The Sinister Urge

This movie is so unintentionally funny, like all Ed Wood movies. It's not on the same level as Plan 9 from Outer Space, but it comes mighty darn close. Not only that, but MST3K riffed it, as well. That raises the humor level about a hundred points. I recommend it to anyone with a love for bad movies.

In a very ironic twist, the anti-pornography film, "This Sinister Urge", was made by Ed Wood, Jr.....and all of his subsequent films were, in fact, porno movies! While by today's standards the Wood films of the 1960s and 70s were pretty tame, nonetheless they were filled with nudity and were shown in theaters in the roughest parts of town! He was responsible at that time for such 'classics' as "Sex Orgy", "Nympho Cycler", "One Million AC/DC" and "Necromania: A Tale of Weird Love"!

Of course, Ed Wood, Jr. is known less for his porn and more for his 1950s craptastic films...perhaps the worst movies of the era. Think about it...he was responsible for "Jail Bait", "Bride of the Monster", "Glen or Glenda" and "Plan 9 From Outer Space"!! All of these movies are terrible in every way...the acting, the scripts (if they even had one), direction,....the works. So is "The Sinister Urge" any better than Wood's typical output?

The film opens with a horribly filmed scene of a half-naked woman running towards the camera. It's gratuitous but also very badly done...with a very shaky camera and it's artless to say the least. Soon a weirdo shows up and is apparently chasing her. Soon, he murders her (perhaps he does more...but the film cuts away but strongly implies she's sexually assaulted). What follows is a police investigation of the crime as well as the snuff film* industry.

The acting is often terrible in this film. 'Actors' often have trouble delivering their lines or over-emphasize the wrong words or syllables. The murderer showed all the subtlety of Snidely Whiplash! With a competent director and reasonable budget, they would have re-shot these awkward scenes.

I was also surprised as the film does show some nudity...even though it's usually not associated with Wood's soft-core output. I have a hard time believing even in 1960 that Wood had an easy time showing such a film in traditional theaters and it must have either run in porno theaters or was taken on the road and shown in odd locations here and there. All I know is that for an anti-porn film, it shows a surprising amount of flesh!!

Overall, it's pretty much an Ed Wood film....need I say more?!



*Snuff films have been widely talked about over the years and supposedly show actual murders perpetrated for the audience's amusement. However, there's no evidence that any such films ever have been made. Do the research....you'll see what I mean.

Edward D. Wood Jr (or E.D. Wood credited for the film) is practically revered today as a filmmaker forgotten and neglected in his time as just another Shlock-Meister of B-movie (or Z-movie) cinema. His legacy is now, well, being the ultimate in bad schlock kind of movie-making, where you can almost see the sets about the tear at the seams, the actors going through their lines like they know they won't get any pay for it, and camera-work (and perhaps editing too) that becomes jarring in the worst possible ways. While the Sinister Urge, Wood's last 'real' film before diving deep into obscure porn directing (ironic considering the film's subject here), does not have a kind of classically bad way about it like Plan 9 From Outer Space. That film has since become a kind of cult classic where the actor in place of the late Bela Lugosi in the film, the various props and sets (including the 'saucers'), and horrendous narration becomes most of the ironic fun. The Sinister Urge in comparison doesn't have that impressive ambition to be something more than it can never be, as this film is nothing more than an under-cooked 'warning' film about porn movies, and the people who may kill to be apart of them.

The Sinister Urge is 71 minutes long, which doesn't overstay its welcome (though one may try and define 'welcome' with an Ed Wood picture) as a film with many static camera angles and very few moments of ingenuity. One of those- the scene where the brakes don't work with the car- is ironically successful, as it really shouldn't be at all workable as a scene, but as a little piece of suspense it could be worse. Most of the rest of the picture isn't so lucky- again, many, many actors who seem like they are not only content to not become stars, they're almost doomed to be in pictures like Wood's. Often the performances are wooden, but of course part of the real problem with watching such actors is the often silly dialog. It tries to be 'realistic', but Wood has no gripe with stopping somewhere to have a character (usually the lead cop character) to lay out a dull speech about the message of the story. On top of the story not really being too coherent, anyway, the director's method of the 'cut, print, perfect' method can be seen quite often with some laughable mistakes abound.

