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IMDbPro

Interrogatoire secret

Titre original : Circle of Deception
  • 1960
  • Approved
  • 1h 40min
NOTE IMDb
6,6/10
351
MA NOTE
Interrogatoire secret (1960)
DrameGuerreRomance

Ajouter une intrigue dans votre langueUnbeknownst to him, a soldier is sent on a doomed mission because of the high likelihood of him divulging secrets if captured and tortured.Unbeknownst to him, a soldier is sent on a doomed mission because of the high likelihood of him divulging secrets if captured and tortured.Unbeknownst to him, a soldier is sent on a doomed mission because of the high likelihood of him divulging secrets if captured and tortured.

  • Réalisation
    • Jack Lee
  • Scénario
    • Nigel Balchin
    • Robert Musel
    • Alec Waugh
  • Casting principal
    • Suzy Parker
    • Bradford Dillman
    • Harry Andrews
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    351
    MA NOTE
    • Réalisation
      • Jack Lee
    • Scénario
      • Nigel Balchin
      • Robert Musel
      • Alec Waugh
    • Casting principal
      • Suzy Parker
      • Bradford Dillman
      • Harry Andrews
    • 20avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos10

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    + 3
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    Rôles principaux40

    Modifier
    Suzy Parker
    Suzy Parker
    • Lucy Bowen
    Bradford Dillman
    Bradford Dillman
    • Paul Raine
    Harry Andrews
    Harry Andrews
    • Captain Rawson
    Robert Stephens
    Robert Stephens
    • Captain Stein
    Paul Rogers
    Paul Rogers
    • Major Spence
    John Welsh
    John Welsh
    • Major Taylor
    Ronald Allen
    Ronald Allen
    • Abelson
    A.J. Brown
    • Frank Bowen
    • (as A. J. Brown)
    Martin Boddey
    Martin Boddey
    • Henry Crow
    Charles Lloyd Pack
    • Ayres
    Jacques Cey
    • Cure
    John Dearth
    John Dearth
    • Captain Ormrod
    Andre Charisse
    Andre Charisse
    • Lohman
    • (as Andre Charise)
    Stephen Dartnell
    • Brunner
    David Palmer
    • Small Boy
    Maurice Belfer
    • Cobbler
    Meier Tzelniker
    • Barman
    Richard Shaw
    • Liebert
    • Réalisation
      • Jack Lee
    • Scénario
      • Nigel Balchin
      • Robert Musel
      • Alec Waugh
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs20

    6,6351
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    Avis à la une

    7tomsview

    A hero by any other name

    Years ago, I read "Op JB" by Christopher Creighton. It was published in 1996 and was supposedly true, telling of secret missions during WW2 carried out by the author. The veracity of the book is still debated.

    I must admit I wasn't sure what to believe until I came to the part where the author claimed he was used by M-Section to persuade the Germans that the Allied invasion of Europe would focus on the Pas de Calais rather than Normandy. His superiors betrayed his identity as a British agent to the SS so that under torture he would confirm the story, which he thought to be true. He was then rescued by M-section and returned to Britain.

    That's when I thought, "I know this story". It was the plot of "Circle of Deception" starring Bradford Dillman, which I had seen in the 1960's. My belief in the book lessened considerably after I made that connection.

    "Circle of Deception" was a forerunner of the more cynical, anti-hero films about WW2 that hit with a vengeance in the 1960's. Then WW2 movies often became surrogates for the Vietnam War, which didn't get its own movies until it was over.

    "Circle of Deception" didn't have massive stars. Bradford Dillman seemed a modern sort of actor mainly from television. His character, Captain Paul Raine, is chosen for the mission because it is believed he will crack under torture and give the Nazis the misinformation the British want them to have. Whatever baggage Dillman carried in 1960 is long gone; now he is convincing as the operative who struggles to overcome his fears.

    Harry Andrews as Captain Rawson the intelligence chief who devised the mission is perfect. Head of Section roles were an Andrews' specialty.

    Suzy Parker played Lucy Bowen, Rawson's assistant who becomes romantically involved with Raine. Suzy had the look of those beautiful women that artists painted for the glossy magazine illustrations of the day; the camera loved her.

