La chambre des tortures

The movie adapted from Edgar Allan Poe is par excellence a movie made up of sketches:for instance ,"tre passi nel delirio"(Fellini,Malle,Vadim,1968) encompassed three short stories.

The problem with Edgar Poe's short stories lies in the fact that they are...short!Here Richard Matheson double-jumped his contemporaries by combining elements from several Poe stories in a single classy film. Some kind of" the writer's greatest hits " so to speak.

The beloved late wife subject directly comes from "Morella" which will be filmed by Corman in "tales of terror" the following year.The doomed house which is slowly sinking down recalls "the fall of the House of Usher"."Burried alive" or "premature burial" plays a prominent part in the plot too.The walled up character was present in "the black cat" and "the cask of Amontillado".As for "the pit and the pendulum",it provides the movie with its final,but it's only a small segment of the whole.

The actors are excellent ,the sets wonderfully Gothic,but there's something hollow in these Corman movies.Fellini was able to transcend Poe (eg segment "Tobby Dammit" in "tre passi nel delirio") ,Corman remains a respectful director,and one sees little of the madness which emanates from Poe's best works.The same goes for such works as "premature burial" or "tales of terror".Outside technically,it does not show any improvement on,for instance Jean Epstein's (helped by Luis Bunuel)"chute de la maison Usher" a silent movie from 1928.

In the mid-16th century, Englishman Francis Barnard (John Kerr) travels to the Spanish castle of Nicholas Medina (Vincent Price) to try and uncover the details surrounding the sudden death of his sister Elizabeth (Barbara Steele), Nicholas's wife. Soon after arriving at the castle, Francis begins to suspect that Nicholas is hiding the truth, but what he eventually discovers is far more terrible than he could have imagined.

I'm not the greatest fan of the Roger Corman/Edgar Allen Poe cycle of films, finding their combination of creaky Gothic trappings, trite atmospherics and overwrought melodrama just a little too cheesy to be wholly effective; for much of the time, Pit and the Pendulum is just the same, with Price hamming it up and Corman laying on the eeriness with a trowel.

Thankfully, the film is short enough to prevent boredom kicking in and is saved somewhat by a great final act that provides one or two neat twists, some well handled excitement (the razor-sharp pendulum of the title finally making an appearance, swinging to and fro above a shackled Francis) and a befitting closing shot (I won't say what it is, but it's a corker).

Boy, If I hadn't read another review beforehand which suggested hanging around for the end of this film, even if one gets bored early on, I might have given up on it. I'm glad I stayed with it. It's true; the last part is terrific.

Once again, Vincent Price, as billed, has the lead and deserves the recognition as he emotes as only he could. The surprise is that Price plays such a wimp in this movie, which is out of character for him in his horror films but then - bang! - his REAL personality comes out. Ole Vinny fooled us all. It's shocking and it's pure Price. You'll love it! Price plays, "Nicholas," a guy with a bad family tree. His father tortured people during the Spanish Inquisition and poor "Nicholas" saw his uncle and mother die, too, in the torture chambers of his father's castle (which is a pretty cool place, by the way)..

John Kerr, a horrible actor in this movie, plays a guy ("Francis") to comes to the castle to find out what happened to his sister who had recently died. Oh yeah, she was married to Nicholas. That guy just has no luck with relatives.

I won't say what happens but involves some neat twists and helps make up for the corny and somewhat-boring dialog of the first hour. Talk about torture, though. The first hour, especially the first 20 minutes, is torture to get through. Then a couple of cool all-blue flashback scenes spiced up things for a few minutes, and then it was snooze time until the last 20 minutes which were great!

That last quarter hour is really a hoot for horror fans, especially the last shot!

Even though it's not strictly faithful to Poe's original short story, The Pit and the Pendulum is still an effective and eerie adaptation. Vincent Price plays his part well, and the supporting cast is strong, too. This movie is able to create a suspenseful sense of fear and dread that you don't get from many horror films today. Well done, Roger Corman.

Three legendary figures, one in writing, and one in film-making, and one in acting are responsible for bringing The Pit and the Pendulum to life. It's Edgar Allen Poe's story about a brother struggling to come to terms about how his sister's untimely death happened. He goes to the mansion of Nicholas Medina, played by the magnificent Vincent Price, to look for answers. The Pit and the Pendulum for a 60's movie is attention getting by how powerful and mystique the actors and actresses characters are, and the brilliant story and script that intertwines very nicely. Roger Corman direction was astounding as well, making me realize why he's so acclaimed by his film-making peers. The Pit and the Pendulum is a nice little horror flick that I watched with no expectations and had no regrets spending the time and money to watch it.