Ajouter une intrigue dans votre langueDuring the Mongol invasion of Poland, a conflict between Mongol Emperor Genghis Khan and his oldest son Ogotai ensues when the former aims for peace and the latter itches for war and conques... Tout lireDuring the Mongol invasion of Poland, a conflict between Mongol Emperor Genghis Khan and his oldest son Ogotai ensues when the former aims for peace and the latter itches for war and conquest.During the Mongol invasion of Poland, a conflict between Mongol Emperor Genghis Khan and his oldest son Ogotai ensues when the former aims for peace and the latter itches for war and conquest.
- Réalisation
- Scénario
- Casting principal
Lawrence Montaigne
- L'aleato di Stefano
- (as Lawrenc Montaigne)
Mario Colli
- Boris
- (non crédité)
Andrej Gardenin
- Fencer
- (non crédité)
Janine Hendy
- La danzatrice nell'harem
- (non crédité)
Avis à la une
The story of this movie takes place in the middle ages at a time when Genghis Khan's Mongolian army was threatening Europe. It centers around the adventures of a Polish knight who wants to save the town Kraków from being taken by the cruel enemy.
The creators of the movie put much effort into the scenery and even more effort into the costumes. But they did not put any effort at all into the script or into acting. The plot is as simple-minded as if it had been invented by some twelve year old boys, playing cops and robbers. The dialog consists of stupid, hollow phrases. This alone would already make the movie a bad movie.
However its weaknesses go beyond that. The background music is not only unbearable symphonic rubbish. It is also inappropriately matched to the atmosphere of the individual scenes. Even the optical aspects that seem to have been the film maker's only focus are flawed. I do not have sufficient historical knowledge to judge about the historical correctness of costumes, weapons and other equipment. But I am quite sure that ordinary Polish women in the middle ages did not possess a hairstyle, makeup, and manicure like models in the early 1960's, especially if they were hiding from the Mongolian army in the marshland.
This having been said, it is almost unnecessary to mention that even the main story line is far from telling a true story about Genghis Khan's time.
There is no reason to watch this film, as long as you do not want to see how much can go wrong simultaneously with a single movie.
The creators of the movie put much effort into the scenery and even more effort into the costumes. But they did not put any effort at all into the script or into acting. The plot is as simple-minded as if it had been invented by some twelve year old boys, playing cops and robbers. The dialog consists of stupid, hollow phrases. This alone would already make the movie a bad movie.
However its weaknesses go beyond that. The background music is not only unbearable symphonic rubbish. It is also inappropriately matched to the atmosphere of the individual scenes. Even the optical aspects that seem to have been the film maker's only focus are flawed. I do not have sufficient historical knowledge to judge about the historical correctness of costumes, weapons and other equipment. But I am quite sure that ordinary Polish women in the middle ages did not possess a hairstyle, makeup, and manicure like models in the early 1960's, especially if they were hiding from the Mongolian army in the marshland.
This having been said, it is almost unnecessary to mention that even the main story line is far from telling a true story about Genghis Khan's time.
There is no reason to watch this film, as long as you do not want to see how much can go wrong simultaneously with a single movie.
During the Mongol invasion of Poland, a conflict between Mongol Emperor Genghis Khan and his oldest son Ogotai ensues when the former aims for peace and the latter itches for war and conquest.
Plenty of whipping, men hogtied to a wheel, great landscapes, arrows flying and more whipping can be found in this solid spectacle that has an engaging plot and some good action scenes (the battle scene at the end is well-staged and is quite violent with arrows piercing necks, face stabbings), but it's Jack Palance who steals the thunder as he lives up to his reputation as a scene chewing extraordinaire- he plays the battle-crazed son of Genghis Khan who has megalomaniac designs and wants to rage war. Palance plays him as a battle loving psycho with an apoplectic fit. Not slouching in the villain stakes is Anita Ekberg, who is beautiful yet deadly. She's a Lady Macbeth-like character, whispering sweet nothings consisting of causing mayhem into Palance's ear, not that he needs any more encouragement on that score! Interesting bit is that Palance had her family slain and she's obviously was a captive ... now his paramour. A devious and treacherous one to boot. Franco Silvo does well as the hero and so does Antonella Lualdi, who is quite a looker. The Mongols isn't a history film but a fun spectacle.
