Ajouter une intrigue dans votre langueWhile in prison, Dodger plots the perfect heist: break out, steal diamonds, get back before noticed. With days left on sentence and a solid alibi, he's confident nothing can go wrong.While in prison, Dodger plots the perfect heist: break out, steal diamonds, get back before noticed. With days left on sentence and a solid alibi, he's confident nothing can go wrong.While in prison, Dodger plots the perfect heist: break out, steal diamonds, get back before noticed. With days left on sentence and a solid alibi, he's confident nothing can go wrong.
- Réalisation
- Scénario
- Casting principal
- Soapy Stevens
- (as Wilfrid Hyde White)
Avis à la une
Back in the 50s and 60s, the British film industry seemed able to churn out these comedy films at the drop of a hat. The Ealing Comedies are the best known, but there are also any number starring Norman Wisdom, and also a few gems with Peter Sellers in them.
Sellers takes the leading role here, that of a criminal in the last weeks of his sentence. He and his three cell mates are drawn into a daring robbery - one that involves them breaking out the night before their release, then breaking back in again, thereby ensuring they have a watertight alibi. Just about every character in the film is a caricature - the kind-hearted chief warder, the bumbling prison governor intent on seeing only the best in everyone, the army chief in charge of moving the jewels. Yet it all works, so long as you don't go in expecting some significant piece of cinema.
An excellent cast, with Sellers on top form. Maurice Denham, as the governor, Lionel Jeffries, as the control-freak warder, and Wilfred Hyde-White, as the crook planning the robbery, are worth singling out.
A clever plot with a plan so cunning you are willing the "bad guys" to get away with it. It stands the test of time and seemed to improve with every viewing. Sellers, David Lodge and Bernard Cribbins are likeable rogues and Lionel Jeffries fits the sadistic warder part like a glove. Liz Fraser and Irene Handel are their usual excellent selves and Wilfred Hyde White shows his versatility throughout.
A splendid film - when it's scheduled for TV again, watch it or tape it - an underrated British Classic!
Jeffries is the real sleeper here; his comical, gestapo like prison captain, continually tortured by Sellers' antics, earns him the ire of the usually passive warden Maurice Denham (Denham more concerned with the quality and size of his garden produce than Jeffries' constant bleating about Sellers). The bane of his existence, Jeffries promises to catch Sellers out, but of course, he only ends up with egg on his face, again and again. Poor Lionel.
Liz Fraser is a voluptuous beauty, and her thick cockney accent and dumb-blonde demeanour make her the ideal vice. Her knack for these type of parts earned her recurring roles in several "Carry On" films later in the sixties, a series that excelled at 'accentuating' her talents, you might say. The mercurial Bernard Cribbins, a relative newcomer in this picture, also had the good fortune to team up in a couple of "Carry On" films, as well as several other Sellers' vehicles.
Not just a Sellers picture, all the cast succeed with their timing and delivery, but it's Lionel Jeffries who showed here his diverse ability to express humour, in addition to the straight roles he played throughout his long and distinguished career. Slapstick and farce, simple to enjoy, highly recommended.
Le saviez-vous
- AnecdotesLiz Fraser (Ethel) was still learning to drive at the time the film was made. In the scene where Ethel follows the army convoy in an Aston Martin, she kept stalling as she set off on cue, so ropes were attached to the front of the car, out of shot, and it was towed.
- Gaffes(at around 61 minutes) The driver reversing the Black Maria is not white-haired Soapy Stevens, but a black-haired double.
- Citations
[Fred's wife has brought in a young baby when she visits Fred in prison]
Fred: How old is he now, my love?
Fred's wife: Eight months, dearest.
[Fred looks suspicious and counts on his fingers]
Fred: But I've been in here nearly two years.
[Fred's wife smiles sweetly]
Fred's wife: Oh yes, Fred. But you sent me some *lovely* letters.
- Crédits fousOpening credits prologue: H.M. PRISON HUNTLEIGH
- ConnexionsFeatured in Offbeat (1961)
Meilleurs choix
- How long is Two Way Stretch?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Diamantes para el desayuno
- Lieux de tournage
- Frensham Ponds, Farnham, Surrey, Angleterre, Royaume-Uni(Dodger, Jelly and Lennie dump the prison van and escape in a dustbin van which returns them to the prison)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 18min(78 min)
- Couleur
- Rapport de forme
- 1.66 : 1