NOTE IMDb
7,2/10
17 k
MA NOTE
Au XIè siècle en Espagne, Le Cid affronte les envahisseurs Maures, les luttes intestines de pouvoir et les difficultés à conquérir la belle Chimène.Au XIè siècle en Espagne, Le Cid affronte les envahisseurs Maures, les luttes intestines de pouvoir et les difficultés à conquérir la belle Chimène.Au XIè siècle en Espagne, Le Cid affronte les envahisseurs Maures, les luttes intestines de pouvoir et les difficultés à conquérir la belle Chimène.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 7 victoires et 13 nominations au total
Geneviève Page
- Princess Urraca
- (as Genevieve Page)
Gérard Tichy
- King Ramírez
- (as Gerard Tichy)
Avis à la une
Aroused by a fanatical Moorish warlord, emir-king attack a Castilian village, where they are captured by Rodrigo Diaz de Vivar
Vigorously brave and compassionate, the noble Rodrigo hates bloodshed and vows to see his country at peace, frees the prisoners on their solemn pledge never again to attack Castile
For this act of courage and mercy, one of the Emirs, Moutamin, calls Rodrigo "El Cid," and pledges eternal friendship to the Cid of Vivar And so, in freeing the Moors, Rodrigo, accidentally, stumbled onto a battle, not to his luscious bride, but to a battle that will change his whole life
In the court of King Ferdinand, Rodrigo's act of clemency is misinterpreted, and he's accused of treason by his rival Don Ordonez for refusing to turn over to him the captures Moors
Unfortunately, Rodrigo's aged father, Don Diego, is slapped by the Champion of the king, Count Gormaz, father of his beloved Chimene Rodrigo begs Gormaz an apology; it is refused A duel begins and the champion is badly wounded Before he dies, however, he asks Chimene to avenge his death
Chimene's wish is fulfilled when King Ramiro of Aragon challenges King Ferdinand for the possession of the city of Calahorra by the outcome of a single combat El Cid convinces the king to permit him to fight Don Martin Thus, according to the custom of trial by combat, God would judge Rodrigo's guilt or innocence
"El Cid" is an intense film, lavish and spectacular, bigger than any in terms of cast and impressive as any in visual terms Miklós Rózsa gave a new dimension to the emotion that Anthony Mann was trying to express
Mann gives us a human story with a love story balanced with the most strongly image of a hero the world has ever seen He presented a man of honor who thinks always of his wife, his country, and his king first Even in death, his thoughts are for others and not himself
El Cid insults kings and noblemen in the name of justice and integrity and does what he knows to be right He battles the king's living sword in respect of his father He accepts the challenge of a champion of a king to prove himself innocent of treason and other things He shows a prince how any man can kill and only a king can give life He fights 13 knights, at the same time, to free a prisoner Yet he is in addition to all of this an extremely principled leader He accepts exile for life from the country he loves, and yet he is the only man in Spain who 'could humble a king and would give a leper to drink from his own pouch '
The joust sequence called "The fight for Calahorra," is perhaps the most rousing, exciting, one-to-one combat ever filmed The battle scenes at Valencia are taken on an epic scale But the value of Anthony Mann's movie is the characterization in which Charlton Heston played El Cid's life For this reason alone, the film is of greater value than most any other motion picture experience
Vigorously brave and compassionate, the noble Rodrigo hates bloodshed and vows to see his country at peace, frees the prisoners on their solemn pledge never again to attack Castile
For this act of courage and mercy, one of the Emirs, Moutamin, calls Rodrigo "El Cid," and pledges eternal friendship to the Cid of Vivar And so, in freeing the Moors, Rodrigo, accidentally, stumbled onto a battle, not to his luscious bride, but to a battle that will change his whole life
In the court of King Ferdinand, Rodrigo's act of clemency is misinterpreted, and he's accused of treason by his rival Don Ordonez for refusing to turn over to him the captures Moors
Unfortunately, Rodrigo's aged father, Don Diego, is slapped by the Champion of the king, Count Gormaz, father of his beloved Chimene Rodrigo begs Gormaz an apology; it is refused A duel begins and the champion is badly wounded Before he dies, however, he asks Chimene to avenge his death
Chimene's wish is fulfilled when King Ramiro of Aragon challenges King Ferdinand for the possession of the city of Calahorra by the outcome of a single combat El Cid convinces the king to permit him to fight Don Martin Thus, according to the custom of trial by combat, God would judge Rodrigo's guilt or innocence
"El Cid" is an intense film, lavish and spectacular, bigger than any in terms of cast and impressive as any in visual terms Miklós Rózsa gave a new dimension to the emotion that Anthony Mann was trying to express
