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IMDbPro

Hercule à la conquête de l'Atlantide

Titre original : Ercole alla conquista di Atlantide
  • 1961
  • Unrated
  • 1h 38min
NOTE IMDb
4,4/10
1,7 k
MA NOTE
Ettore Manni, Reg Park, and Fay Spain in Hercule à la conquête de l'Atlantide (1961)
AventureComédieFantaisieL'histoire

La Reine Antinéa dirige l'Atlantide avec autorité. Elle constitue une menace sérieuse pour la Grèce. Hercule décide alors de venir en aide au roi de Thèbes, Androclés, particulièrement inqui... Tout lireLa Reine Antinéa dirige l'Atlantide avec autorité. Elle constitue une menace sérieuse pour la Grèce. Hercule décide alors de venir en aide au roi de Thèbes, Androclés, particulièrement inquiet face à cette situation.La Reine Antinéa dirige l'Atlantide avec autorité. Elle constitue une menace sérieuse pour la Grèce. Hercule décide alors de venir en aide au roi de Thèbes, Androclés, particulièrement inquiet face à cette situation.

  • Réalisation
    • Vittorio Cottafavi
  • Scénario
    • Vittorio Cottafavi
    • Sandro Continenza
    • Duccio Tessari
  • Casting principal
    • Reg Park
    • Fay Spain
    • Ettore Manni
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,4/10
    1,7 k
    MA NOTE
    • Réalisation
      • Vittorio Cottafavi
    • Scénario
      • Vittorio Cottafavi
      • Sandro Continenza
      • Duccio Tessari
    • Casting principal
      • Reg Park
      • Fay Spain
      • Ettore Manni
    • 46avis d'utilisateurs
    • 39avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos124

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    + 116
    Voir l'affiche

    Rôles principaux29

    Modifier
    Reg Park
    Reg Park
    • Ercole
    Fay Spain
    Fay Spain
    • La regina Antinea
    Ettore Manni
    Ettore Manni
    • Androclo - il re di Tebe
    Luciano Marin
    Luciano Marin
    • Illo
    Laura Efrikian
    Laura Efrikian
    • Ismene - la figlia di Antinea
    • (as Laura Altan)
    Mario Valdemarin
    Mario Valdemarin
    • Gabor - il capo dei prigionieri
    Mimmo Palmara
    Mimmo Palmara
    • Astor - il gran visir
    Salvatore Furnari
    Salvatore Furnari
    • Timoteo - il nano
    Raf Baldassarre
    Raf Baldassarre
    • Il capo delle guardie
    Mino Doro
    Mino Doro
    • Oraclo
    Luciana Angiolillo
    Luciana Angiolillo
    • Deianira - La moglie di Ercole
    Ignazio Dolce
    Ignazio Dolce
    Miss Glamor
    Tullio Altamura
    Tullio Altamura
    Alessandro Sperlì
    Alessandro Sperlì
    • Un re
    • (as Alessandro Sperli)
    Mario Petri
    Mario Petri
    • Zenith - il prete di Urano
    Gian Maria Volontè
    Gian Maria Volontè
    • il re di Sparta
    Ivo Garrani
    Ivo Garrani
    • Il re di Megalia
    • Réalisation
      • Vittorio Cottafavi
    • Scénario
      • Vittorio Cottafavi
      • Sandro Continenza
      • Duccio Tessari
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs46

    4,41.7K
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    Avis à la une

    TheVid

    A nice peplum package that compares favorably with Bava's previous effort.

    Here's another Reg Park Hercules movie on a par with Mario Bava's superb earlier film HERCULES IN THE HAUNTED WORLD. Director Cottafavi lacks Bava's visual flair, but serves up enough kitsch atmosphere and set pieces to keep things fun. Park's lunky presence and lunkheaded demeanor make him the perfect foil for the elegantly stiff Fay Spain, as the obligatory beautiful-but-evil empress of Atlantis. Cheesy monsters, a dwarf, bouffant hairdos and some deliberately-dumb, dubbed dialogue all combine to make this top-notch kitsch for peplum afficionados. And, let us repeat, "all hail Uranus!".
    6Boba_Fett1138

    Better than currently given credit for.

