Léon Morin, prêtre

This is a movie that is partly about Christianity, but it doesn't only speak to a Christian audience. First and foremost, this is a movie about characters facing difficult realities, and finding different sorts of solace in each other.

I must say, Leon Morin was a fantastic character. I'm sure its due to a combination of great acting and writing. It's the kind of priest that you can imagine having long talks with, and the kind of person you can both disagree with and show great respect. I'm sure this movie has opened up the eyes of many when it comes to what a catholic priest can be.

The backdrop of the story, the second world war in a French town, is interesting, and even though it's not really a war movie, the war is always present in one way or the other.

While watching the movie, there were times that I thought it was too slow, but after finishing it, those moments were all forgotten. The movie doesn't have a complex plot, or all that dramatic scenes. But there's so much going on between the characters, that it captures you on two levels. One is the conversations themselves, with arguments for and against God (etc.), but the other is decoding the feelings that the characters have for each other. It's easy to expect a cliché, but the movie handled the situation really well.

I saw it at different ages. and I perceived it as one of films who transforms , in profound sense, its viewer. in a special, precise manner. it is not simple to define the sense of this change. and, for not give a to subjective answer, you say only than Belmondo did the role of his life, fragile, delicate, dramatic, so simple, and Riva preserves the flavors of "Hiroshima , mon amour", using in inspired manner. it is a war film, a religious one and a love story. and something more who , after the final scene, is reflected by a state of soul. that could be all.

I generally do not go much for Melvilles's works:a lot of them deal with manly friendship among hoodlums ;they were influenced by the American film noir genre ,as for instance Robert Wise's "odds against tomorrow" but they do not equal them.There are sometimes gigantic metaphysical pretensions ("le cercle rouge" (1970);"le samouraï (1967)).Besides, these works are overlong,slow-moving and dull.

Paradoxically,his works I find the most intriguing and interesting are his non-gangsters movies:both "le silence de la mer" (1948) and "l'armée des ombres" (1969) deal with French resistance during WW2 and they are both commendable."Les enfants terribles" (1950)perfectly captures Cocteau 's spirit .And then there's "Leon Morin prêtre".

This movie is a different matter ,because its main purpose is religion.A cast against type Jean-Paul Belmondo (whom Melville would direct again the following year in "Le doulos" )rises to the occasion and thus shows he could have been more ambitious in his future career.But facing Emmanuelle Riva ("Hiroshima mon amour" ) was not an easy task,because ambitious she definitely is:one of the subtlest actresses French cinema had ever known,she never had the career she deserved because her playing was too brilliant and probably scared most of the directors .Here she delivers the goods:her part of an atheist who meets a priest during WW2 is very austere and may repel some,but her performance is thoroughly fascinating.The first line she says to priest Morin is "Religion is the opium of the people:then begins a bewildering story,during which she regains faith.And this renaissance is ambiguous:is-it because of the tragical events that stem from the war that surrounds them -one of her friend's son is sent to a concentration camp ,and he'll never return-? Is it because she is madly in love with the priest -one scene shows her try to get him into her bed-?Is it because hers is such an unfulfilled life -a daughter,but no partner-?Is it because of the priest's convincing words ,now simple,now very intellectual?The movie consists of very long conversation about faith -a whole scene revolves around Christ's famous words :"my God why have you forsaken me?"-.

That's why I would recommend the movie to people interested in theology ,or simply to believers.The others may yawn their head off.

Director Jean-Pierre Melville, a French independent, had two great films in the 50s, but is best known for Le Samouraï, Le Cercle Rouge, and Le Doulos. I particularly liked his Army of Shadows.

Le Doulos also stars Jean-Paul Belmondo, who plays a priest out of type in this film set during the German occupation of France. Those expecting more of Melville's film noir, will be disappointed.

The film is mostly a series of theological discussions with Emmanuelle Riva (Hiroshima Mon Amour, Three Colors: Blue), whom he turns from her communist, atheist ways.

It was an interesting film from the beginning. Father Morin was a most interesting Priest, and one constantly wonders what will happen. After all, you never see him teaching men. It is always young women, and he has no hesitation in taking them into his room and closing the door. He is free with his hand, touching them often. Where will this lead?

A very good film, and ranks among Melville's best.

For years now,the over all theme of religion in cinema has managed to touch more than it's share of raw nerves,both in the U.S.A.,as well as Europe (does anyone remember the brou-ha-ha that was raised over Jean Luc Goddard's 'Hail Mary',back in the mid 1980's,or 'The Last Temptation Of Christ',in 1988,or even 'The Life Of Brian'in 1979?). Long before all of that,there was a film that I'm sure raised some folk's eyebrows in 1961. That film was 'Leon Morin,Priest'. The story concerns a newly widowed young woman known as Barny,played by Emmanuel Riva,who is a self avowed atheist,who is seeking advice from a local priest,named Leon Morin,played by (then)France's matinée idol,Jean Paul Belmando ('Breathless',and way too many to mention here). The time is world war 2,and the small village Barny lives in is being invaded by Germans,Italians & later,American soldiers. What starts out as a series of conversations on spiritual matters,turns to unrequited love,which turns more serious as the story unfolds. Jean Pierre Melville (who was generally more known for his film noir crime epics, such as 'Le Cercle Rouge','Le Samourai','Army Of Shadows',etc.)directs & writes the story & screenplay,based on the novel by Beatrix Beck, in a film that tests one woman's temptation for the heart of another man. The rest of the cast (unknown by yours truly)turn in fine performances. The crisp,black & white cinematography by Henri Decae makes real good use of light & shadow (especially if the print quality is good to excellent),and the use of distance between the two characters,which eventually merge closer as the story goes on. Not exactly top shelf Melville,but none the less,still worth a look. Most European prints of this film originally ran 130 minutes,but unfortunately,the North American distributed print clocks in at 117 minutes (including the newly printed re-issue edition). Spoken mostly in French,with a wee bit of German,with English subtitles. Not rated by the MPAA,this film contains some minor adult content,and a rude word,or two.