Les titans

This was meant to be a serious sword-and-sandal epic. However, in NYC, the TV ads for the film were made, believe it or not, by Mel Brooks! Mel made it seem like a quickie satire of the genre rather than the more-or-less straight story it was meant to be. The ads were hilarious; sample voice-over while showing scenes from the movie: "See hand maidens, foot maidens, all kinds maidens (this with a Yiddish accent). See the crazy lady with snakes in her hair; see a nice Cyclops. See 'My Son, the Hero'." The movie is long forgotten, but anyone who heard Brooks' promos have never forgotten them. It was a preview of the inspired lunacy to come.

The screenwriters do not seem to take this story seriously;neither does Giuliano Gemma ,who dyed his hair in blond (?),and whose dynamism and good humor save the movie from absolute tedium.The writers cash in on all sides,from Oedipus's curse to the Cyclop;we even catch a glimpse of Prometheus (ouch!my liver!) and the gorgon in a cock and bull story.The rest of the cast includes Italian Beauty Antonella Lualdi ,with a hideous hairdo and Jacqueline Sassard,who disappears from the screens after Chabrol's "les Biches " -she remains one of the French cinema biggest mysteries:what happened?some even said ,without any evidence,that she was dead;see for that matter the site "Etoiles Filantes"-and who is very good-looking (and good natured in the film,for she falls for the hero,in spite of his macho words about marriage).Serge Nubret ,who plays the dumb gladiator, was a famous body builder and he passed away recently.

If you do not want to think too hard.....

Delightful sword and sandals comedy!

First and foremost, this is a comedy masquerading as and action fantasy. So, don't take it too seriously. Giuliano Gemma owns the screen as our hero, Krios. He is charming and incredibly likeable. Serge Nubret is his sidekick, and he is so ripped his muscles have muscles. Jacqueline Sassard is the breathtakingly beautiful love interest that needs to be rescued not once but twice.

The plot is really just a series of excuses to setup funny adventure scenarios. There are many references to ancient Greek and/or Roman gods and legends. There's a gorgon and a cyclops and some ancient depictions of hell. It's a good time!

Few years back my dad asked me if i can get him a dvd copy of Sons of thunder. Well, i was puzzled as there was no movie of this name showing on imdb. Lots of internet browsing n i finally concluded that Arrivano i titani aka My son, the hero aka Sons of thunder is one n the same movie. Had vague childhood memories of it. Revisted it recently on a dvd. It is a typical sword n sandal movie with humour n less fight sequences. The lead actor Giuliano Gemma did some amazing stunts, good gymnastics n free style running but his blond eyebrows were lol. In this we get to see a non scary Gorgon, funny Cyclops n competitive bodybuilder Serge Nubret.

To begin with, this was another early TV recollection though I recently saw snippets from it on the "Stracult" Italian TV program. The film cemented handsome and likable Giuliano Gemma's leading-man status, but also marked his first of a long-running and felicitous collaboration with the director that spanned 9 films (not counting the recently-viewed MESSALINA, IMPERIAL VENUS {1960} which Tessari only co-scripted and where the star had a small part). After looking high and low for a copy of the film (a recent Cable TV screening was obviously in Italian and widescreen but reportedly proved problematic), I landed a pan-and-scan edition of the English-dubbed version; still, being in a peplum frame-of-mind, I thought better of revisiting it in this manner rather than wait for a more congenial edition and which may never even happen!; incidentally, the English title is quite lame (the original translates to HERE COME THE TITANS). Anyway, while I had anticipated a low-brow and comedy-oriented offering, it emerged a superior and reasonably stylish genre effort.

The narrative involves the titular band, banished by the Gods who were jealous of their superhuman strength but now called upon to cut ruthless King (and self-proclaimed deity) Pedro Armedariz – making for a dry-run to his similar invulnerable character in the above-average and effects-filled fantasy-adventure CAPTAIN SINDBAD (1963) – down to size! He has killed wife Jacqueline Sassard in order to marry Antonella Lualdi (interestingly cast as a villainess but then served a dismally underwritten part!); the King is nonetheless bound by a prophecy which dictates that he is doomed to die when the child (also played, delightfully, as a grown-up by the waif-ish yet gorgeous Sassard) falls in love – so, when he tries to kill her, the Gods add another clause, as it were, that he will himself perish instantly if the girl does!; therefore, he tries to work his way around this by locking her up…only, when she reaches the age of 18, Sassard is to be presented as a Vestal Virgin to the Gods. It is in the temple that she happens to come face to face with Gemma – sent to pave the way for the Titans' 'atonement' in view of his cleverness and agility – since, at the time of the ceremony, he is a prisoner in the dungeons below (having deliberately insulted the King so as to be taken before him and lead his soldiers on an acrobatic roof-chase!) and decides to take a look!

To cut a long story short, he becomes a sort of gladiator (though the bouts take place indoors and only consist of wrestling matches) where he triumphs over his opponent by rubbing himself in oil and slipping his grip at every turn(!) and eventually wins favor with Armendariz (which naturally allows him to get close to his love); still, the latter turn-of-events obviously does not please the King and Gemma finds himself at the receiving end of his ire. Rallying support from some of his old prison/arena colleagues and later joined by the liberated and spoiling-for-a-fight Titans themselves, we get to the climax which sees Armendariz being literally whisked all the way down to Hades when the earth opens up beneath his feet…and Sassard is now left to govern the people of Crete with Gemma at her side. The highly-entertaining film (running for a hefty but fast-paced 111 minutes) looks very nice despite the misframing and is further blessed with a bouncy score by the ubiquitous Carlo Rustichelli (he has scored the lion's share of the peplums I watched throughout the month!).