... I didn't hear the question.

      Miss Metcalf: Well, I know it's Spring, Deanie, but I must ask you to pay more attention. I quoted some lines from Wordsworth's Ode on Intimations of Immortality, Deanie. Did you hear them ?

      Wilma Dean: I'm afraid not Miss Metcalf.

      Miss Metcalf: Well, then I must ask to turn your text to page 380...

      Wilma Dean: Yes.

      Miss Metcalf: You read the lines to me. Stand, please.

      Wilma Dean: "Though nothing can bring back the hour/Of splendor in the grass, glory in the flower/We will grieve not. Rather find/Strengh in what remains behind..."

      Miss Metcalf: Now, perhaps you can tell me exactly what the poet means by such expressions as "Splendor in the grass" and "Glory in the Flower".

      Wilma Dean: Well, I think it have some...

      Miss Metcalf: Yes ?

      Wilma Dean: Well, when we're young, we looks at thing very idealistically I guess. And I think Woodsworth means that... that when we're grow-up... then, we have to... forget the ideals of youth... and find strength... Miss Metcalf, may I please be...?

    • Crédits fous
      There is no end title; the picture simply fades to black.
    • Connexions
      Edited into Histoire(s) du cinéma: Une histoire seule (1989)
    • Bandes originales
      Auld Lang Syne
      (1788) (uncredited)

      Traditional Scottish music

      Lyrics by Robert Burns

      Sung on New Year's Eve

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    FAQ22

    • How long is Splendor in the Grass?Alimenté par Alexa
    • What is "Splendor in the Grass" about?
    • Is "Splendor in the Grass" based on a book?
    • From where does the film's title come?

    Détails

    Modifier
    • Date de sortie
      • 31 janvier 1962 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Esplendor en la hierba
    • Lieux de tournage
      • High Falls, New York, États-Unis
    • Sociétés de production
      • Newtown Productions
      • NBI Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 8 720 000 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 4min(124 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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