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Chronique d'un été (Paris 1960)

  • 1961
  • Tous publics
  • 1h 25min
NOTE IMDb
7,5/10
3,9 k
MA NOTE
Chronique d'un été (Paris 1960) (1961)
L'histoireDocumentaire

Documentaire sur la vie quotidienne de Parisiens ordinaires, réalisé dans le style cinéma-vérité.Documentaire sur la vie quotidienne de Parisiens ordinaires, réalisé dans le style cinéma-vérité.Documentaire sur la vie quotidienne de Parisiens ordinaires, réalisé dans le style cinéma-vérité.

  • Réalisation
    • Edgar Morin
    • Jean Rouch
  • Casting principal
    • Marceline Loridan Ivens
    • Marilù Parolini
    • Angelo
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    3,9 k
    MA NOTE
    • Réalisation
      • Edgar Morin
      • Jean Rouch
    • Casting principal
      • Marceline Loridan Ivens
      • Marilù Parolini
      • Angelo
    • 19avis d'utilisateurs
    • 42avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos69

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    + 61
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    Rôles principaux21

    Modifier
    Marceline Loridan Ivens
    Marceline Loridan Ivens
    • Self
    • (as Marceline)
    Marilù Parolini
    Marilù Parolini
    • Self
    • (as Mary Lou)
    Angelo
    Angelo
    • Self
    Jean-Pierre Sergent
    Jean-Pierre Sergent
    • Self
    • (as Jean-Pierre)
    Jacques Gautrat
    • Self - un ouvrier
    • (as Jacques)
    Jean
    • Self - un ouvrier
    Régis Debray
    • Self - un étudiant
    • (as Régis)
    Céline
    • Self - une étudiante
    Jean-Marc
    • Self - un étudiant
    Nadine Ballot
    • Self
    • (as Nadine)
    Modeste Landry
    Modeste Landry
    • Self - un étudiant africain
    • (as Landry)
    Raymond
    • Self - un étudiant africain
    Jacques Gabillon
    • Self - un employé
    • (as Jacques)
    Simone Gabillon
    • Self - une employée
    • (as Simone)
    Henri
    • Self - un artiste
    Madi
    • Self - une artiste
    Catherine
    Catherine
    • Self - une artiste
    Sophie
    Sophie
    • Self - une cover-girl
    • Réalisation
      • Edgar Morin
      • Jean Rouch
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs19

    7,53.8K
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    Avis à la une

    9JB-81

    Cool film, landmark documentary

    "Chronicle of A Summer" invented the cinema verité movement, the idea being that by celebrating and revealing the artificial nature of the film-making process, the truth, or more accurately, some truths will emerge. The film is enveloped with a luminous and appealing humanism, and it is a very cool and cinematic portrait of Paris in the beat days. Remember that World War Two was only a decade or so before this and somehow the fog of that war hangs over the film, especially given the backstory of one of the participants, at least this is what I remember..As historic documents go, it is also amazingly compelling today. I find the film much more absorbing than "Salesman" or Drew Associates stuff. Drink espresso instead of a pint before the film, my friend and you'll be fine..

    JB-81

    PS If you want to watch paint dry, check out Melville- Although he's pretty great too..
    8jellopuke

    Very interesting

    Some really fascinating stuff pops up in here with pertinent questions that make you wonder how much was real vs performance. Overall a neat look at 1960 Paris that holds time capsule like qualities and the keys to shared traits cross generations.
    9fellini_58701

    a must see thought provoking cinema verite documentary for a targeted audience

    this was fascinating and brilliant doc in my opinion ahead of its time compared to this generation of reality TV and social media. the film focus and the parisian working class in serious of interviews and a brief look at there daily lives and conducting interviews about happiness, the struggles and goals and dreams. i am 44 and i was fascinated watching this film and how life was, and how it has changed in over 53 years. The fascinating film is for an acquired taste for an audience that can appreciate this type of film. This Film won the international critics prize at the 1960 Cannes film festival at the time of its release it was not popular with most critics or audience.
    10MOscarbradley

    One of the greatest doucmentaries ever made

    Often cited as one of the greatest documentaries ever made Jean Rouch and Edgar Morin's "Chronicles of a Summer" takes a look at the lives of of ordinary Parisiennes over the course of the summer of 1960. It was filmed in a 'cinema vertie' style, using the people who appear as if they were actors 'acting out' their lives. There is no voice-over; their technique is to use interviews or simply silently film these people going about their business. What distinguishes this extraordinary film from others of its kind is that this is a work both sociological and deeply political, a piece of social history in which Africans are side-lined and homosexuality never mentioned.

    Rouch and Morin pick and choose their subjects, mostly workers, students and intellectuals, and back them into a corner where the politics of the proletariat becomes the benchmark. These people talk fearlessly about their treatment by the State and the drugery of their daily routine with white Parisiennes oblivious to their inherent racism.

    The film-makers fundamental question is, 'Are you happy?' Initially two women interview people on the street asking them if they are happy and as the film progresses this becomes its focal point while the level of intimacy Rouch and Morin achieves is extraordinary. Theirs is a technique other film-makers have used many times since, perhaps more skillfully as film-making has become more sophisticated but this masterpiece remains the granddaddy of them all. Unmissable.
    9Fiona-39

    a slice of life

    This film, made in the summer of 1960 by the sociologist Edgar Morin and the ethnographer Jean Rouch, aimed to be as 'true as a documentary, but with the content of a fiction film.' Facilitated by improved technology (16mm film, sync sound, light hand held cameras) it pioneered a direct or live aesthetic dubbed 'cinema verite'. It was to film 'true life', but engage on a subjective level, getting people to talk about their experiences and ambitions, and most notably, whether or not they are happy. What emerges is an absolutely overwhelming cinematic experience, a film that is deeply affecting but also that makes you think. The film begins with a market researcher, Marceline, on the street, asking people whether or not they are happy. This sequence seems to me both to confirm the importance of human relationships and point up the dissatisfaction that living in a society about to tip into consumerism engenders. The film then moves to concentrate on a set of characters. Morin was criticised for his structural approach, typing his characters (i.e. a factory worker, a petit bourgeois, a student), but a real sense of the individuals involved shines through, notably in the sequences with Angelo and Landry chatting, and Marceline recounting her experience of deportation during the war. The most revolutionary part of this film is that the makers demonstrate the impossibility of documentary objectivity when they film themselves filming - they show how the truth of the film is constructed. Questions of authenticity abound. At the end of the film, they screen it to the characters involved. Even those filmed are unable to decide whether they were acting ('hamming for the camera') or being themselves. Morin and Rouch conclude they have failed in their aim to offer a slice of life, as the very act of filming something transforms it. Truth is elusive in the attempt to represent the everyday. This film is far from a failure however - watch it and be blown away.

    Histoire

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    Le saviez-vous

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    • Anecdotes
      The 6th greatest documentary of all time according to the 'Sight & Sound' poll 2014. The list was compiled after polling from over 200 critics and curators and 100 filmmakers.
    • Citations

      Sophie - the cover-girl: People are bored everywhere now. But boredom comes from within. If you've got an inner life, you're never bored.

    • Connexions
      Featured in Les échos du cinéma: Épisode #1.23 (1961)

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    FAQ14

    • How long is Chronicle of a Summer?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 octobre 1961 (France)
    • Pays d’origine
      • France
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Chronicle of a Summer
    • Lieux de tournage
      • Saint-Tropez, Var, France
    • Société de production
      • Argos Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 25min(85 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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