    This is definitely a better movie than a lot of other Italian Hercules productions out there. Not that the quality of this movie is being exceptionally high though. It still is a movie that brings some nice entertainment, no matter how ridicules the movie often gets.

    This was the first time that British Reg Park took on the Hercules role. Park was a multiple time Mr. Universe champion, just like Steve Reeves, who had played the character of Hercules in previous movie productions. His physique of course definitely helped him getting these sort of roles. His career also ended pretty soon after he started to age, like often happens to these types of 'actors'.

    Like all these sort of Italian swords and sandals productions, it's a very cheap and often laughable looking movie, even though the movie is also being grand to look at with its enormous and colorful sets. The movie does use some silly early effects, though you just can not accuse this movie of not being creative. It just doesn't always works in the movie its own advantage.

    I of course couldn't care less about the story of the movie and all that seemed to matter was that the movie. All that seems to matter for this movie is that it's being entertaining. The movie does really bring some silly fun, also long as you of course don't except a movie with class or of a very high quality.

    A better movie than most other Italian Hercules productions and also certainly way better than its current reputation and rating.

    6/10

    http://bobafett1138.blogspot.com/
    5sos12

    Solid Hercules entry -- beautiful to behold but a bit soul-less

    For nothing else, CAPTIVE WOMEN is worth checking out because it's the Reg Park-starring Herc film that preceded the epochal HERCULES IN THE HAUNTED WORLD directed by Mario Bava -- which still remains, hands down, the best of the Italian Herc movies ever made. CAPTIVE WOMEN is extremely well produced -- excellent production design and visual FX by Hercules standards -- and that's both its big plus and its big minus. The Retromedia DVD is very, very good -- in 2.35 Cinemascope, nice transfer -- and it's terrific to see a Hercules film given this kind of loving treatment. BUT -- it does point out some of the shortcomings of CAPTIVE WOMEN. Which are, mainly, that not a helluva lot happens. Herc goes sailing, a buddy goes overboard ... and he winds up in Atlantis, where the Evil Queen (note: Queens are almost always evil, and extremely smokin' hot, in Herc movies) gives him a magic potion designed to make him fall in love with her. Second note: magic potions figure prominently in a LOT of Hercules films, and they're almost always administered by smokin' hot Evil Queens trying to get Herc to fall in love with them. That's what we love about these films. Anyhow ... great production values but a bit, well, stiff somehow.
    8Maciste_Brother

    Big, colorful and fun

    Before James Bond.

    Before Indiana Jones.

    There was the Hercules series.

    Or at least the series starring Reg Park. These Hercules films were big, colorful, full of action and fun. They are also shockingly maligned, just by looking at the IMDb rating for HERCULES AND THE CAPTIVE WOMEN, which is a joke.

    HERCULES AND THE CAPTIVE WOMEN wasn't your average low-budget Sword & Sandal flick. It was shot in Technirama (expensive 70mm) and the look of it, in the widescreen version, is remarkable to say the least: big colorful sets, big cast, big action. The details, in some scenes, is stunning.

    The whole production reminds me of old serials where our hero encounters one pitfall after another. HATCW is like the missing link that bridges the gap between old serials of the 1930s/1940s and RAIDERS OF THE LOST ARK. And like James Bond films (DR NO was made a year after this), this Hercules movie is replete with vast cavernous sets which dwarf the cast and are set on the side of spectacle.

    CAPTIVE WOMEN has many highlights. My favorite part is when Hercules saves Iseme, daughter of Queen Antinea, from the clutches of Proteus. Psychedelia circa 1961, or psychedelia before psychedelia was in! The surreal look is great and precedes all other films made in the 1960s, including BARBARELLA or even Fellini films, like SATYRICON. In fact, HERCULES AND THE CAPTIVE WOMEN looks like an action film if it had been directed by Fellini. It doesn't shy away from combining odd imagery along with comic book action.

