L'île des sans soucis

I just don't know what movie these other reviewers saw, but the movie I saw had no jokes at all. It had the set ups for jokes and people who can certainly be funny, Kovacs and Shawn for just two, but they aren't funny here. A complete waste of your time and as far as paying money for it, absolutely out of the question. It does not make fun of bureaucracy in the military. MASH makes fun of that. This just drones on and on with stupid situation after stupid situation. I wanted another "Operation Mad Ball", so believe me I get wacky military humor, that movie had it, this movie does not. Idiotic in tone, concept and delivery. I really hated this movie. No wonder it was buried on Fox Movie Channel. I will not miss Fox Movie Channel. There is a reason that you never hear of these movies.

"Wake Me When It's Over," as another reviewer commented, is an apt title for this film. Implying, in this case, that this film might be a challenge to stay awake while watching. Well, the idea for the plot surely is okay, but something with various complicated parts that this has needed a great script, excellent direction and a cast to deliver. The cast is so-so and mixed, but the screenplay for this film, and the writing, are poor.

So, what could have been a very good post-war comedy, turns out to be a weak attempt at a farce that just doesn't deliver. Hollywood was making some very good light comedies about military and government service during the 1950s and early 1960s, but this isn't one of them. I didn't read the novel the film is based on, but would guess it must be much better than this film. My five stars are for the efforts of some of the cast.

Not even most veterans or military service and war film buffs are likely to think much of this film.

I never heard of the movie until I saw it on TV about a year ago. I thought it was good, funny, and pretty much fit with the military style comedy genre of the late 50s, early 60s. Dick Shawn is good, but his supporting cast really makes the movie go.

Director Mervyn Leroy has done much, much, much better work over his long career than this mess. Supposedly a "comedy" about airmen at a forgotten Air Force base in Japan who turn their installation into a luxury resort hotel, everything about this picture is second-rate. Ernie Kovacs is a brilliant comedian but he plays it straight here and it doesn't work. Dick Shawn isn't a brilliant comedian and he also plays it straight--for the most part--and it doesn't work, either. The script is ham-fisted, and the supporting performances by a usually reliable cast of good character actors--Jack Warden, Don Knotts, Parley Baer and others--aren't much better than those of the leads. Former model Margo Moore--whose career didn't last very long--is around as Kovacs' love interest, but unfortunately they have absolutely no chemistry together whatsoever, and the "romance" comes across as stiff and forced, which pretty much describes the entire movie.

There are service comedies that are worse than this one--Tommy Noonan and Peter Marshall's 1959 disaster "The Rookie" comes to mind--but there are also many, many better ones. Avoid this dud.

A resourceful airman (Shawn) gets assigned to a forgotten island installation in the Pacific. There he puts other apathetic airmen and locals to work building a popular hotel with abandoned government materials. However, the big brass don't take kindly to his enterprise.

It's a thin service comedy at a time when service comedies were popular, e.g. Mr. Roberts (1955), Operation Madball (1957). I can't help thinking Shawn is miscast as the principal lead. Frankly, he looks a little lost, at times. As a performer, he excels at zany parts both on stage and on screen, It's a Mad, Mad World (1963), for example. But here he's used in a fairly straight role as an occasionally amusing entrepreneur, a role any number of non-comics could have handled. Also, Kovacs looks zany in his unmilitary outfits, but has no one to play off of as he did with Jack Lemmon in Madball. So he has no real routines other than shimmying down a flagpole.

It also looks like director LeRoy, a Hollywood veteran, is somewhat indifferent to the material. There's no snap to the scenes or to the editing. And I'm not sure why, since he has a number of successful comedies in his resume. It may be he didn't care for the screenplay, which is anything but tight. Instead, it stretches out in somewhat meandering fashion. Too bad also that the stellar crew of comedic supporting players—Knotts, Strauss, Kaplan, go largely unused.

All in all, the movie's an overlong disappointment, despite the talent involved.