The Choppers

Competently made jd film, with Arch Hall Jr. as the lead delinquent. Together, he and his teenage buddies mount a clever operation to strip abandoned cars along a deserted road. Their base is a rundown auto yard run by a cowboy clown and an escapee from a fat farm (VeSota). There, Moose and Cowboy run the operation and fence the goods, mainly for their own profit. Trouble is an insurance company has sent in an investigator to help out the cops who've hit a dead-end.

Still looking like the Pillsbury doughboy, actor Hall nevertheless delivers a pretty good performance, along with the rest of the cast that also includes former star Tom Brown as a cop. But it's really VeSota who steals the movie looking like a squatting toad. He's quite a commanding presence. Good thing whistle bait Gaba's along to furnish sexy eye relief from all the guys, especially VeSota. The action's filmed along barren LA-area roads making you wonder why anybody's there. Still, the meager budget is used wisely to deliver realistic results. Then too, Hall Sr. let a pro (Jason) direct, which may account for the uptick in quality from his other, often campy, productions.

All in all, the 70-minutes amounts to respectable drive-in fare that fans of the Halls can catch without embarrassment.

. . . which isn't saying much, as besides this and the excellent "The Sadist," Fairway's output was nothing but Grade-Z trash. There are several factors, however, that raise this a notch or two above the usual Fairway garbage. One is that director Leigh Jason makes this film look better and more professional than it deserves. Jason, a Hollywood veteran who had been directing since the 1930s, had obviously fallen on hard times if he was reduced to working for Fairway, but he still knew how to put a film together, something that Fairway never seemed to quite get the hang of. Another factor in the film's favor is leading lady Marianne Gaba. While she's no great shakes as an actress, she is nonetheless competent, and also drop-dead gorgeous (as one would expect a former Playboy Playmate to be) and a welcome relief from the embarrassing attempts at acting from most of the rest of the cast (one odd thing, though, is her "romance" with Tom Brown, who plays her boss. Brown, who had been an actor since the 1920s, has to be at least 25 years older than Gaba, and that kind of age difference was seldom, if ever, seen in Hollywood films until relatively recently). Veteran heavy Bruno VeSota is his usual enjoyable if somewhat hammy self as the crooked owner of a junkyard. Whatever pluses the film has, however, are more than outweighed by the laughable, self-consciously "hip" dialog by writer/producer Arch Hall Sr.--some of the "slang" he writes for the teenagers is out of the 1940s, not the 1960s--and the almost non-existent production values. Most of the film is shot outdoors and the few interior sets are threadbare in the extreme. The "rock n' roll" score is, as has been previously mentioned, perversely enjoyable in its awfulness. A few neat old cars--especially an absolutely gorgeous '59 Cadillac convertible that is seen in the very beginning of the film and never shown again and a very nice early '50s Kaiser that is, unfortunately, stripped to the bones and trashed--and the beautiful Gaba make this a film that you might want to see once, but that's about it.

A delicious little JD film about kids who strip cars for parts. Yes, our youth has gone wild! But what's up with that song Arch Hall Jr. sings? "Monkeys in my hat band. I can do a hand stand" Poetic genius.

Would you believe that a life of stealing parts off cars can lead to a violent death? Lives are thrown by the way side in a climatic shoot out in the junk yard. And who's to blame? The parents.

This movie essentially begins with five young men who turn to a life of crime by stripping cars which they find along the road and selling the parts to an auto salvage yard. Although they are quite good at what they do the problem is that they soon become a public menace and rather than laying low for a month or two they continue on at the same rate even though the police are getting closer to discovering who they are with each passing job. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this film was quite typical for its time and probably won't appeal to everyone. In that regard I suppose it's an acquired taste. The acting was adequate for the most part with the most annoying detail being the slang dialogue which just never seemed to stop. Even so, the plot was still interesting and the presence of Marianne Gaba (as "Liz") certainly didn't hurt this film in any way either. Again, some people may not like this movie for various reasons but I didn't think it was too bad and as a result I have rated it as about average.

As bad as this should be, it's kind of fun, and you could actually find yourself watching it a second and third time. Arch Hall Jr. was 16 when this was shot, and even gets a writing credit.

What makes it work, kind of, is that the gang of car-stripping JD's are NOT stupid and embarrassing, but halfway interesting and believable. And it's got Bruno VeSota at his scintillating, stogie-smelling, sausage-fingered best. Continuity? Fageddaboudit. But it's got a simple little story to tell and does it well.

And it does feature the inimitable "Monkeys In My Hatband," which you'll play again and again with your jaw dropped, wishing that YOUR dad had put YOU in a movie when YOU were sixteen and let you play that absolutely dumbass song you made up on the crappy $39 guitar you got for your thirteenth birthday and drove everybody crazy with.

"The Choppers" IS available, but you'll have to hunt for it. Definitely worth tracking down if you're huge on beatniks, juvies, and playing chicken.