Les Voiles écarlates

This opens like a Powell & Pressburger film with some glorious photography and musical accompaniment to kick-start an amiable fantasy adventure. It's all about the dreams of the young "Assol" (Yelena Cheremshanova) who has an encounter with a wizard who fills her head with what is seemingly the most impossible dream. She's young and impressionable, though, and very much takes to heart his promise that one day a proud ship will sail into their bay, bedecked in bright red sails, and carrying a prince who will sweep her off her feet. Of course, everyone else in the place is entirely sceptical of her dream but she (now Anastasia Vertinskaya) is determined never to let go of that hope, even though she is by now a fully-grown woman who is the desire of many would-be, if hardly catch-of-the month, suitors. The story is the stuff of fairly standard fairy tale, but Aleksandr Ptushko has pulled out all the stops to give us something that's heavy on the colourful and aesthetic creativity to great effect. The supporting cast manage to mingle the jovial with the decent and yep, there's the obvious cad or two amongst them who are determined that she will end up just like all the other's in their small fishing village. Perhaps it will be "Arthur" (the distinctly Olivier-esque Vasili Lanonvoy) who might just prove her salvation, and not without some considerable sacrifices of his own - all in the name of promises kept and true love's kiss. It's the ultimate feel-good movie this that allows our hearts to rule our heads, refuses to allow mundanity or reality to clutter it and though maybe it's a little long in the middle, shows off the lighter side of Soviet film making in a cheery and uncomplicated manner. I'm not too sure folks nowadays would be allowed to stand on the pier yelling "Assol" without the police being called? Maybe that's not such a good thing.

I've liked all that I've seen from Aleksandr Ptushko, the three films of his that have been shown on MST3K are much better than they're made out to be because the original versions are beautiful but are ruined significantly by the dubs. Scarlet Sails is one of his absolute best, if I had a top 3 I would almost certainly put it up there alongside Stone Flower and The Tale of Tsar Sultan. Like with all of Ptushko's films, it is visually stunning with photography that has a simple sweep that is kept unobtrusively and breathtaking sets and scenery that makes you wish you were in Russia. Any details seen like the ship are so well constructed also that you are convinced they're real. The music is sumptuous and has a feel of affecting romance and wondrous fantasy, it also has a very Soviet sound to it and if there was a CD of just the music I'd gladly buy it. The dialogue is noble and well-written, clearly written with heart and thought, yet it also allows for the drama and romance to speak for themselves. The story like Stone Flower is essentially a simple fairy-tale, the fairy tale elements are recognisable and have a real enchantment to them while never doing so in a complicated way, and the romantic elements are genuinely touching and don't bog the film down in any way. Emotionally Scarlet Sails is really one of Ptushko's most beautiful, mainly because the romantic elements are so well done. It also helps that the characters are so easy to identify with, and that Scarlet Sails with two outstanding lead performances is for me is the best-acted Ptushko film. In conclusion, one of Ptushko's best and a personal favourite as of now. 10/10 Bethany Cox

"Alye Parusa" can best be described as a romantic fairy tale.

Its about the pursuit and attainment of true love whatever the obstacles. Alexander Grin created a world that is magical, beautiful, sentimental and captivating.

Its a shame he's unheard of outside of Russia and generations there have loved his classic novel for its adventure spirit, its belief in will overcoming the trials of the sea, time, human skepticism and the fulfillment of human happiness in the most idyllic of settings.

Vasily Lanovoy is well cast as Grey and the incomparable Anastasiya Vertinskaya shines as Assol and they stand out on the silver screen as the star-crossed lovers. Alexandr Ptushko brought the novel to life and one is drawn into a world that's timeless like a fairy tale but which never loses sight of the human element and the yearnings of the principal leads.

I won't give away the beautiful ending except to note its worth the price of admission to this movie. Its so popular that an entire festival is devoted to it in Saint Petersburg.

Its family-friendly entertainment of the highest caliber and is highly recommended!

This is simply the most beautiful and romantic film ever made. Even stranger, it was directed by Alexnadr Ptushko, known for his fantasy films and spacial effects. I guess he wanted a change of pace from his overblown spectacles. He succeeds beautifully.

This early 20th century novella is a classic in Russia yet, like The Wizard of Oz, the film is far better than the book. The two leads are outstanding and the girl who plays Assol is stunning! The musical score should be recorded. What a pity this is not known in the West.

If you like The Ghost and Mrs. Muir, Random Harvest, The Bishop's Wife, One Way Passage and Somewhere in Time - and believe in miracles - this is the crown jewel.

I came across this movie by chance, and what a lovely chance encounter! The production value was high, for it was easy to believe that what was seen was really a little Russian village by the sea. The ship must have been authentic, outfitted with no less than real, scarlett silk sails! The story is a simple fairy tale, following the adventurous hero and graceful heroine from childhood.

Sadly, this may not reach the audience it deserves. Perhaps that just as Western art students are reexamining Soviet creations without the political prejudice of times past, so too should these wonderful films come to light. I'd recommend this to anyone who appreciates classic storytelling.