Le roi des rois

Everything fits together as soon as the film opens with Orson Welles' narrating the story of the Son of God. Little Jesus grows up to be the very American and impossibly blue-eyed Jeffrey Hunter (his opening scene with Robert Ryan's Baptist is superb), who goes on to cure the lame, the insane, the blind, rehabilitate Mary Magdelene, and all the usual things. Hunter is very good in the role, which may have been surprising at the time given his previous form in Westerns (and later in Star Trek's pilot episode!). Other good points - Hurd 'Dorian Gray' Hatfield as Pilate, the dance of the seven veils, the ending, the glorious score ...

It fits together better than The Greatest Story Ever Told, which got too starry and was spoiled by John Wayne's son of gawd. Here everyone knows their place and the religious context remains unscathed by the whitewash of Hollywood. Excellent.

A recent screening of "King of Kings" at New York's Museum of Modern Art (Gramercy Theater) proved the durability of this production. A sizable group of people were prepared to titter or howl at what they thought would be another mindless Biblical epic -- instead, they were quickly absorbed and attentive to the film's virtues: its reverence, economy, visual beauty, and especially Jeffrey Hunter's quietly commanding Christ. Yes, this is still the good film based on the New Testament (with some subtle and searching script additions). Thanks still go to Nicholas Ray for his tactful, expert handling of a timeless story.

MGM must be credited with bankrolling this expensive project. True, their objectives were probably mercenary, hoping to cash in on their earlier commercial success, "Ben Hur." Still, the big studio can't be faulted for choosing Nicholas Ray to head their massive enterprise. Ray's work's always worth watching, and here he proves he can lead a gigantic spectacle to impressive heights.

Miklos Rozsa's "inspirational" score is notable for its prominent use of voices and thematic motifs. Philip Yordan and his writing colleagues fashion a respectable script.

Orson Welles manages to subdue his often florid histrionic tendencies to render outstanding narration.

Further credit to MGM for engaging a more than decent cast of solid professionals, headed by Siobhan McKenna, Hurd Hatfield, Viveca Lindfors, Rip Torn and Robert Ryan.

Kudos to the second unit and art direction, and to the fine photography and striking costumes.

Jeffery Hunter must be given credit for taking on an impossible role and coming out not too badly.

As for the validity of its historicity, that may be an entirely different matter, and each viewer must draw his and her own conclusions on this. With a story as old as the hills, there isn't much room left for many fresh insights, and what gives this interest is the big studio that mounts this ancient tale.

In this case, MGM and crew made a pretty good show.

The story of Jesus has been told many times from the very beginning of the movies, but this version, underrated when first released, is one of the best.

KING OF KINGS creates and sustains a dignified yet highly entertaining tone that is unique among biblical epics. The screenplay is extremely intelligent and effective, concentrating not just on Jesus, but on the society and personalities that surround him. Pilate, Caiaphas, Mary, John the Baptist, Mary Magdalene, the apostles, and a sublimely oversexed Salome are all well-drawn characters and well-cast, especially in contrast to the uncomfortable "superstar cameo" approach George Stevens used in his inferior "Greatest Story Ever Told".

The political background is well handled, making clear the wish of Judas and others that Jesus foment a revolution to free the Jews from Roman rule.

Handsome, myopic Jeffrey Hunter may not be a great actor, but his low-key, measured performance matches the overall design of the film very well. Orson Welles' rapt, mellifluous narration is a plus, as is Roschka's passionate musical score.

Definitely see this letter-boxed to appreciate the gorgeous scenery, photography, and spectacular scenes.

This movie is so underrated. I think it's one of the best movies about Christ which was well played by Jeffery Hunter. There was also a great supporting cast that included Sobian McKenna, Robert Ryan and many others. Why this film

didn't get any attention at the 1961 Oscars, i'll never know. I would have given this film an Oscar Nomination for Miklos Rosza's music score which is one of his best scores ever. I think also the set designs were pretty good and worth of an Oscar nomination as well. The Cinematography was pretty good even though

there was better work at that time. I think this movie beats 1965's "The Greatest Story Ever Told" which went way too long and just wasn't as interesting as this one. Nicholas Ray did a great job with this one and this film deserved a lot more than it got.