    The interrogation scenes gave the film an edge, especially Robert Stephens as the urbane German intelligence officer who played good cop against the vicious Gestapo guys. Only the prison escape at the end smacked of standard movie heroics.

    However, even after 50 years, this well-made film is still a bit of a downer with its rather ruthless sacrifice of a British agent for the greater good.
    8RanchoTuVu

    psychological warfare

    The British military brass led by Harry Andrews choose one of their own junior officers played by Bradford Dillman to go on a mission into Nazi-occupied France based on a psychological profile that he will crack under torture and reveal the false information they wish to have the Germans believe about the imminent D-Day invasion. Dillman is chosen for the mission on the recommendation of Suzy Parker, who plays Andrews administrative assistant. As a psychological drama Circle of Deception works fairly well. Parker is especially good at playing both ends, working to implement Andrews plan but also falling for Dillman. Dillman is good once he gets captured by the Germans, who torture him convincingly. After he breaks, Dillman's character has to live with himself, still believing that he let down the war effort by divulging true information.
    7blanche-2

    good WW II movie

    Bradford Dillman is a soldier chosen for a dangerous mission in "A Circle of Deception," a 1960 film also starring Suzy Parker, Harry Andrews and Robert Stephens. The story is told in flashback as Paul Raine (Dillman) remembers his assignment after a visit by his ex-lover, Lucy (Parker).

    In order to divert German troops from an attack site, Paul is chosen because according to his psychological profile, he will break under torture and give the Germans the information the Allies want them to have.

    Paul knows his mission is risky, but Lucy, an assistant to the captain (Andrews) who thought up this scheme, knows the entire story. She's enlisted to go out with Paul, since he seems interested, and evaluate if he's really the man for the job. She becomes a little more involved than planned.

    Filmed in black and white, this isn't a big budget movie, but it's good. Dillman was a young star then under contract to 20th Century Fox, but despite being both attractive and a good actor, with the studio system abolished, he found most of his success in television.

    Parker, one of the first supermodels, was a staggering beauty who was given several opportunities in Hollywood. She was lousy in every one of them.

    Like Grace Kelly, she had a cool, sophisticated look, and also like Grace Kelly, in person she had a fantastic sense of humor and a wonderful personality - and like Grace Kelly, she never got one role to showcase them.

    Though Dillman and Harry Andrew are both very good, it's Robert Stephens as the German captain who imprisons Paul that gives the most chilling performance. A brilliant stage actor, he's a knockout in this, and one wishes he had pursued more film work before his death in 1995. He could have had an Oscar-level career.

    All in all, "A Circle of Deception" is very good, and the black and white helps to keep up the British wartime atmosphere. Dillman and Parker met during the making of this film, married in 1963, had 3 children, and stayed married until Parker's death in 2003.

    Parker's last work on film was in a 1970 "Night Gallery" episode, in which she looked absolutely gorgeous, but through the '50s, '60s (and possibly into the '70s) she was on every magazine cover and in every fashion layout imaginable.

    The torture scenes are not for the feint of heart - to be honest, I fast-forwarded through them. The rest of the movie is both interesting and suspenseful.
    7lqualls-dchin

    actually a remake of fox TV show

    When 20th Century Fox entered TV in the 1950s, one of the programs was an hour-long anthology series. This series took many Fox classics (THE GHOST AND MRS. MUIR, HOUSE OF STRANGERS, MIRACLE ON 34th STREET, THE LATE GEORGE APLEY, YOUNG MR. LINCOLN, et al) and reduced them to less-than-an-hour. One of the entries in that series was titled DECEPTION, and it starred Linda Darnell and Trevor Howard; it was about a woman intelligence officer in charge of a complicated spy mission: she has to pick a man who will turn out to be a coward, so that he can be given false information which he will divulge (under torture) to the Nazis. Unless i'm very much mistaken, this is one instance when the TV episode was embellished into a feature film (made in 1961). The movie provides a lot more exposition, but the story is the same, including the female intelligence officer seeking out the man after the war. This film stars Suzy Parker as the intelligence agent, and Bradford Dillman as the man; soon after this movie, they would marry and she would retire from acting. Though they don't have the same depth as Darnell (an exceptional performance) and Howard, Parker and Dillman are nevertheless quite a glamorous couple (as they were in real life).

