La marque

I caught this film on TV back in the late 70s. A local station showed it late one night with no cuts and no commercial interruptions. Over 20 years later I still remember it. Even when I saw it (about 1979) it was strong stuff for TV. For one thing it shows the child molestor (Stuart Whitman) in a sympathetic light...you see he has no power over his impulses and, at one point, gets sick just before he's about to molest a small girl. Then there are the scenes of group therapy when he's in prison--the language is pretty frank (again, for its time) and it doesn't hold back in its subject matter.

It doers have its slow moments when him and Maria Schell were falling in love, but the performances by Whitman and Schell pull it through. The film is (almost) ruined by a stupid happy ending (probably imposed by the studio)...almost. It's sadly a forgotten film today...purportedly there was a DVD release earlier this year with no fanfare whatsoever. Still, this is worth searching out. It deals with a sensitive subject intelligently and with taste. See "Happiness" for a much more graphic view.

This movie deals well with an unpopular but sadly common problem in our society. Child molestation is repulsive and rightfully condemned by society; but, short of executing the offenders, what can be done to prevent the offenders from harming others? Stuart Whitman plays the paroled molester as a very troubled man trying to control his sexual disease with the help of his psychiatrist (Rod Steiger)and also tries to establish a normal relationship with a mature woman (Maria Schell). There are very good performances in this movie by Whitman and Rod Steiger especially, with very good supporting performance from Maria Schell. It will be interesting to compare this movie with the new movie on the same subject starring Kevin Bacon as the paroled child molester.

The groundbreaking "The Mark" has now been released on a splendidly restored widescreen DVD with commentary by director Guy Green and star Stuart Whitman. Green admits that if the Whitman character had actually followed through on his child molesting tendencies and attacked the little girl he takes for a drive, the film would never have been made, as it would have been too difficult to keep the audience caring and sympathetic to such a man. While Whitman has fantasies and comes close to acting them out, he recognizes that he has a problem and turns himself in for psychiatric treatment, which is largely successful. The focus then shifts from his attempts to reintegrate himself back into society to the misunderstanding and persecution he experiences from those around him once they hear of his arrest. Thus the film can congratulate itself on being daring while staying well within the "safe zone." It's one of those movies that can pretend to be controversial while carefully editing out all the elements in it that would really make it so. This may be why it has been largely forgotten today. "The Mark" is engrossing as far as it goes, and avoids overt titillation (other than the kind that comes from dealing with such a story at all). It's expertly directed and acted by a fine cast. However, for a film that deals with the psychology of a child molester with complete honesty and candor, you would have to turn to Todd Solandz's heartbreaking, yet brilliantly funny and insightful "Happiness."

I had never heard of this movie before I saw it. In fact, I almost didn't watch it at all. As the black and white opening credits rolled, it looked cheap, and the cast wasn't all that impressive, but I had some dead time and took a chance. I'm glad I did. The story revolves around a man, who in the midst of an emotional crisis, almost sexually assaults a 10 yr old child. He is so appalled by what he almost did, that he offers no defense and spends three years in prison. After release, he enters into group therapy, and eventually individual therapy to work through his doubts. The story picks up from there. With the help of the therapist he finds a job, gets a promotion, falls in love with a co-worker, and is about to get his life back together. But as in most movies, at some point, it all hits the fan. I won't go further into the storyline, because it turned out to be a nail biter for me, and I would like it to do the same for you. Instead, let me comment on the performances. Stuart Whitman plays the lead, and does he ever play it. He has never been an expressive actor, but he hits every emotion required here, and there are lots of them. Sadness, optimism, doubt, fear, guilt, love. He does it all. Maria Schell plays the love interest, and practically every gesture is a marvel. Just a quick example. In a very emotional scene, she pulls out a hanky, puts it to her nose and blows it - loudly. How many times have you seen a principal actress put a hanky to her nose and actually make a noise? Rod Steiger plays the shrink, and he does it so well, he made mine look like an amateur. This is a British production from 20th Century Fox, but most buffs will recognize most of the supporting cast. Every one a pro. This movie was released in 1961 and could have turned into an exploitation flick. In fact, that's what I was afraid of. But instead, it was a sensitive, gut wrenching glimpse into a subject most people would rather not deal with. Well done.

Stuart Whitman gives an excellent portrayal in "The Mark," today a generally forgotten film of the early 60s. He brings to his character a depth and sensitivity that makes us care about his outcome.

The film subject itself is quite mature and challenging, yet Whitman and a fine multinational cast create a revealing portrait of a provocative psychiatric study.

Whitman was not awarded before or after this film with as meaty a role, and as a result we were deprived of similar quality work by this most gifted actor.