Les accusés

From the early Sixties came this show which one viewer described as that era's Law and Order. It wasn't that, it couldn't be that because the Prestons were defense attorneys. Still the cases raised some of the legal issues that Law and Order raises. The Defenders whatever else it was, was not a who done it show like Perry Mason.

E.G. Marshall and Robert Reed played the father and son law firm of Preston&Preston. E.G. as Lawrence Preston was a widower and Reed was his son Kenneth. What I remember was these two guys apparently had no personal life at all. I can't remember a single episode where these two weren't on the clock defending all kinds of clients.

But lawyers and law students loved this show as it took on some really important issues. The episode that I remember best was one involving the McNaghten Rule which evolved from an English murder case in which a guy named McNaghten killed Prime Minister Robert Peel's Secretary, thinking it was Peel. The poor demented jerk thought that the government was plotting against him personally. That case set a standard for a successful insanity defense, that someone like McNaghten had to be unaware of the difference between right and wrong when he committed the homicide.

I still remember Marshall saying that in behalf of his client the McNaghten Rule should be repealed. He certainly gave it one good effort in trying to repeal about a 120 years of Anglo-American jurisprudence. The rule's been modified, but never repealed. But that was typical of the stuff the Prestons did. No arraignments in night court for this duo.

The scripts though were intelligently written even if you didn't agree with what the Prestons were doing. Proof that entertainment can be intelligent and informative, the show ran for four years.

I wish that TV Land would pick up this series.

"The Defenders" realistically portrayed issues of the day, often in a court room setting. They produced the show in New York City with, if memory serves, location exteriors. The court room scenes were well written and directed, usually the high point of each program.

At its best, the acting could be very good indeed. E.G. Marshall and Robert Reed worked well together as father and son attorneys. Their roles in this series provided them with career high points. The guest stars added further strength to the show.

As a teenager then, I thought it was a cutting edge show. It would probably be dated if viewed today, since it was filmed mostly in black and white (though the last season might have been color), and production values were different then. One of the best shows of its era, it should be released on DVD, but probably won't be because of onerous residuals obligations.

Of the 132 stories, 33 are now available. Couldn't we pool our resources to get this show on video DVD. There are high residuals for this show buy if enough people want it, they will pay the money. Most of the TV programs on DVD now were not worth watching even once. One exception is Death Valleys Days in B/W. Let's bug CBS for the remaining 99 episodes of the Defenders. All but three of them were very good. The three bad ones are a two parter The 600 Year Old Gang and Poltergeist. All of the rest were quality stories that would hold up well today. Some of the guest stars included Ruth Roman, Frank Overton, Fritz Weaver, and Robert Redford. Let's ban together and find out who has the rights to the Defenders.

Can this series really have been as inspiring as I thought it was at the time? If so, it must have had enormous effect on American society.

Certainly it dealt more courageously than any other show of the period with issues such as civil rights, religious and political oppression, faults in existing laws on divorce, narcotics and legal sanity, and the ethical problems of priests, doctors and lawyers.

And, as I remember, although E.G.Marshall (as Lawrence Preston) demanded our sympathy for his stand on these issues, there was always argument and challenge from Robert Reed (as his son, Kenneth), and humor prevented solemnity or sentimentality.

Actors such as Sylvia Sidney, Sam Wanamaker, Ruth Roman, Akim Tamiroff, Teresa Wright, and Jack Klugman played leading roles, but minor characters also came across as people of dignity and importance.

What impressed me most perhaps was Lawrence Preston's respect for THE LAW.

Won't some kind person allow us to see it again?

This landmark TV series (1961-65) was years ahead of its time. It correlated many contemporary stories from the headlines and did so with uncompromising depth. The protagonist attorneys (The late E.G. Marshall, Robert Reed) lost nearly as many cases as they won, because the series focused on controversial social issues where there were no easy answers or solutions. This was reflected in the outcome of some episodes. The issues included abortion; euthanasia; capital punishment; censorship; blacklisting; criminal insanity; Nazis; cannibalism; and a variation of what is currently called "road rage." The first listed, "The Benefactor," was a compelling episode about abortion, years before it was legal. The last, "Death On Wheels," involved an enraged motorist who accidentally killed a pedestrian after a heated argument with his wife. A shocking case was the one about cannibalism. Two men were accused of murdering and literally devouring another man when they were all cast adrift in a lifeboat in the ocean. An unusual episode, "Mind Over Murder" involved a clairvoyant accused of murder based on ESP. The defendant's background was loosely parallel to the late psychic, Peter Hurkos.

The Defenders theme song coupled with an aerial view of the courthouses in Foley Square, New York City, were presented with the onset of each episode. Immediately before the theme, the viewer saw the actual crime being committed when possible, which was graphically realistic and sometimes unnerving. The lawyers then often interviewed their clients in a simulated version of "The Tombs," an archaic NYC jail. The late E.G. Marshall portrayed the lead attorney, Lawrence Preston, with flawless acting that was in a class by itself. Indeed, he was so convincing that it was difficult for me to think of him thereafter as anyone else. The style and integrity he displayed in The Defenders inspired my interest in the law and was one of the initial reasons I became a lawyer.