Now, does all of this make the Sinister Urge as astoundingly, amusingly bad as Plan 9? Not really; there's nothing too memorable about how the film is bad here, unless you're a die-hard fan of the director. He does try here and there to keep some storytelling merit, with his style being so uncomplicated and static it shows his ambition. But the lack of talent overcomes everything else, not to mention the cardboard-sided points of the film. It's also not too unworthy of the Mystery Science Theater 3000 treatment either, which has now made the film available on DVD. The commentary is spot-on usually and funny, though as with Plan 9 you may still want to make wisecracks on your own. That's Wood as the mustached guy who fights at the Cafeteria in one scene.

"The Sinister Urge" is proof if any was ever needed that Ed Wood was a completely and utterly inept writer and director. He does, of course, have a surprising number of fans who actually like some of his work ("Bride of the Monster", I have to admit, isn't really all that bad of a film), but "The Sinister Urge" is so chock-full of Ed Wood clichés (redundant dialogue, amazingly bad acting, and taking hypocritical preaching to a whole new level are but few of the features of this film).

I've seen "The Sinister Urge" several times in its "Mystery Science Theater 3000" version, which features some of the funniest and most seemingly random riffs in the history of that show- one scene features Mike and the bots breaking into song... but I won't spoil that for you. Tonight I watched this film without their aid and it is a prime example of complete cinematic incompetence. From start to finish the script is unbelievably bad, not even in an earnest "Plan 9" sort of way- there's only the occasional laugh here, unless you can find humor in something so pathetically horrid. Similarly, Wood is incapable of even a second of flair in his direction of the film.

There are people in this world who will tell you with a straight face that this is a fine film, an indictment of the seedy world of pornography (oh let's face it, compared to what we have going now, the porn industry in 1960 was one big huge convent). These people are absolutely, unequivocally NUTS. One only has too look at Wood's filmography to see that he had already written several smut films, including notorious early nudie Western "Revenge of the Virgins", prior to this film's release.

"The Sinister Urge" is one of the most boring, plodding, miserable excuses for a film in all of cinema. I'm not a big fan of picking on Ed Wood, to be honest, but this is proof (along with the many other films of his that aren't widely known) that Wood is an astoundingly incompetent director.

1/10

The Sinister Urge (1960)

* 1/2 (out of 4)

Edward D. Wood, Jr.'s hard-hitting look at the smut business has Lt. Carson (Kenne Duncan) and Sgt. Stone (Duke Moore) trying to solve a couple murders where the victims had just taken part in the pornography world. They believe the victims can be traced to a certain woman (Jean Fontaine) but they need to find out who's actually doing the killing. THE SINISTER URGE is Wood's attempt to show how ugly and evil the porn business is so I guess it's kind of ironic that this would be his last directing job for ten years until he would start working in, you guessed it, the porn business. As you'd expect, this here is a pretty poor film that like most of Wood's stuff has an interesting idea but the story is all over the place and in the end it just makes no sense. It seems that Wood was wanting to do the story about a psycho turned on by porn and then mix in a detective tale and the two items just didn't mix very well. The film is certainly a tad bit sleazier than the normal 1960 production but this doesn't make up for the weak dialogue or bad performances. It's funny but the film really puts down those who take advantage of girls who come to Hollywood to become stars and the film also preaches that girls should just stay home. The first female victim has such a Southern accent that I'm guessing Wood found her as she stepped off the bus. Wood's regular outlaws (Duncan, Moore, Conrad Brooks) are all here and it's worth noting that this here was Duncan's last feature film. Fans of Wood's work will still want to check this out but it's certainly miles behind his classics.