Le paradis des monte-en-l'air

A very influential film in the history of the British cinema that spawned one of the most popular TV series that there has ever been in Britain.

The characters are all wonderful. Peter Sellers as the suave and crafty Dodger, Bernard Cribbins as the not too bright Lenny, David Lodge as the old lag Jelly, Lionel Jeffries in a masterful performance as Mr. Crout (who bears more than a passing resemblance to Hitler), Wilfred Hyde White as the slippery and devious Soapy Stevens and, my favourite, Liz Fraser as the ravishing Ethel. Most of these characters plus others were lifted wholesale from the film, with name changes, to form the cast of the hit TV series 'Porridge', still one of the funniest things on British TV, even 30 years down the line.

The plot is inventive and extremely silly, if a little predictable, and there are plenty of laughs even if some of the vehicles are pretty well tried. The film stands the test of time well I feel. The characters are well stereotyped and so live on and prison doesn't change much, I suppose, and so it retains its relevance.

Quite what non-British viewers would make of it, I'm not sure, as there is much British slang in the dialogue and much of it would be meaningless, but if you can get round that, this film is well worth a watch.

An excellent film with well acted parts by all the actors, especially the supporting cast. Also an original ending to get around the UK Censor requirements of the day, that criminals can't be seen to profit from their crimes. Lionel Jeffries is excellent as the hard disciplined prison officer, who is eventually caught out by the criminals.

One of a brace of classic comedies to come out of Britain in the late 50s-early 60s, "Two-Way Stretch" combines all the elements: great comic actors, tight little story line, fast pace, and not overbroad slapstick. Sellers, Cribbins, and Jeffries reprise (sort of!) their roles in "Wrong Arm of the Law," with Sellers and Cribbins the crooks and Jeffries representing the Law. But this time Jeffries is a delightfully wicked "screw," out to "get" the two lay-about inmates in any way he can. A brilliant piece of work, as was his more "Clouseau"-like performance in "Wrong Arm." And kudos to Wilfrid Hyde-White, masterminding the whole thing from his vantage point as a venal vicar! As usual, there is strong support, as well, from the unsung females, the buxom and zany Liz Fraser as Sellers' girlfriend, Ethel, and the incomparable Irene Handl as Cribbins "mum." A delight all-round!

This 1960 M. Smedley Aston production has everything lovers of classic British comedy could hope for.Sellers plays Dodger Lane,a lag who is having such a cushy time in the clink he couldn't care less whether he gets out or not.'Rooming' with two old chums they plan an unlikely heist of priceless diamonds while still inside. This is probably my favourite Sellers comedy of all time with marvellous performances from all concerned.Star of the show, hands down,has to be Lionel Jeffries as the hard-boiled prison officer 'Crouty' who is hell-bent on making the lads last few days of incarceration as miserable as possible. If you haven't seen this movie you're in for a treat.Forget Inspector Clouseau,this is the definitive Peter Sellers.

This is a not particularly famous comedy starring Peter Sellers. It's rather sad that all Sellers is known for today, for the most part, are the Pink Panther movies, as he made many lovely small-time movies in the UK that are hardly ever seen in the United States. Most were made before the Panther movies and sadly, other than Panther films, most of what we do seem to see here are his lesser films from the 60s and 70s. Thankfully, THE FIENDISH PLOT OF FU MANCHU is seldom seen on American television (uggh).

Unlike so many of these little films, however, Sellers plays a role that is relatively "normal"--without the odd accents or flamboyant acting. Instead, while a comedy, he plays his part of a prisoner rather straight. This isn't bad, however, as the film is a very low-key comedy and many of the supporting actors help out quite a bit with the comedy--particularly Lionel Jeffries, who plays a rather uptight guard.

The film begins with Sellers and his buddies incarcerated in one of the worst prisons in the UK. Colonel Klink of "Hogan's Heroes" did a much better job of running a tight prison compared to the Governor (Maurice Denham)! Despite being a con-man and habitual crook, Sellers is made a trustee and practically every sort of vice occurs right under the guards' noses. In fact, it's so lax there that when an old partner (Wilfrid Hyde-White) of Sellers arrives (disguised as a minister), Sellers and his friends agree to sneak out of prison a day before their discharge to commit a crime and then sneak back--guaranteeing them the perfect alibi. All looks like it will go like clockwork until the head guard is replaced by a martinet played by Lionel Jeffries. They are ready to abandon their plans when they realize that they can get past Jeffries--it will just take a lot more patience and planning.

There's a lot more to the film than this, but I don't want to spoil it. The bottom line is that the script is just lovely and it's no wonder that the film works so well. A nice little almost forgotten gem.