Mann gives us a human story with a love story balanced with the most strongly image of a hero the world has ever seen He presented a man of honor who thinks always of his wife, his country, and his king first Even in death, his thoughts are for others and not himself
El Cid insults kings and noblemen in the name of justice and integrity and does what he knows to be right He battles the king's living sword in respect of his father He accepts the challenge of a champion of a king to prove himself innocent of treason and other things He shows a prince how any man can kill and only a king can give life He fights 13 knights, at the same time, to free a prisoner Yet he is in addition to all of this an extremely principled leader He accepts exile for life from the country he loves, and yet he is the only man in Spain who 'could humble a king and would give a leper to drink from his own pouch '
The joust sequence called "The fight for Calahorra," is perhaps the most rousing, exciting, one-to-one combat ever filmed The battle scenes at Valencia are taken on an epic scale But the value of Anthony Mann's movie is the characterization in which Charlton Heston played El Cid's life For this reason alone, the film is of greater value than most any other motion picture experience
For me, El Cid is a wonderful movie, great story, magnificent action scenes and shot very close to where the original saga is believed to have taken place. I'll never forget the image of the dead El CID riding along the beach into eternity on his magnificent white horse. Taking all this into account,I was very surprised to read where Charlton Heston said he was very disappointed with this particular movie and believed the director was not equel to the task of directing such an epic undertaking. This was not obvious to me as I found the battle scenes very exciting and very well executed, but the late MR. Heston stated that had the directing duties been undertaken by David Lean, who was his preferred choice, the movie could have been really great, rather than just "adequate" Hestons own words. Still, it remains for many people a great film and in these days of boring CG effects, it is a great example of movies as they should be made.
EL CID takes its place among the great screen epics that never allow the eye-popping spectacle to dwarf the human characters--just as "Ben-Hur" was able to do. And who else to play the legendary and noble Spanish hero than CHARLTON HESTON. He's magnificent here, playing his central role with an almost Shakespearean grandeur, as do some of the other cast members, including HERBERT LOM, JOHN FRASER and GARY RAYMOND.
So is the epic sweep of the tale and the intimate love story that begins when he is on his way to wed SOPHIA LOREN and finds himself asked to assume the mantle of leadership against the Moors in 11th century Spain. He makes the journey from peace-broker accused of treason to the King's fighting champion and later from exiled hero to legendary martyr.
Aside from the brilliant cinematography, authentic looking locales and colorful costumes, Miklos Rozsa's score adds a great deal to the intensely dramatic intimate scenes as well as the epic battles, all the while suggesting some Spanish motifs amidst the heraldic fanfares and love theme.
CHARLTON HESTON makes an impressive figure of El Cid, especially good in the final moments as the wounded leader who knows what he must ask his wife to do so that his followers do not lose heart after his death. RAF VALLONE as Count Ordonez, GENEVIEVE PAGE as Princess Urraca, JOHN FRASER as Prince Alfonso and GARY RAYMOND as Prince Sancho are all remarkable effective in strong supporting roles. In lesser roles, HURD HATFIELD and FRANK THRING bring their own brand of authority to minor parts.
Anthony Mann and his assistant directors have done an outstanding job on all of the battle scenes and he never falters in telling the tale in strong dramatic terms. There's an intensity in the scenes between Loren and Heston after he has been forced to kill her father for humiliating his own father in front of the court. Whatever friction there was between Heston and Loren on the set, works for them here because her animosity toward him is a chilling thing to watch.
The DVD has been wonderfully mastered and all of the Miklos Rozsa score sounds better than ever with Overture, Intermission and Exit music reminding us all what a treasure he was as a film composer.
So is the epic sweep of the tale and the intimate love story that begins when he is on his way to wed SOPHIA LOREN and finds himself asked to assume the mantle of leadership against the Moors in 11th century Spain. He makes the journey from peace-broker accused of treason to the King's fighting champion and later from exiled hero to legendary martyr.
Aside from the brilliant cinematography, authentic looking locales and colorful costumes, Miklos Rozsa's score adds a great deal to the intensely dramatic intimate scenes as well as the epic battles, all the while suggesting some Spanish motifs amidst the heraldic fanfares and love theme.
