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Volupté

Titre original : Go Naked in the World
  • 1961
  • Approved
  • 1h 43min
NOTE IMDb
5,4/10
470
MA NOTE
Volupté (1961)
Regarder Official Trailer
Lire trailer2:35
1 Video
32 photos
Drame

Ajouter une intrigue dans votre langueThe son of a successful Greek emigrant is torn between his father's expectations for him and his passionate love affair with a beautiful prostitute.The son of a successful Greek emigrant is torn between his father's expectations for him and his passionate love affair with a beautiful prostitute.The son of a successful Greek emigrant is torn between his father's expectations for him and his passionate love affair with a beautiful prostitute.

  • Réalisation
    • Ranald MacDougall
    • Charles Walters
  • Scénario
    • Ranald MacDougall
    • Tom T. Chamales
  • Casting principal
    • Gina Lollobrigida
    • Anthony Franciosa
    • Ernest Borgnine
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    470
    MA NOTE
    • Réalisation
      • Ranald MacDougall
      • Charles Walters
    • Scénario
      • Ranald MacDougall
      • Tom T. Chamales
    • Casting principal
      • Gina Lollobrigida
      • Anthony Franciosa
      • Ernest Borgnine
    • 22avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 2:35
    Official Trailer

    Photos32

    Voir l'affiche
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    Voir l'affiche
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    + 25
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    Rôles principaux66

    Modifier
    Gina Lollobrigida
    Gina Lollobrigida
    • Giulietta Cameron
    Anthony Franciosa
    Anthony Franciosa
    • Nick Stratton
    Ernest Borgnine
    Ernest Borgnine
    • Pete Stratton
    Luana Patten
    Luana Patten
    • Yvonne Stratton
    Will Kuluva
    Will Kuluva
    • Argus Dlavolos
    Philip Ober
    Philip Ober
    • Josh Kebner
    John Kellogg
    John Kellogg
    • Hotel Detective
    Nancy R. Pollock
    Nancy R. Pollock
    • Mary Stratton
    Tracey Roberts
    Tracey Roberts
    • Diana
    Leon Alton
    Leon Alton
    • Nightclub Patron
    • (non crédité)
    Don Anderson
    Don Anderson
    • Party Guest
    • (non crédité)
    Rodney Bell
    • Parkson
    • (non crédité)
    Herman Belmonte
    • Nightclub Patron
    • (non crédité)
    Eumenio Blanco
    Eumenio Blanco
    • Nightclub Patron
    • (non crédité)
    Herman Boden
    • Nightclub Patron
    • (non crédité)
    Lulu Mae Bohrman
    • Nightclub Patron
    • (non crédité)
    Nina Borget
    • Party Guest
    • (non crédité)
    Paul Bradley
    Paul Bradley
    • Nightclub Patron
    • (non crédité)
    • Réalisation
      • Ranald MacDougall
      • Charles Walters
    • Scénario
      • Ranald MacDougall
      • Tom T. Chamales
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    5,4470
    1
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    5
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    9
    10

    Avis à la une

    5SnoopyStyle

    melodramatic mess

    Nick Stratton (Anthony Franciosa) has a 30 day furlough from the Army before deciding on re-enlisting. He returns home to San Francisco and falls for Giulietta Cameron (Gina Lollobrigida). His father Pete Stratton (Ernest Borgnine) is a self-made Greek immigrant construction tycoon. He is torn between his controlling father and his obsession with Giulietta who turns out to be a high class call girl.

    I don't particularly like any of these characters and I don't have the joy of hating any of them either. Nick is annoying. Italian star Gina Lollobrigida is wasted on this melodramatic role. Ernest Borgnine is probably the most compelling actor in the cast. He and his son on the high beam is the most intense scene. The son is just too pathetic and I don't like the father either in this melodramatic mess.
    6FANatic-10

    Attitudes have certainly changed

    In this lurid early 60's melodrama, Gina Lollobrigida plays a high-class call girl who meets Anthony Franciosca, the son of millionaire construction magnate Ernest Borgnine, a self-made Greek immigrant whose forceful personality and wealth dominates everyone around him. Franciosca has just gotten out of the service and is "finding himself". Franciosca is at first ignorant of Lollobrigida's calling in life, but soon gets wise and also learns that his father and seemingly half the male population in town has used her services.

