Le Tombeur de ces dames

While I do not like this movie much, Helen Traubel's performance deserves all the stars. While she is a legend as one of the best sopranos, if not the best, she deserves much more acclaim regarding her performances as an actor too. What a shame that Rudolf Bing had not renewed her contract at the Met.

I enjoyed this movie and parts did make me laugh. Jerry Lewis is certainly an acquired taste however. When the movie started, I was worried and thought I would abhor the rest. It opens with a ridiculously over acted and unfunny scene where acts devastated to spot the girl with another guy. It was more cringe inducing than funny. This kind of slapstick might have caused a few laughs back in the 60s but it's almost unbearable to watch now.

That being said, there were parts in the movie I did find funny, as silly as they might have been. The bit with the method acting with the girl slapping him. The man and the hat. George raft. The butterflies flying out. Also, I do love the setting!

To summarise, humour is sometimes a bit forced, slightly outdated but still has its moments and charm.

Jerry Lewis made one of his best solo films in 1960. "The Bellboy" had VERY little plot and consisted of a bazillion little gags all strung together with Jerry working as a bellboy at a fancy hotel. The gags came so rapidly that even the ones that fell flat didn't slow the film down and you can't help but like the movie. A year later, Lewis created a film with some similarities to "The Bellboy" but it just didn't work as well for two main reasons. First, there is a tiny bit more plot--but this was a minor problem. Second, and by far the biggest problem, is Lewis' performance. He is LOUD--L, O, U, D!!!!!! Throughout the film is literally screams about every minute and there is very little subtlety to the film. A few of the characters (such as Miss Wellenmelon) were also incredibly loud--as if screaming or singing in a LOUD voice was funny in and of itself. Now it's not a total loss, as, like the other film, there are so many gags that occasionally they worked--such as the performance by Jerry's mother (you gotta see that one) or 'Baby'. But, again and again, all the momentum is derailed by just going too far--too loud, too unsubtle and just too much. It's a shame, as some things about the film are great and sure could have worked a lot better. For example, the set is about the coolest one I have seen--very similar to a giant doll house. It must have cost a fortune to build this cutout house--and in some of the long shots, it really impresses. Had the film only shown more restraint, it EASILY could have been scored a 7 or higher. A shame, but a wasted opportunity.

I think it´s time we recognize something that should be said a long time ago: Jerry Lewis is a genius and "Ladies´Man" is his most amazing production. The enormous doll´s house he has created serves perfectly for the development of a succesion of hilarious gags that will make the audience fall from their chairs. Using cranes to shoot the scenes, Lewis obtains beautiful scenes and perfectly timed humor. A band playing lively, walls that move, the partition of the main character in four and lots of beautiful girls complete the picture. Believe me when i say: this man knows what he is doing and it´s about time we accept that he is not just a silly clown; he is a talented and creative filmmaker who took movie techniques to its extremes and gave us both a comic and tragic view of the world we live in. Jerry Lewis is what Godard was to french cinema: an innovator. Let´s adore him.

There's not much plot to The Ladies Man. Jerry Lewis plays new college graduate Herbert Heebert who finds his beloved on the day of his graduation in the arms of another. Depressed and somewhat disgusted he starts looking for work vowing never to marry and live a bachelor life.

Bob Hope did a film called Bachelor In Paradise around this time. But what he had was nothing compared to the situation that Lewis winds up with. He answers an advertisement for a handyman and finds it's in a private house that has been converted to a residential hotel for women. Beautiful young woman. Hugh Hefner's Playboy Mansion has nothing on this place. But the only way to keep him from leaving is to make sure that Jerry feels needed.

After that the whole film becomes a series of skits, some better than others, the best being what he does to tough guy Buddy Lester's hat. Running a close second is his bungling during a live broadcast from the house for a television feature. Helen Traubel plays the owner of the house, a former opera star who has turned her place into this residence because she wanted a family, apparently a family of just daughters.

Jerry directed himself and possibly The Ladies Man might have been a real classic if a comedy director had controlled Jerry just a little bit. Still give Jerry Lewis a big A for effort and B+ for results.