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Carry on Regardless

  • 1961
  • Not Rated
  • 1h 30min
NOTE IMDb
6,0/10
2,7 k
MA NOTE
Carry on Regardless (1961)
The Helping Hands agency employs some very strange people to perform some very strange jobs. Even the simplest of tasks get bungled by the incompetent but lovable staff.
Lire trailer0:45
1 Video
18 photos
Comédie à sketchsParodieComédie

Ajouter une intrigue dans votre langueThe Helping Hands agency employs some very strange people to perform some very strange jobs. Even the simplest of tasks get bungled by the incompetent but lovable staff.The Helping Hands agency employs some very strange people to perform some very strange jobs. Even the simplest of tasks get bungled by the incompetent but lovable staff.The Helping Hands agency employs some very strange people to perform some very strange jobs. Even the simplest of tasks get bungled by the incompetent but lovable staff.

  • Réalisation
    • Gerald Thomas
    • Ralph Thomas
  • Scénario
    • Norman Hudis
  • Casting principal
    • Sidney James
    • Kenneth Connor
    • Charles Hawtrey
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    2,7 k
    MA NOTE
    • Réalisation
      • Gerald Thomas
      • Ralph Thomas
    • Scénario
      • Norman Hudis
    • Casting principal
      • Sidney James
      • Kenneth Connor
      • Charles Hawtrey
    • 36avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 0:45
    Trailer

    Photos18

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    + 11
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    Rôles principaux99+

    Modifier
    Sidney James
    Sidney James
    • Bert Handy
    Kenneth Connor
    Kenneth Connor
    • Sam Twist
    Charles Hawtrey
    Charles Hawtrey
    • Gabriel Dimple
    Joan Sims
    Joan Sims
    • Lily Duveen
    Kenneth Williams
    Kenneth Williams
    • Francis Courtenay
    Bill Owen
    Bill Owen
    • Mike Weston
    Liz Fraser
    Liz Fraser
    • Delia King
    Terence Longdon
    Terence Longdon
    • Montgomery Infield-Hopping
    Hattie Jacques
    Hattie Jacques
    • Hospital Sister
    Esma Cannon
    Esma Cannon
    • Miss Cooling
    Sydney Tafler
    Sydney Tafler
    • Strip Club Manager
    Julia Arnall
    Julia Arnall
    • Trudy Trelawney
    Terence Alexander
    Terence Alexander
    • Trevor Trelawney
    Stanley Unwin
    Stanley Unwin
    • Landlord
    Joan Hickson
    Joan Hickson
    • Hospital Matron
    Betty Marsden
    • Mata Hari
    Fenella Fielding
    Fenella Fielding
    • Penny Panting
    David Lodge
    David Lodge
    • Wine Connoisseur
    • Réalisation
      • Gerald Thomas
      • Ralph Thomas
    • Scénario
      • Norman Hudis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs36

    6,02.6K
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    Avis à la une

    8simoncross

    Definitely one of the best Carry Ons

    This film is definitely in the top three of Carry On films.

    Alongside the early line-up of usual players - Kenneth Williams, Joan Sims, Charles Hawtrey, Kenneth Connor and Sid James - this film is notable for its host of cameo roles by other comedy greats. Some, such as Hattie Jacques and Fenella Fielding, had greater prominence in other Carry On films. Some, such as Betty Marsden, became famous elsewhere in comedy. Further familiar faces in cameo roles here include Molly Weir, Terence Alexander, Joan Hickson and Nicholas Parsons.

    The five main actors listed above are ably assisted by Liz Frazer, Bill Owen, Esma Cannon, Terence Longdon and Stanley Unwin, all united around an agency that aims to help customers in whatever way they can. Hence the great range of cameo roles available.

    Joan Sims performs one of her greatest drunk roles; Kenneth Connor does his best tongue-tied shy man, both in the company of temptress Fenella Fielding and when he's attempting to give up smoking; Charles Hawtrey wins a boxing match; and Kenneth Williams gets to walk a very unusual pet.

    The humour in this film is far superior to the sex and toilet jokes that later filled (and possibly destroyed) this great series of films. This is a film that the family can watch time and time again.
    7caledoniancraig-1

    Carry On Regardless - another classic

    The film centred around The Helping Hands business is full of laughs.Favourite sketch is Sam Twist (Kenneth Connor) in the club as steward and is told not to make a sound.You can't help but laugh as he gradually loses the plot when he sees an old man's fly undone on his trousers,an old man falling asleep reading a book and an old man sleeping as his wig slips down over his face.Top notch.A film (like all Carry On films)that I never get sick of watching with all the early Carry On regulars present.Typlical Carry On gags and double-entendre with the campness of Charles Hawtrey and Kenneth Williams always guaranteed to make me laugh.
    parcdelagrange