Plenty of whipping, men hogtied to a wheel, great landscapes, arrows flying and more whipping can be found in this solid spectacle that has an engaging plot and some good action scenes (the battle scene at the end is well-staged and is quite violent with arrows piercing necks, face stabbings), but it's Jack Palance who steals the thunder as he lives up to his reputation as a scene chewing extraordinaire- he plays the battle-crazed son of Genghis Khan who has megalomaniac designs and wants to rage war. Palance plays him as a battle loving psycho with an apoplectic fit. Not slouching in the villain stakes is Anita Ekberg, who is beautiful yet deadly. She's a Lady Macbeth-like character, whispering sweet nothings consisting of causing mayhem into Palance's ear, not that he needs any more encouragement on that score! Interesting bit is that Palance had her family slain and she's obviously was a captive ... now his paramour. A devious and treacherous one to boot. Franco Silvo does well as the hero and so does Antonella Lualdi, who is quite a looker. The Mongols isn't a history film but a fun spectacle.
Historical adventure flick, but average epic movie, with known actors and a lot of extras, in fact it packs a cast of hundreds, if not of thousands. Genghis Khan: Roldano Lupi, lustful of territory and power invades Poland along with his encroaching army , sweeping in blood and fire the European countries. Then the Polish prince attempts to make peace but Attila's son, Ogotai : Jack Palance, rejects it , being supported by his lover, the Swedish/Italian model-actress Anita Ekberg who portrays Hulina, an action woman perfectly capable matching him in badness and brutality, both of whom wish wage war. Along the way they try to conquer the Polish stronghold of Cracow. While the Poles, wary of the approaching Mongols send Stefan of Cracow : Franco Silva, to negotiate a peace arrangement with Genghis Khan and his another son Temujin : Gabriele Antonini. By the way Stefan of Cracow enters into a love/hate relationship with a Polish village girl who finishes falsely believing that Stefan klled her would-be betrothed.
This spectacular sword and sandal film shot in Yugoslavia packs noisy action, large frames of men on horseback ready to fight, breathtaking battles , a scorning love story, thrills , hokey historical happenings and a cast of thousands. The picture is partially based on historic events about the Mongol encroachment over North and Central Europe. Weak screenplay by Luciano Martino, Ernesto Gastaldi, Ugo Guerra, blending various facts with no much sense. Overacting by Jack Palance, as usual, as the violent and cruel Ogotai, he is at his menacing here . Palance dominates this historical adventure with his hysterical acting as a relentless warrior with only one thrist : bloody revenge and annihilation. Palance played several exotic/historical roles featuring plenty of treachery and deviousness, such as as The Silver Chalice, Attila, Revak the rebel, Rosmunda and Alboino, The horsemen, Barrabas, among others. He is well accompanied by a good support cast, such as : Antonella Lualdi, Franco Silva, Roldano Lupi, Montaigne, Pierre Cressoy, Gabriella Pallotta, Gabriele Antonini, George Wang and Gianni Garco : Sartana.
It contains colorful cinematography by Aldo Giordani and epic in score, shot on location in habitual Yugoslavia outdoors . And rousing and moving musical score by Mario Nascimbene. This costumer motion picture was regularly directed by Andre De Toth (Carson City, House of wax, Springfield rifle, Passport to Suez, Man in the saddle, Riding shotgun, Pitfall, Tanganika, Hidden fear), Leopoldo Savona (Two little orphans, Apocalypse Joe, Killer kid, Byleth, Fra Diavolo, Texas the Red) and Riccardo Freda (Il vampiri, Teodora, Horrible Dr Hitchcock, Beatriz Cenci, Benbenutto Cellini, Spartaco, Maciste in court of the great Khan), this latter uncredited. Rating 5.5/10. Passable and acceptable but mediocre.
