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Jules et Jim

  • 1962
  • Tous publics
  • 1h 45min
NOTE IMDb
7,7/10
46 k
MA NOTE
Jules et Jim (1962)
Regarder Bande-annonce [OV]
Lire trailer3:10
1 Video
99+ photos
DrameRomanceDrame psychologiqueDrames historiquesRomance tragique

Un triangle amoureux entre deux amis et une femme impulsive sur plusieurs décennies.Un triangle amoureux entre deux amis et une femme impulsive sur plusieurs décennies.Un triangle amoureux entre deux amis et une femme impulsive sur plusieurs décennies.

  • Réalisation
    • François Truffaut
  • Scénario
    • Henri-Pierre Roché
    • François Truffaut
    • Jean Gruault
  • Casting principal
    • Jeanne Moreau
    • Oskar Werner
    • Henri Serre
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    46 k
    MA NOTE
    • Réalisation
      • François Truffaut
    • Scénario
      • Henri-Pierre Roché
      • François Truffaut
      • Jean Gruault
    • Casting principal
      • Jeanne Moreau
      • Oskar Werner
      • Henri Serre
    • 165avis d'utilisateurs
    • 102avis des critiques
    • 97Métascore
  • Voir les informations de production sur IMDbPro
    • Nomination aux 2 BAFTA Awards
      • 3 victoires et 4 nominations au total

    Vidéos1

    Bande-annonce [OV]
    Trailer 3:10
    Bande-annonce [OV]

    Photos147

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
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    + 140
    Voir l'affiche

    Rôles principaux18

    Modifier
    Jeanne Moreau
    Jeanne Moreau
    • Catherine
    Oskar Werner
    Oskar Werner
    • Jules
    • (as Oscar Werner)
    Henri Serre
    Henri Serre
    • Jim
    Vanna Urbino
    Vanna Urbino
    • Gilberte
    Serge Rezvani
    Serge Rezvani
    • Albert
    • (as Bassiak)
    Anny Nelsen
    Anny Nelsen
    • Lucie
    Sabine Haudepin
    Sabine Haudepin
    • Sabine - La Petite
    Marie Dubois
    Marie Dubois
    • Thérèse
    Michel Subor
    Michel Subor
    • Récitant
    • (voix)
    • …
    Danielle Bassiak
    • Compagnon d'Albert
    • (non crédité)
    Elen Bober
    Elen Bober
    • Mathilde
    • (non crédité)
    Pierre Fabre
    Pierre Fabre
    • Ivrogne in Cafe'
    • (non crédité)
    Dominique Lacarrière
    Dominique Lacarrière
    • Une des femmes
    • (non crédité)
    Bernard Largemains
    • Merlin
    • (non crédité)
    Kate Noelle
    • Birgitta
    • (non crédité)
    Jean-Louis Richard
    Jean-Louis Richard
    • Cliente au Cafe'
    • (non crédité)
    Michel Varesano
    • Cliente au Cafe'
    • (non crédité)
    Christiane Wagner
    • Helga
    • (non crédité)
    • Réalisation
      • François Truffaut
    • Scénario
      • Henri-Pierre Roché
      • François Truffaut
      • Jean Gruault
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs165

    7,746.1K
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    10

    Avis à la une

    juanveliz7

    You end up loving it!

    This is the first movie by Truffault I've ever seen, and I have to say I'm now very intrigued in his other work...

    "Jules et Jim" is the story of two friends who meet a very beautiful and strange woman who turns up to be a bit unstable...

    It starts with how they all meet each other and end up together... I thought the beginning was pretty fast as many things happened and you just wonder if the whole movie will be like that. Also I thought I didn't care much for any character, but of course it was too quick to judge. There is also a narrator (throughout the movie) and at first you ask yourself if its really necessary...

    Still, when I decided to go grab a snack, I realized I was so hooked by the story that I couldn't. The characters behaved like no other I've seen and you find yourself wanting two different things: for it to end and for it never to end.

    The movie has it's many twists for those who like, even a laugh here and there, but if you see it as a whole is a very deep description of the relationship between the three main characters.

    The end is somehow beautiful, maybe because is "fair", maybe because is "real", maybe because is "surreal", you'll just have to watch and find out...

    Is one of those movies when after watching it you understand both sides: those who say it's overrated and those who claim it's a masterpiece... to me it was a one in a lifetime film experience
    8Xstal

    The Power of Love...

    Two lads from different backgrounds form a bond, a French boy with dark hair, an Austrian blond, quite Bohemian in their ways, taking pleasure all their days, and then Catherine makes it three, and waves her wand. Jim is smitten with this beauty and he falls, but then war breaks out, and homeland duty calls, so they marry, relocate, intense fighting means a break, she has a child, world reconciles, and bonds remake. Jules travels to the home of his two friends, where the triangle rotates, gyrates and bends, now he's coupled with Catherine, but Jim feels no chagrin, though it's clear this isn't where the story ends.