    The cast is perfect. Steve Reeves was (and still is) the definitive Hercules but beefy Reg Park fits the bill here. Park is happy just to be an action hero as opposed to Reeves who wanted to be taken seriously as an actor. Fay Spain makes a memorable evil Queen. Laura Efrikian is beautiful as Iseme. Ettore Manni, a familiar face in Peplums and a pretty good actor, lends excellent support as Hercules' best friend, Androcles.

    The film itself is not perfect. The story is a tad thin and the stock footage at the end is obviously just footage of an erupting volcano, and it definitely lacks a distinctive score to give the film that extra special character but even so, these things didn't diminish the fun I had while watching it.

    HERCULES AND THE CAPTIVE WOMEN is the kind of movie I'll be watching again and again. It just rocks!
    dbdumonteil

    Now we know....

    ...why Atlantis disappeared! Although Hercules often calls upon his Father ,Zeus -note that his son never invokes his granddad-,this is as far from Greek mythology as it can be.

    "The famous Four" best describes the plot: Hercules ,his son,Androcles (a Roman slave handed over to lions then granted an imperial pardon ,what is he doing here?) and a dwarf feel that Grece is in jeopardy.This is the beginning of an "epic" story which includes a rubber monster,a wicked queen (Antinea of course ,see one of the numerous versions of Pierre Benoit's " L'Atlantide" ),the ancestors of the clones (unless it predates Hitler's Aryan supermen),the perils of atomic radiations (?) The first scene is an interminable free-for-all in which Hercules,who is quietly enjoying his meal ,does not interfere ("help us dad!"screams his son) .Some not-so-bad scenes show a strange Androcles wandering in the queen's palace .

    It's rather silly,but it's entertaining if you do not ask too much.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the 6/15/1961 issue of the British magazine "Health and Strength," about this movie and under the title "A New Hercules," Oscar Heidenstam wrote: "Furthermore Reg Reg Park was not going to have his reputation as the greatest physique of all time mucked about by clauses in his contract that he should not weigh more than a certain amount, etc. He stipulated that if he was to play Hercules, he wanted to look like one imagined the legendary Hercules to be. He got his way and everything possible was put at his disposal for him to keep in his usual peak form during the making of this very strenuous and stupendous film. [...] The producers kept weights on the set for him, so that he could keep in tremendous physical shape. In spite of a very exhausting film schedule Reg lost only 5lb. in body weight. His normal chest is 53in. and his waist a net 32in., his body weight around 230lb. [...] Because Reg is so big they were unable to find a "stand-in'' for him, so Reg has had to do all the stunts for himself. [...] In a shipwreck scene he was badly battered and bruised when tons of water washed him into the mast and ropes.
    • Gaffes
      Near the end of the film, Hercules swims away from the island to a boat, but when he climbs aboard he is completely dry.
    • Citations

      Ismene: Today is dedicated to Uranus!

    • Versions alternatives
      For the Woolner Brothers U.S. release version, under the title "Hercules and the Captive Women", the original score has been replaced by a stock score selected by Gordon Zahler. Zahler used much of the same music he had selected for the U.S. release of Kurt Maetzig's _First Spaceship on Venus (1962)_ as well as portions of the score from Jack Arnold's _Creature From the Black Lagoon (1954)_ .
    • Connexions
      Edited into Le défi des géants (1965)

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    FAQ14

    • How long is Hercules and the Captive Women?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 août 1961 (Italie)
    • Pays d’origine
      • Italie
      • France
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • Hercules y la conquista de la Atlantida
    • Lieux de tournage
      • Cinecittà Studios, Cinecittà, Rome, Lazio, Italie(studios, as Cinecittá S.p.A.)
    • Sociétés de production
      • Comptoir Français du Film Production (CFFP)
      • SpA Cinematografica
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 38 minutes
    • Rapport de forme
      • 2.20 : 1

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