Le Tombeur de ces dames

Herbert H. Heebert (Jerry Lewis) is broken hearted when he finds his childhood sweetheart with another man. Swearing off women for good he accepts a job at a boarding house run by Helen Wellenmellen (Helen Traubel), unaware that it's a women only house-and it's full of them! Could it be that they can be good for Herbert and he be good for them?

Jerry Lewis stars, co-writes and directs a virtually plot less film that's almost entirely set in one magnificent mansion set. As was the case with many of Lewis' film's, it relies on his character creation to bring in the laughs. Which is the case here, the problem being that his surrounding cast are not of the required standard to fully form the comedy. With the exception of the dependable Kathleen Freeman, nobody else comes forward to raise some laughs or enhance on Jerry's goofing. Thus Lewis has to once again carry the can, which works to a degree, but entering the last third the joke that is Herbert Heebert starts to wear thin and only his hardiest fans will be able to stay with him. There's many musings on the film across various internet sources that delve deep into the piece as some sort of masterpiece of sexual identity, machismo empowerment and etc. I don't see it myself, but maybe that's just because I want a Jerry Lewis movie to make me howl with laughter above all else! And for sure The Ladies Man does do that on occasions; because it ultimately is a comic vehicle for Lewis, as a soloist, that works splendidly. His direction is excellent with the camera work around the house fluid and very involving, while the Technicolor production really sparkles and enhances the rich visuals available around the star of the show--the set! A good but not great film, but Lewis as ever, to us his fans, entertains royally. 6/10

Sure, it's spotty with its gags (what Lewis film isn't?) but it looks fantastic and the gags that work are hilarious...good sight gags with Buddy Lester, some funny surreal stuff (the lipstick on the painting, the butterfly collection and that great white room sequence with Harry James's Band and Miss Cartilage)..Lewis's reactions to "Baby" are a scream...even the opening titles bit with LOOK magazine is funny... ..downsides...well, the ad libbing with Kathleen Freeman doesn't always work and the serious story with Pat Stanley could be excised (for the better), but who cares?...this and Nutty Professor are definitely his best

Anyway, here Jerry is at something close to his (solo) best as a jilted man who finds himself inadvertently at the beck and call of a house full of movie actress wannabes, and misadventures abound. The house itself was a huge sound stage set with the fourth wall cut away so that the camera could zoom in and around, capturing Lewis' trademark ballets of catastrophe to excellent effect. He really was a marvel at comedic staging and there is some great stuff here. Unfortunately, you also have to take the rest of the Lewis formula too - the sappy romantic sentimentality, the awkward chemistry with his female co-stars and the contrived love sub-plots with girls who ought to have had the good sense to run screaming for the opposite coast as soon as the first catastrophe ended. Honestly are we really supposed to buy the belief that love conquers even Jerry's level of incompetence? Anyway, this movie should be enjoyed for its merits, which are considerable for any fan of comedy cinema, while discreetly closing one eye to its contrivances.

While I do not like this movie much, Helen Traubel's performance deserves all the stars. While she is a legend as one of the best sopranos, if not the best, she deserves much more acclaim regarding her performances as an actor too. What a shame that Rudolf Bing had not renewed her contract at the Met.

I think it´s time we recognize something that should be said a long time ago: Jerry Lewis is a genius and "Ladies´Man" is his most amazing production. The enormous doll´s house he has created serves perfectly for the development of a succesion of hilarious gags that will make the audience fall from their chairs. Using cranes to shoot the scenes, Lewis obtains beautiful scenes and perfectly timed humor. A band playing lively, walls that move, the partition of the main character in four and lots of beautiful girls complete the picture. Believe me when i say: this man knows what he is doing and it´s about time we accept that he is not just a silly clown; he is a talented and creative filmmaker who took movie techniques to its extremes and gave us both a comic and tragic view of the world we live in. Jerry Lewis is what Godard was to french cinema: an innovator. Let´s adore him.