L'amour des jeunes amoureux Deanie et Bud est submergé par les attentes oppressives de leurs parents et de la société dans une petite ville du Kansas en 1928, menaçant l'avenir de leur relat... Tout lireL'amour des jeunes amoureux Deanie et Bud est submergé par les attentes oppressives de leurs parents et de la société dans une petite ville du Kansas en 1928, menaçant l'avenir de leur relation.L'amour des jeunes amoureux Deanie et Bud est submergé par les attentes oppressives de leurs parents et de la société dans une petite ville du Kansas en 1928, menaçant l'avenir de leur relation.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 3 victoires et 7 nominations au total
Avis à la une
Typically relegated to the second ranks among playwrights, Inge deserves more critical respect than he receives. Here, as in "Picnic," he celebrates romantic love, shows how inseparable it is from sex, and portrays the damage done by a conventional world that insists on separating them.
We belittle the small-town characters in the film, who see the world in terms of "good" girls and "bad" girls, but many reviewers have shown a similarly reductionist outlook on a more sophisticated level. They have seen this movie as "Freudian," showing love to be a sublimation of sex. Or they have belittled it as just another "rebellious youth" film of the type that was so popular in the 1950s and early 1960s. Pauline Kael wrote about Natalie Wood's apparently too active "behind," and on TCM, Robert Osborne introduced the movie as one in which the young couple is motivated by "hormones."
In the movie, it is plain that the young couple truly love each other, and it is also plain that they desire each other sexually. So it always will be with young people in love. This is the glory of romance. People frequently love without a sexual involvement, and people frequently have sex without love. But romantic love is a matter of both "body" and "soul" acting as one.
one of the most recognizable starts in the film history. its worth watching just for this opening sequence.
Beatty's first film. great find. scenes with his dad are wonderfully done.
Natalie wood - perfect. superb actress.
awesome end! Don't miss it.
It's fair to say that it's being thanks to Elia Kazan's directing and storytelling technique that this movie works out as something so effective and powerful. He slowly lays everything out and develops the story and all of its characters and their (love) relationships with each other. It makes all of its build up work out, as well as the pay off, at the end of it all. It besides is being a movie that really give all of its actors the room to really shine and tell the story, at times without using any words.
Natalie Wood and Warren Beatty were such a great young screen couple within this movie. You could really feel their love and all of their emotions within this movie. But the movie has many more other great characters and actors in it, such as Pat Hingle, in perhaps his very best role. Such a shame that as an actor he never really received the recognition he deserved because he was a really capable one, who had a wide range as well.
The movie doesn't ever get overblown or sappy, despite of all of its heavy handed subjects in it. I mean, lots of stuff and drama is happening in this movie but yet it really manages to remain a really down to Earth one. Really no matter how unlikely the story ever gets, the movie manages to make everything come across as something realistic. You can feel all of the emotions the characters have to suffer through, which is of course about the biggest compliment you can ever give any drama.
Really a must-see if you're into old fashioned, big, family-drama's.
8/10
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Le saviez-vous
- AnecdotesRight before shooting was set to begin, Pat Hingle suffered devastating injuries when he accidentally fell 54 feet down an elevator shaft in his apartment building. It would take Hingle over a year to fully recover from the accident. In the meantime, however, he decided to go ahead and do the film - he would simply incorporate his limp into the character. "I broke everything," Hingle said later. "I landed upright, so I broke hips and knees and ankles and ribs, and that sort of thing. That lurching walk that Ace Stamper has - that was as good as I could walk."
- GaffesDuring the bathtub scene, there is chunk of dry ice providing the "steam".
- Citations
Miss Metcalf: Now, what do you think the poet means by this line ? Deanie Loomis.
Wilma Dean: I'm sorry, Miss Metcalf. I... I didn't hear the question.
Miss Metcalf: Well, I know it's Spring, Deanie, but I must ask you to pay more attention. I quoted some lines from Wordsworth's Ode on Intimations of Immortality, Deanie. Did you hear them ?
Wilma Dean: I'm afraid not Miss Metcalf.
Miss Metcalf: Well, then I must ask to turn your text to page 380...
Wilma Dean: Yes.
Miss Metcalf: You read the lines to me. Stand, please.
Wilma Dean: "Though nothing can bring back the hour/Of splendor in the grass, glory in the flower/We will grieve not. Rather find/Strengh in what remains behind..."
Miss Metcalf: Now, perhaps you can tell me exactly what the poet means by such expressions as "Splendor in the grass" and "Glory in the Flower".
Wilma Dean: Well, I think it have some...
Miss Metcalf: Yes ?
Wilma Dean: Well, when we're young, we looks at thing very idealistically I guess. And I think Woodsworth means that... that when we're grow-up... then, we have to... forget the ideals of youth... and find strength... Miss Metcalf, may I please be...?
- Crédits fousThere is no end title; the picture simply fades to black.
- ConnexionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- Bandes originalesAuld Lang Syne
(1788) (uncredited)
Traditional Scottish music
Lyrics by Robert Burns
Sung on New Year's Eve
Meilleurs choix
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 8 720 000 $US
- Durée
- 2h 4min(124 min)
- Couleur
- Rapport de forme
- 1.85 : 1