    Jeanne Moreau is always outstanding!
    8rivera66_99

    Forces of Nature

    There is a book by Goethe mentioned in this movie, it's "Wahlverwandschaften", and its appearance is quite meaningful. Because the movie takes a look on human loves and lives that is quite similar to older Goethe's fatalistic world-view in his novel, very far from hope and idealisms. Strength (Moreau's character) and Weakness (Jim) are equal forces of nature, and both conduct us to death. The stoic attitude (Jules) is resignation and, seen this way, it is "weakness" too, but, on the other hand, it seems to be the STRONGEST way, because it means survival. JULES ET JIM, both in its content and in its aesthetics, has an air of antique tragedies, but - and this is more like the German novel - without complain, without crying. That's why it leaves you so "unsatisfied", and that's why it's still disturbing, even today.
    9Cheetah-6

    Whirlpool Of Days

    Those with heavy sensibilities along the lines of conventional "morality" seem to have a hard time allowing themselves to enjoy this film for what it is: A beautiful visual poem about the passing of time and the progression and growth of an unusual friendship. This friendship may be unusual but feels completely natural and true. Jules and Jim if anything, exhibit great maturity in their relationship with each other and Catherine. It's refreshing to see a film dealing with a deep love, friendship and emotional bond between two males and a mutual love for a woman, without the usual competitiveness and controlling possessiveness that is the norm. Jules and Jim come off more as an enlightened pair. It seems understood among them there is no real belonging of one human being to another. Catherine's whims of the heart are discussed between them at every stage throughout the film and they are willing to accept them and love her for who she is as well as each other.

    I do feel that this film lost it's pacing toward the end and seemed to speed up to conclusion. That being it's only flaw. Visually it is stunning. Francois Truffaut was a poet with the camera and his subtle nuances are captivating. The scenes of Jules, Jim and Catherine enjoying days together seem so natural and evoke the feel of wonderful days spent together among best friends that transported me back to days gone by.

    "we met with a kiss/ a hit, then a miss/ and we parted/ we went our own ways/ in life's whirlpool of days/ around and around we go/ together bound/ together bound."
    Bobs-9

    No -- still not getting it.

    Whenever a commentator declares outright that a film is a complete waste of time and that nobody, BUT NOBODY, should ever watch it, I tend to peg that commentator as an opinionated ass. So I would never say that about a well-respected film like "Jules and Jim." But quite honestly, I can't warm up to it. I've watched it on more than one occasion over the years, and it never fails to put me to sleep at both ends of my anatomy. I've just viewed a DVD edition in which a film scholar clearly explains his views on the fascination of "Jules and Jim." But I still couldn't see why the relationship of these three tedious characters, discussed and analyzed in all its very tedious minutiae by those same characters and an off-screen narrator (also tedious), should interest me. It's certainly beloved by academic types (maybe for those very same characteristics?), and film critics eat it up like it has gravy on it. Like another commentator, I'm a bit puzzled by all the comments about its lyrical, lighthearted and idyllic qualities. I'm left with the impression of a rather dry, academic dissertation on the complexities of male-female relationships ca. 1961 (the 1910 setting seems to me immaterial to the script).

    I can't help feeling that I'm missing something, and I'm not averse to French films, but they're usually older, pre-new-wave films, for example "Forbidden Games," "French Can-Can," or Pagnol's "Fanny" trilogy. I take it that the sentimentality of such films is one of the things new wave directors reacted against. If so, I can't jump on their bandwagon, try as I might. I've enjoyed some of Truffaut's work, but not this, I'm afraid.

    To those who love and appreciate "Jules and Jim" -- have pleasure of it. I envy you for that, and maybe I'll try it again in a few years.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Henri-Pierre Roché's original novel was based on his own experiences as a young man. The original Catherine was still alive when the film was released and even attended the premiere incognito.
    • Gaffes
      When Catherine lights the letters on fire, they are at first away from her dress, but in the next shot they are burning on top of her dress.
    • Citations

      Jim: We played with life and lost.

    • Versions alternatives
      The Criterion Region 1 disc and the Tartan Region 2 DVD have a scene in which the film is reversed left/right. When Jules, Jim, and Albert are sitting on the grass sharing stories about the war, the order of the three characters repeatedly changes between shots. This does not occur in other DVD releases of this film, including the Fox/Lorber Region 1 release.
    • Connexions
      Edited into Laggiù qualcuno mi ama (2023)
    • Bandes originales
      Le Tourbillon
      Music by Serge Rezvani

      Lyrics by Serge Rezvani

      Performed by Jeanne Moreau

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    FAQ19

    • How long is Jules and Jim?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 janvier 1962 (France)
    • Pays d’origine
      • France
    • Langues
      • Français
      • Allemand
      • Anglais
    • Aussi connu sous le nom de
      • Jules and Jim
    • Lieux de tournage
      • Cimetière du Père-Lachaise, 16 rue du Repos, Paris 20, Paris, France(ending scene)
    • Sociétés de production
      • Les Films du Carrosse
      • Sédif Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 509 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 11 206 $US
      • 25 avr. 1999
    • Montant brut mondial
      • 497 686 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 45min(105 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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