    British comedy at its very best

    The Carry on genre of films was in the late fifties, sixties and early seventies a British institution. I have a special soft spot for Carry on Regardless, as the exterior scenes of the Employment Exchange were filmed at Yiewsley Town Hall (Middlesex), just a couple or so miles up the road from Pinewood Studios, and more importantly for me just a few hundred yards from my school. Myself and several of my class mates bunked off school to watch the shooting, and although we were not allowed to get anywhere near the actors, the film crew let us watch from across the road, which was very exciting for an eleven year old. We got caned the next day for bunking off school, but in hindsight it was worth it. Apart from my personal bias, I do think that Regardless was one of the funnier Carry On's, it had moved on from the rather twee Carry On Sergeant, rather silly Carry On Teacher, and showed the beginnings of saucy postcard humour which were to become the films trademark. Sadly, the Carry On films lost their way in the mid 70's, Carry on England being painful to watch and Carry on Emmanuel being more a porn film than a classic British comedy.
    chris-321

    Carry On Regardless of the Critics!

    This is a great Carry On. The unemployed group together (under Sid James aka Mr Handy) to provide 'services' to various people for a fee. Special treat is Stanley Unwin who is desperately trying to warn them of their impending eviction, but due to his gobbldygook language, they don't understand. Until Kenneth Williams (an equally skilled orator) comes to the rescue. Best bit definitely Kenneth Connor in the Gentlemans club. Almost as good - Kenneth Williams walking the Chimp, Kenneth Williams interpreting for the German Woman, Kenneth Connor and Joan Simms (No sweets, no draws), Stanley Unwin all the time, Charles Hawtrey boxing ..... no, there's too many good bits to recount.
    bob the moo

    The total lack of plot still allows the film to become an enjoyable and amusing collection of sketches

    With work sparse in England, the labour exchanges have become almost a social club with so many men hanging around without joy. It is in this environment that Bert Handy spots an opening for a firm carrying out any odd-jobs on request and thus the "Helping Hands Agency" is born. Recruiting a gang of odds and sods, Bert quickly finds that there are all manner of jobs out there to be done that don't fit anywhere. However can his men all cope with the sheer range of jobs thrown at them? About 10 minutes into this film I started to realise that this had no plot. At regular intervals from then on this view was reinforced as the film just became a series of sketches using the odd-job company as a frame for setting each one up. This sounds like a criticism because it is but surprisingly it was not a real problem because the sketches are mostly pretty funny and the amusement they make up for the total lack of any actual narrative drive. The sketches mostly stand alone but are not that contrived or forced – only the mixed up jobs part is a little forced; the wine tasting, the translated argument, the home improvement show and others are all consistently amusing even if none of them had me rolling in the aisles.

    The cast all take to the sketch format with their comedy background. James has the least role since he has to act as the glue holding the funny bits together but he does get some laughs and he is rarely less than interesting and amusing. Connor, Williams and Hawtrey all do the characters they had done in the previous four films – all of them are funny and they do well in their various sketches. Owen joins the male cast in a minor role while Sims and Fraser are stuck with "pretty young girl" roles which minimise their comic impact a little bit. Support from Jacques, Hickson, Cannon, Alexander and others is good and they make the film feel fuller than it would have done with only the main roles filled with well known faces.

    Overall on the surface of things this is a plot less mess that has no rhyme or reason to it; however it does set up a series of sketches that are mostly pretty amusing. It won't be remember as fondly as the later Carry On films that produced laughs with a fuller plot and costumes but it is still an enjoyable film that shows how good the group were as comics. Not quite what you think of when you think Carry On but an entertaining collection of sketches nonetheless.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Gerald Thomas played a joke on Joan Sims during the wine tasting scene. Initially tap water was to be used as a substitute for wine but Thomas swapped it for neat gin between takes. Sims downed the drink and her reaction was genuine. To make matters worse for Sims, the scene was shot at 8.30 in the morning.
    • Gaffes
      After the water is turned back on at the house they are renovating Bill Owens character is sent through the open kitchen door (by the jet of water from the tap left on), but when Conners and Williams try to reach the tap they are sent crashing through the wall as the jet of water moves by itself several feet to the side.
    • Citations

      [Dimple has mistakenly arrived at a strip club instead of an aviary]

      Strip Club Manager: What do you want?

      Gabriel Dimple: Your birds, and I can't wait. Tell me, what sort are they?

      Strip Club Manager: What sort you like?

      Gabriel Dimple: Blue tits.

      Strip Club Manager: Eh?

      Gabriel Dimple: Have you got any?

      Strip Club Manager: No. No, this place is centrally heated.

    • Connexions
      Featured in Film Review: ...Carrying On (1968)

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    FAQ15

    • How long is Carry on Regardless?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 avril 1961 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langues
      • Anglais
      • Suédois
      • Cantonais
      • Français
      • Allemand
      • Italien
    • Aussi connu sous le nom de
      • Nicht so toll, Süßer!
    • Lieux de tournage
      • Dorchester Hotel, 53 Park Lane, Mayfair, Westminster, Greater London, Angleterre, Royaume-Uni(on location)
    • Société de production
      • Peter Rogers Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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