Mothra

After a typhoon, four shipwreck survivors are founded on Infant Island. This site had been used by Rolisica for atomic testing but the men show no ill effects. They recount that previously unknown natives had protected them by feeding them a special juice. A joint expedition is sent and strange things are discovered including two miniature women. The natives are massacred and the two fairies are kidnapped. The giant moth creature Mothra is hatched by the natives.

The colors are bright. The story is strange. Mothra doesn't appear until halfway through the movie. The tiny singers are the strangest cinematic creations and that's in the same movie as Mothra. There is a lot of miniature and green screen work. This is a classic Japanese monster movie.

I think what makes this movie special is not the "giant insect" aspect but the mysticism involved. Godzilla is a legend in the original at least but Mothra is actually a deity--and a hands-on deity at that. Inlikethe other creatures in this bestiary, Monthra is beloved of those who live with it and is protected by it, often by direct intercession.

Unlike the other monsters, Mothra can die, and has done so. But it continues to protect its people by reproducing the old fashioned way--it lays eggs. IT is also intelligent and intuitive, and its nature is NOT aggressive or violent. It's almost Buddhist in nature.

The only other time they tried to work this kind of mysticism into these movies was with King Cesar--a giant cocker spaniel with contacts. The beast was just too goofy to be taken seriously.

Mothra is a great addition to the canon.

A greedy businessman captures two little(and I mean little) fairies from a remote, thought-to-be deserted island, only to showcase them to public much like Carl Denham does with King Kong. Of course Nelson Clark's scale is miniature. The Japanese people represented by some scientists and a chubby newspaper reporter and his sidekick photographer try to rescue the girls and return them to their home before Mothra, a giant caterpillar then moth, comes to Tokyo to retrieve them, leaving devastation in its wake. Inshiro Honda directed this marvelous film, and his directorial touch is very evident. The film has many beautiful color backgrounds, some great music(love the song the Ito sisters sing), solid acting from all, and some pretty nice miniature sets. The "monster" itself really is good, despite its destruction of the Japanese countryside, part of Tokyo, and New Kirk City in Roscilica(Beats me where the names here came from). A film very unlike its Godzilla counterparts in spirit.

They'd done Godzilla. They'd brought us color monster madness with Rodan. Now Toho continue to improve their Kaiju films with Mothra. Once again Mothra is the result of nuclear radiation, but those themes are just around to explain her size. The main plot is Mothra's rescue attempt of two miniature women taken from her island. Strange? Certainly, but it's nice to see the monster with a clear agenda and some actual motivation. The models and effects are the best so far. Remote controlled vehicles, green screen, monster puppets, are all thrown in to give us some truly exhilarating city smash ups. Even when "people" are obviously dolls, it's OK. Films don't have to be a replacement for the imagination. I was never dragged out of the film's universe, and the scenes of the dam bursting had me appreciating film making more than any CGI filled computer game-a-like. The use of a fictionalized nation allows you to easily ignore any overbearing political agendas. It isn't as dark as the previous efforts. But when your monster is a big moth, you don't get as much horror. Luckily, it also manages to create a more atmospheric and artistic approach. Mothra's initial hatching is juxtaposed with a beautiful and rather trippy song. A tale of, once again, man's mistakes. Only this time, it's the exploitation of these mistakes that brings destruction.

Shipwreck survivors are found on Beiru, an island previously used for atomic tests. Amazingly free of radiation effects, they believe they were protected by a special juice given to them by the natives.

Nothing much to say about this one. I only knew Mothra as an adversary to Godzilla and was interested in seeing the film where he debuts and predates his epic fight with the lizard of destruction. It is a good story and gets to the heart of the Mothra myth with the singing fairies that summon him.

While maybe not as iconic as Godzilla, Mothra is a kaiju worthy of his own film series (which he has), and those interested in Toho's work really ought to check it out.