    (Though the film is well-done, the TV show, in this instance, packed more of a punch, and the performances of Linda Darnell and Trevor Howard were exceptional.)
    7ulicknormanowen

    When he saw through the trick....

    It sometimes resembles "orders to kill " in which Eddie Albert was sent on a mission in France ,a mission in which nothing happens as planned.

    The soldier (Bradford Dillmann) ,shunning the honors when the troops parade on the Champs Elysées has fled to Africa where his former flame ,a WAAF, meets him ; he tells her his story, he seems disillusioned ,he' s seen it all before ;then a very long flashback : one attends scenes between the superiors in which the hero wasn't but it does not matter ;like in "orders to kill",there's a long time given over to the training ,the instructions (the lethal tooth ,which is not an invention,French resistant fighters would often carry a cyanide capsule);Dillmann is chosen because of his perfect command of French ,but later on ,he does not utter a single word in that language .

    Nevertheless , the screenplay is tricky : everyone is deceived ,from the enemy to the hero,hence the excellent movie title .Gripping and well acted .

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Bradford Dillman and Suzy Parker met on this shoot and later married.
    • Gaffes
      When Paul Raine is remembering events that took place in the war, there is a caption "Occupied France 1944". However when a despatch rider arrives at the Combined Services Catering Research office in London, apparently in the same time period, a Morris Minor car is seen in the background. This did not start production until 1948, well after the date in that caption.
    • Citations

      Capt. Thomas Rawson: The instructions our agent were to carry to Ballard were that on a certain day, on receipt of a certain signal, he and the Maquis were to attack all major roads and bridges in the Marignon sector. It didn't matter if they didn't destroy them so long as they attacked them. What was important was that the Germans would deduce from this attack that the invasion of France would take place in that area, thereby forcing them to hold troops there which would be more useful elsewhere.

      Maj. William Spence: Well, it won't work now Ballard's arrested.

      Capt. Thomas Rawson: But the Germans don't know we know that. It'll still work.

      Maj. William Spence: But they have his radio.

      Capt. Thomas Rawson: Yes, and they'll be sitting there, waiting for a signal. Well, we'll send them one. We'll say that one of our people is coming in with orders for Ballard. He'll land, the Germans will pick him up and try to beat out of him what those orders are.

      Maj. William Spence: Plant a phony agent on them?

      Capt. Thomas Rawson: So he breaks, he talks. And gives away to the Germans the plan to destroy communications in that area.

      Maj. William Spence: The Maquis can't make the attack now.

      Capt. Thomas Rawson: But the Germans will draw exactly the same conclusions as if they could - which is what we want.

      Maj. William Spence: Would the phony agent get away with it?

      Capt. Thomas Rawson: He won't know he's phony. He'll really believe he's got vital information. He'll try his hardest not to talk. Then things will get too tough for him. He won't be able to take it and he will talk.

      Maj. William Spence: What, deliberately let them get a man of ours and break him?

      Capt. Thomas Rawson: Yes. But he must be a man trying to do his duty; devoted, brave, utterly convincing. Well?

      Lucy Bowen: He'd be a sacrifice.

      Capt. Thomas Rawson: [he's handed a message] This is on Ballard's radio and in his code. The Germans don't know we know.

      Capt. Thomas Rawson: Get on the phone to Holding Centre and tell Taylor we'll be down this afternoon.

      Capt. Thomas Rawson: We've been trying to find men who won't crack under pressure. Now we've got to find one who will. But not too easily.

    • Crédits fous
      Opening credits prologue: LONDON - JUNE 8TH 1946
    • Bandes originales
      Standard of St. George
      (uncredited)

      Music by Kenneth Alford

      Arranged by Al Sherman

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    Détails

    Modifier
    • Date de sortie
      • novembre 1960 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • Circle of Deception
    • Lieux de tournage
      • Royaume-Uni (RU)
    • Sociétés de production
      • Twentieth Century Fox
      • Twentieth Century-Fox Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40min(100 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 2.35 : 1

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