L'Enquête mystérieuse

THE FRIGHTENED CITY is one of the films that Sean Connery made in the year before he found fame and success as James Bond in 1962's DR. NO. This one's a crime epic with a much more complex plot than is usual for the British B-picture genre: it involves rival gangsters setting up extensive criminal operations and subsequently falling out and gunning for each other over turf and business.

Connery is the young tough brought in to restore order and he brings plenty of warmth and charisma to what is otherwise a pretty tough role. The supporting cast is very good and well worth tuning in for. Herbert Lom isn't in it too much unfortunately but Alfred Marks, who I've only previously seen in comic fare like DESERT MICE, is fine as a really hateful character. John Gregson slips into the well-worn shoes of the detective with ease. Yvonne Romain (THE CURSE OF THE WEREWOLF) is an arresting femme fatale. Patrick Holt plays another cop and George Pastell a put-upon Italian who is the subject of one or two racist gags. Kenneth Griffith bags the most sympathetic part as the crippled friend. Marianne Stone, Bruce Seton, and even Stephen Lewis (Blakey from ON THE BUSES!) appear in bit parts. There isn't a wealth of action in THE FRIGHTENED CITY, but the plot feels fresh, involved, and fast-moving, and the ending is particularly strong.

The Frightened City is one of several films where Sean Connery is getting more and more noticed, leading to the stardom he would obtain the following year as James Bond. Though he's third billed in The Frightened City, it's his performance you'll remember.

Herbert Lom, a seemingly respectable businessman, is asked to launder some money by Alfred Marks one of London's top crime bosses. It occurs to Lom he's in unique position to make some really good money off all the crime bosses of London if they can be organized. Using Marks as a front, Lom does just that and the two of them hire Connery to be their chief enforcer in their protection racket.

It all works out really well when the hoods are muscling small businessmen for protection, but when they start going after bigger targets David Davies becomes squeamish and Lom and Marks decide he's to be eliminated. They use Connery to set him up and when Connery realizes he's unwittingly helped do in a friend he becomes a man with a mission. It's never good to have Sean Connery with a mission after you.

I think you can figure out the rest of the film. The Frightened City is a plot done many times over in American noir films which cycle had ended about five years earlier in America. This one gives you a nice glimpse of the seamier side of London. It was interesting by the way to hear the objections to going after big targets who might have influence with members of Parliament and the Home Office. Crooks are the same all over the world, pick on those you think can't fight back.

John Gregson is the Scotland Yard inspector who heads what we would call the organized crime unit there. He represents the good guys, but it's the bad ones that make The Frightened City an interesting film.

One of a clutch of vintage British thrillers released by Anchor Bay Entertainment (back when it was still going by that name and enjoying its deserved status as one of the major specialist DVD labels) that also included two superior Stanley Baker efforts – Val Guest's HELL IS A CITY (1959) and Joseph Losey's THE CRIMINAL (1960). That THE FRIGHTENING CITY comes up short when compared to these two movies is perhaps unsurprising in view of the fact that director John Lemont – best-known today (if at all) for the campy monster flick KONGA (1961) – is clearly not the equal of either Guest or Losey at the top of their game. In fact, there is little evidence here of anything as individualistic as Guest's combination of wit and grit or Losey's extraordinary expressionist pyrotechnics and, ultimately, the film rises or falls on the strength of its actors. A pre-Bond Sean Connery may be third billed but he commendably carries the film on his shoulders for much of its running time; smooth-talking shady lawyer Herbert Lom is also quite good but his screen time is much less than his top billing might suggest; lock-jawed copper John Gregson adequately stands up to both men, pitting them one against the other when Connery's friend (a reluctant 'director' in Lom's crime syndicate) is shot in cold blood by Lom's sleazy partner (a scene-stealing turn from Alfred Marks). Of course, a gangster is only as good as his moll and Lom's is ambitious French singer Yvonne Romain (actually, she's half-Maltese!) who soon gets under Connery's skin (or should I say bed sheets) but does not think twice of betraying his whereabouts to the police when they threaten her with deportation! Also featured in the cast are Kenneth Griffith (as Connery's crippled ex-partner from his cat burglar days) and Italian restaurateur George Pastell (who soon finds out that 'accidents will happen' when one does not pay his dues in protection money).

"The Frightened City" paints an interesting picture of the London underworld circa 1960. Sean Connery gives a great performance as Paddy Damian a heavy who does some of the dirty work for a couple of shady crime bosses played by Alfred Marks & Herbert Lom. Lom, in particular, gives a superb performance as Waldo Zhernikov a very intelligent, suave, hard-headed businessman. John Gregson plays Detective Inspector Sayers trying his best to curb their dodgy dealings. For us lads, it has the ravishing-looking Yvonne Romain playing a dancer & singer in a nightclub owned by our crime bosses. I have read that it was his performance in this movie that led directly to Sean Connery being offered the role of James Bond the following year in the first Bond movie Dr No. A very good watch!.

'The Frightened City' stars both Sean Connery and Herbert Lom just before their iconic appearances in the Bond & Pink Panther series respectively (although Lom already had a substantial film career before The Pink Panther series).

But it wasn't the first time they appeared together, having appeared in 1957's 'Hell Drivers'. And it's this comparison that weakens TFC as while both films are similarly hard-nosed, rough-edged action films, HD is superior more interesting characters, compelling drama and more vivid action scenes.

That isn't to say TFC is a bad film - it's solidly entertaining with a good atmosphere and Connery displaying the charisma that was about to make him a major star (plus a nicely underplayed turn from Lom as the villain). But it's too conventional in its plotting and lacking great action scenes to be up to HD's level.

Still, TFC is a decent film and worth a look