CHARLTON HESTON makes an impressive figure of El Cid, especially good in the final moments as the wounded leader who knows what he must ask his wife to do so that his followers do not lose heart after his death. RAF VALLONE as Count Ordonez, GENEVIEVE PAGE as Princess Urraca, JOHN FRASER as Prince Alfonso and GARY RAYMOND as Prince Sancho are all remarkable effective in strong supporting roles. In lesser roles, HURD HATFIELD and FRANK THRING bring their own brand of authority to minor parts.
Anthony Mann and his assistant directors have done an outstanding job on all of the battle scenes and he never falters in telling the tale in strong dramatic terms. There's an intensity in the scenes between Loren and Heston after he has been forced to kill her father for humiliating his own father in front of the court. Whatever friction there was between Heston and Loren on the set, works for them here because her animosity toward him is a chilling thing to watch.
The DVD has been wonderfully mastered and all of the Miklos Rozsa score sounds better than ever with Overture, Intermission and Exit music reminding us all what a treasure he was as a film composer.
I like my fair share of epics, Lawrence of Arabia, The Ten Commandments, Ben-Hur, all but to name a few. El Cid is one of the best epics I've seen, not the best, but it's up there. While long, it is always compelling with very rare a dull moment. The direction from Anthony Mann is excellent, and when it comes to the acting Charlton Heston is charismatic and powerful and Sophia Loren is stunning. That is not to forget Herbert Lom, Genvieve Page and Michael Hordern who among the great supporting cast are especially outstanding The characters are well-written and noble, and fully justified by one of the most literate scripts I feel ever in an epic. The story is also of exceptional quality, the cinematography and scenery are magnificent and Miklos Rosza's score is superlative. The action sequences also add to its sense of wonder, they are astonishing and the jousting scene is one of the best scenes in a film of this genre. Overall, an outstanding film and one of the best epics in my view. 10/10 Bethany Cox
I don't know everything about the historical fact, or the legend, of El Cid, but from what I know, I can see that a lot of it did make it into this. The story seems to stick to the truth, as far as we know it, much of the way. This has a great plot that keeps you interested. The characters are well-developed, credible and consistent. The majority of the acting performances are marvelous. This has a grand feel to it, and an epic scope, and the sweeping orchestral score helps establish and maintain it. The writing is top-notch throughout. This has a solid pace, and the three hours hold few, if any, dull moments. The dialog is well-delivered and has some quite memorable lines. This has large-scale battle sequences, and they're well-done. The production values leave nothing to be desired, and everything looks and sounds exactly right. At no point does this feel like they ran out of budget somewhere, or had to use the second-best solution to an issue they faced. They don't make 'em like this anymore. Not the best of its kind, however it is definitely worth your time. I recommend this to anyone interested in this, be it for Rodrigo, Heston, or any other reason. 7/10
Le saviez-vous
- AnecdotesAccording to the legend of El Cid, in his youth Rodrigo came across a leper sinking in quicksand crying for help, but none of the bystanders dared touch him. Rodrigo pulled him from the bog, clothed him in his cloak, housed him in a barn, and went to get him some food. When he returned, he found the leper had transformed into an angelic figure that identified himself as St. Lazarus. He said "For your bravery and kindness, you will enjoy success as a warrior. You will win battles upon battles and never know defeat." In a nice nod to the legend, this movie contains a scene wherein the banished Rodrigo encounters a thirsty leper who begs a drink. After unhesitatingly offering his own pouch, the Leper thanks him by name. "Who are you?" asks Rodrigo. "I am called Lazarus", the leper answers. Then he crosses Rodrigo with his staff. "May helping hands be extended to you everywhere you go, my Cid."
- GaffesAlone and on horseback, Rodrigo confronts a group of mounted guards escorting the prince to a dungeon. In response to Rodrigo's demand for the release of the prisoner, the captain of the guard laughingly says, "There are thirteen of us, and you are alone!" In the ensuing fight, Rodrigo, with some help from the prince, unhorses sixteen guards, and two remaining mounted ones flee, for a total of eighteen.
- Versions alternatives1993 reissue restores 16 minutes of "lost" footage.
- ConnexionsEdited into Les Sorciers de la guerre (1977)
- Bandes originalesThe Falcon and the Dove
(uncredited)
Lyrics by Paul Francis Webster
Music by Miklós Rózsa
Performed by Chorus
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El Cid
- Lieux de tournage
- Torrelobaton Castle, Valladolid, Castilla y León, Espagne(for Vivar, El Cid's home town)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 250 000 $US (estimé)
- Durée3 heures 2 minutes
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant