Le cave se rebiffe

Interesting piece of French cinema, with "monstre sacré" Jean Gabin and famously acid dialogues by Michel Audiart.

The story is actually quite interesting and the era so foreign so this reviewer was actually metaphorically glued to their seat.

The White male characters are unfortunately first class condescendant towards minorities and women but this only sadly reflects the time and history of Western privilege.

In a nutshell: excellent and enjoyable stand alone part II in a trilogy with Master Liar Max the Trickster (personal free translation of Max le Menteur).

A review in 600 characters.

Someone made me discovered this film emphasizing on the beautiful dialogs and the strong performance of Mr Jean Gabin. Being a huge fan of the film makers next greater success' "les tontons flingueurs", I was not reluctant at all to watch this movie. These aging gangster movies play with the morals of that earlier time. Subsequently it's OK to cheat on your husband and to have your house in a former "bordel" and of course all your long time friends are geniuses in the world of crime. The viewer enjoys a nice feeling of coolness and simplicity watching the actors displaying their lives. The introduction to the characters is also very interesting, allowing Mr Gabin a honorable entry in the plot. And of course each character has his own memorable quotes : *[...] and if I went on with psychoanalysis, I'd say he's the king of fools!". * "- In pure theory how much could we hope for with that counterfeit? - 20 years! Profit splits, imprisonment adds up" I would not want to finish this review without raising my hat to Bernard Blier, a huge "supporting actor with the charisma of a main character". His nonchalant act is great and honest. He belongs to the few artists who know how to catch your attention with an indescribable magnetism. Hope you enjoy it too.

Yet another vision of these counterfeiters of Paris. But the film does have its moments.

The dialogue is one thing, penned here by Michel Audiard, but with Jean Gabin doing his late-career thing: his performance is so predictable it's almost embarrassing. If we strip away Jean Gabin's tics and schematisms, the rest of the cast is superb and more subtle, and well served by Gilles Grangier's dialogue and direction.

One of the pleasures of the film is to see each of the parties make the other believe in an ensemble that is a festival of liars. Jean Gabin, the cellar-dweller, Bernard Blier and his clan, the operating principle of the plot is the lies they all practice.

What's disturbing here is the misogyny and phallocracy, which seems anachronistic today, but which dates the film furiously, very ridiculous in view of the society of the 2020s, to which we can add alcohol and cigarettes, present at all times, as well as racism (Jean Gabin's reaction to savage music). Women are tools, at the stove or sex objects.

It has been many years since I saw this film, and I keep hoping I will run into it again somewhere. I was struck by two unusual aspects.

First, the film appears to show considerable detail about the actual production of counterfeit Dutch currency, almost as if it were a step by step introduction for aspiring forgers of the 1960s.

Second, Jean Gabin as the master forger does not simply outwit the local police and leave his would-be accomplices empty-handed, but then calmly makes for the airport with a suitcase full of real currency. Like a businessman who has had a satisfying overseas trip, he settles back without a care in the world while his plane wafts him to some tropical paradise where there will be no pesky European police to ask questions.

All in a good week's work, the film seems to conclude.

Made by Gilles Grangier, a minor director whose films were not that bad ,"Le Cave Se Rebiffe" was a bit tongue in chick ,not to be taken seriously.Maurice Biraud was a touching character,lost in a world of crooks,counterfeiters and traitors.

Michel Audiard -who finally began to direct his own movies in the late sixties:"Faut Pas Prendre Les Enfants Du Bon Dieu Pour Des Canards Sauvages" starring Françoise Rosay ,etc-came up with some of his best lines .

My favorite line:Gabin comes to see Rosay and asks her for some "paper" for his job (forger).But the merchandise does not satisfy him and he answers: You can use them as paper cones of chips!(=bags of chips) Not much food for thought but very funny and entertaining.