This spectacular sword and sandal film shot in Yugoslavia packs noisy action, large frames of men on horseback ready to fight, breathtaking battles , a scorning love story, thrills , hokey historical happenings and a cast of thousands. The picture is partially based on historic events about the Mongol encroachment over North and Central Europe. Weak screenplay by Luciano Martino, Ernesto Gastaldi, Ugo Guerra, blending various facts with no much sense. Overacting by Jack Palance, as usual, as the violent and cruel Ogotai, he is at his menacing here . Palance dominates this historical adventure with his hysterical acting as a relentless warrior with only one thrist : bloody revenge and annihilation. Palance played several exotic/historical roles featuring plenty of treachery and deviousness, such as as The Silver Chalice, Attila, Revak the rebel, Rosmunda and Alboino, The horsemen, Barrabas, among others. He is well accompanied by a good support cast, such as : Antonella Lualdi, Franco Silva, Roldano Lupi, Montaigne, Pierre Cressoy, Gabriella Pallotta, Gabriele Antonini, George Wang and Gianni Garco : Sartana.
It contains colorful cinematography by Aldo Giordani and epic in score, shot on location in habitual Yugoslavia outdoors . And rousing and moving musical score by Mario Nascimbene. This costumer motion picture was regularly directed by Andre De Toth (Carson City, House of wax, Springfield rifle, Passport to Suez, Man in the saddle, Riding shotgun, Pitfall, Tanganika, Hidden fear), Leopoldo Savona (Two little orphans, Apocalypse Joe, Killer kid, Byleth, Fra Diavolo, Texas the Red) and Riccardo Freda (Il vampiri, Teodora, Horrible Dr Hitchcock, Beatriz Cenci, Benbenutto Cellini, Spartaco, Maciste in court of the great Khan), this latter uncredited. Rating 5.5/10. Passable and acceptable but mediocre.
I've wanted to watch this movie for a long time based on the performance of Jack Palance in a previous role as Atilla in "Sign of the Pagan". I wasn't disappointed in Palance's performance as Ogatai but as a whole this film was very inconsistent and horribly incorrect historically. To say the writers of this movie took liberties with history is an understatement. The great battle between the Mongols and the combined armies of Europe did take place, but not with the results described in the movie. In fact, the Mongols did have the opportunity to move much further westward into Europe, except by chance were diverted back home due to the death of the emperor and than later resumed their campaign toward the south/west and the Middle East, considered more attractive at this time in history. The movie does have some lavish costumes and epic battles, but it also often repeats the same footage over and over again. This movie actually had some potential with the amount of money it seemed to have in its production, but somebody dropped the ball in terms of editing, music and story. Blond haired Anita Ekberg as Ogatai's lover at first glance seems absurd, but plausible when you consider that the Mongols conquered all of Asia and most of Eastern Europe. Her acting is actually fairly good. The movie is worth seeing if your a fan of Jack Palance, his character of Ogatai is a unique one.
It makes me laugh . Genghis Khan don't die by the hand of his daughter in law in Poland he died from burbonic plague in China. The Mongol Empire beat the crap out of polish and hungarian and they reach Wien.in 1241 , 14 years after Geghis Khan died. When his son. Ogotai dies the invasion has stopped, , Poland never be an obstacle in front of.anybody. Stepen of Crakow it's an invented personage , he never existed. Mongols never suffer a defeat like americans never had a win or a neuron .As a fiction movie it's an easy to watch movie with gorgeous Anita Ekberg.and Antonella Lualdi , but has nothing to do with reality like western media nowdays.
Le saviez-vous
- AnecdotesPopularized by John Green's Crash Course YouTube series (three-second raid scene) every time he uses the phrase "The Mongols".
- GaffesDuring an invasion of the Mongols a character is seen dressed in a sleeveless jacket defending another nailed to a wheel. Ogotai (Jack Palance) drags him down with his whip, only this time the character has lost his sleeveless leather jacket, and is wearing only a wide shirt.
- ConnexionsFeatured in Crash Course: World History: The Agricultural Revolution (2012)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Mongols
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 55min(115 min)
- Rapport de forme
- 2.35 : 1
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