    This is a fairly big budget, lushly made film, set in what looked like possibly San Francisco (?) with a side trip to Acapulco. I'm kind of a sucker for films from this era, their look and style, so it was enjoyable enough though certainly nothing great. Borgnine gives the best performance, though even his character showed a lot of inconsistency - at times, he was quite likable then you wanted to beat him over the head. Gina is voluptuous and sexy, but Franciosca, playing the weakest character, could not overcome the deficiencies of the writing. The biggest problem with the film is the inherent double standard of the time, making the sexually free woman the victim who must pay for her "sins". I'm certainly happy that things have changed in that regard.
    3mls4182

    Go nauseous in the world

    When you haven't seen a Gina Lollobrigida film in ten years her beauty really hits you in the face. She's also decked in glamorous, slinky gowns that show off her beautiful figure. Borgnine drives a gorgeous 1960 Chrysler New Yorker convertible in the film.

    Those are the only good things I can say about this movie. It us absolutely pointless. It is also boring and annoying. Franciosa overacts, Borgnine just yells and Lollo acts like she's doing everyone a favor by just appearing in the film. Well, actually, she is.

    You aren't given the time to care about the characters or get any insights into their motivations. Its just a lot of yelling.
    7HotToastyRag

    La Traviata in 1961

    I find it extremely hard to believe that no one who's seen Go Naked in the World has made the connection that it's a non-operatic version of La Traviata. It's based on Tom T. Charmales's 1959 novel, but it's a shameless copy of the famed story about a young man who falls in love with a prostitute.

    Anthony Franciosa plays the young man, his strong, stern disapproving father is Ernest Borgnine. They come from a strict Greek background, and Ernie is just as tough, demanding, controlling, and larger-than-life than you'd expect any self-made man who wants the best for his kids. Yes, he's loud and challenging and impossible, but he also had to battle more in his life than his ingrate children have had to. He's earned the right to be gruff, and beneath it all, you can tell he's coming from a place of love.

    Tony is too angry and youthful to appreciate his father's love, so rather than take a job at his extremely successful construction company, he slums it in an apartment and takes up with a beautiful prostitute, Gina Lollobrigida. He has no idea she's "the biggest call girl in town," but the audience knows it from the first scene. If you know La Traviata or Camille, you know how upset he'll get when he finds out. If you don't, you'll be extremely entertained by this heavy drama. There's an added twist to this movie that isn't present in the other stories, one that I happen to love and won't tell you about. You'll just have to rent it to find out why this particular version is so heavy.

    If you rent this naughty, post-Code "romance", you'll see three very meaty performances. All three leads are given a lot to do, and they're all very convincing. Ernie certainly made good use of his Oscar, Tony broke free of his Italian-Burt-Lancaster-persona, and Gina was challenged most of all. She's given an enormous range in her scenes, so if you're a fan of the beautiful Italian actress, you're not going to want to miss this one.
    5Ed-Shullivan

    Melodrama maelstrom that has an outdated vision of old traditional family values

    It is hard to believe that this melodrama film was released three (3) years after the much more realistic and successful (1958) Cat On A hot Tin Roof. Over the top is an understatement. Gina Lollobrigida plays a hooker who falls in love with Anthony Franciosa who is an army veteran just returning to his hometown where his wealthy industrialist father Pete Stratton played by. Ernest Borgnine has laid out a lifelong plan for his war veteran son. Nick Stratton.

    Nick obviously wants to find his own way in the world and his plan includes living life happily ever after with his hooker girlfriend,. Guilietta Cameron (Gina Lollobrigida). There's is a whirlwind romance filled with days living life to the fullest and evenings snuggled up in bed. Nick's fathers' attempts to break up his sons fruitless relationship with the hooker Guilietta cause turmoil not only between father and son but Pete Stratton's own relationship with his own wife and his only daughter also become strained.

    The acting comes across more as a live stage performance with the cast giving their very best, but like many Broadway productions this MGM film production just didn't have much meat on the bone, as well as being dry and rather tasteless.

    I give the film a bland 5 out of 10 IMDB rating.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      According to studio records, this film failed at the box office, resulting in a loss to MGM of $1,462,000 ($12.1M in 2017).
    • Gaffes
      Toutes les informations contiennent des spoilers
    • Citations

      Guilietta Cameron: You make me feel like being honest. And honest women have lonely nights. I don't want to be honest.

    • Connexions
      Referenced in La becerrada (1963)

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    FAQ

    • How long is Go Naked in the World?Alimenté par Alexa
    • Chicago Critics Wrote What About "Go Naked"?

    Détails

    Modifier
    • Date de sortie
      • 15 février 1961 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
      • Italien
      • Français
    • Aussi connu sous le nom de
      • Go Naked in the World
    • Lieux de tournage
      • Acapulco, Mexique
    • Société de production
      • Arcola Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Rapport de forme
      • 2.35 : 1

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