Les Deux Visages du Dr Jekyll

Like many Hammer Films that were pooh-poohed at the time of their release as exploitational, THE TWO FACES OF DR. JEKYLL is much better than its reputation would have you think, and it's surprisingly frank in its depictions of adultery and sexuality. It's well-directed by Terence Fisher, and the sets, costumes, set decorations and cinematography are excellent, making very good use of color (particularly in the Can-Can sequence). Performances are also excellent, particularly Paul Massie in the title roles, though he may seem a bit over-the-top at times. He does an excellent job of differentiating between Jekyll and Hyde, even vocally (though he sounds oddly post-synched in both roles). No, this isn't the foggy, gas-lit London of previous versions of J&H - color more or less ruled that out - but its nevertheless effective in its own way and deserves re-examination.

In the 1870's London, the middle-aged Dr. Henry Jekyll lives a reclusive life with his young wife Kitty. Jekyll has given up lecturing in Universities and dedicates his time for charity works and his personal research in his private lab. He completely neglects his wife Kitty, who has started an affair with Jekyll's friend Paul Allen, who also spends Jekyll's money on his gambling debts. One night, Jekyll tests a drug he has invented to separate the good and evil in man, on himself. As a result he becomes young and handsome Edward Hyde, who soon begins his mission of not only to destroy Kitty and Paul, but Jekyll as well.

Terence Fisher's film "The Two Faces of Dr. Jekyll" is one of the most original and underrated adaptations of Robert Louis Stevenson's classic "The Strange Case of Dr. Jekyll and Mr. Hyde". Since the three most well known movie versions of Jekyll & Hyde before this (1920 silent film with John Barrymore, 1931 classic with Frederic March and 1941 remake with Spencer Tracy) all repeated similar plot pattern, the Hammer Films wanted to give something different.

Like with Hammer's other adaptations of classic horror stories, the film only keeps the essential backbone of the original story and changes all else. Unlike in the three previous movies where Jekyll was presented as a young handsome and likable man and Hyde as evil looking ugly monster, here Jekyll is middle-aged bearded and very cold and harsh towards others. Hyde on the other hand is smooth, handsome player who gets everyone to like him like that. However, he is no less evil then other versions of Hyde. This time Hyde doesn't use Jekyll as a hiding place to escape to, but he puts the blame of his crimes on Jekyll. Nasty piece of work.

The film has been much underrated because it doesn't have the same kind of Hammer horror feel to it. But Fisher and others are not even trying to make this same kind of shocking horror film as their previous works "The Curse of Frankenstein", "Horror of Dracula" and "The Mummy" are. Instead Fisher and screenwriter Wolf Mankowitz are telling a tragedy of how one man's quest for knowledge ultimately destroys everything and everyone around him. The makers are more interested in showing the duality of Victorian era, where people were respectable during the day and transformed during the night. Jekyll in the movie is just the only one who does it literally.

The role of Jekyll/Hyde was originally meant for Christopher Lee, but not wanting to be type casted as the monster, since he had already played Frankenstein's creature, Count Dracula and the Mummy, Lee was casted as Paul Allen instead. Obviously glad to play different kind of part, Lee delivers one of his best Hammer performances as the suave and unreliable gambler. Lee played Jekyll and Hyde later in a movie called "I, Monster" from 1971, which follows Stevenson's book more faithfully than this one.

In the role of Jekyll/Hyde, Paul Massie is really underrated. Sure, I could name half a dozen other actors who have played the part better. But Massie is one of the few actors, along with Frederic March and Jack Palance, who managed to make both Henry Jekyll and Edward Hyde interesting characters. Most actors I've found are rather boring when playing Jekyll, only coming to life when changing to Hyde. In the role of Jekyll's cheating wife Kitty, Dawn Addams is not just a candy to the eyes, she really fits the part perfectly and is one of the few Hammer leading ladies with some other talent than just their looks. In minor roles you can see Norma Marla and her very erotic snake dance, as well as young Oliver Reed in one of his earliest movie roles.

All in all, "The Two Faces of Dr. Jekyll" is a forgotten gem, an enjoyable film from Hammer's highlight era, as long as you keep open mind and not expect gallons of blood.

Very nice and quite original adaptation of this often (ab)used material. This is probably the only version where Hyde is actually more handsome, social and sexy - even in a sort of school-boyish way to begin with - than Jekyll, who is a total wet blanket. There is indeed one of the sexiest performances by Christopher Lee in the film. I'm very happy he isn't in the lead role - I suggest he would have been directed to be his usual grim and menacing self again. Instead of that we get a smiling, easy-going Lee, dripping with wicked charm and sexuality. There aren't many available films to see him still under 40, so if you are a fan of his, I suggest you check this one out. Sure, it tends to be a bit melodramatic, but fortunately everyone around the poor, misunderstood Jekyll is so delightfully evil - his double-crossing wife, and double double-crossing friend - that the dramatic outbursts are nicely suppressed. Also, you get a very intimate close up at the holiest of holies of a scantily dressed snake charmer, and we get the "b"-word loud and clear - rather nice for 1960. Nice sets, nice Victorian frolics, very good looking cast, and generally a more fun version of the book than we usually get. I only have a strange looking pan and scan bootleg version of this film, which obviously was shot in widescreen. Typical vibrant colours of the period, good score and expert direction plus mostly proper British accent from everyone in the cast. I'm very glad I stumbled upon this film, and should I ever see a legitimate widescreen version released, I'd snatch it without a second thought. I'm rich, you see.

I really like Paul Massie in the lead role and I feel he does manage to give a compelling performance here. However the film itself proves unfortunately melodramatic (too many long scenes of Jekyll having outbursts of guilty emotions over the actions of Hyde is the biggest shortcoming). The changes to the story were novel but at the same time managed to turn Jekyll into a simpering wimp compared to a much stronger Hyde. I also fails to make us feel sympathy for any of Hyde's victims..still for some reason I find myself sometimes going back to this one.

Ostracized by the scientific community, Dr. Jekyll is doing some rather pointless sounding experiments while his wife is cheating on him with his gambler friend. Unhappy with their relationship, he turns his experiments on himself and becomes the suave Mr. Hyde.

Another take on the Jekyll and Hyde story, this one has some interesting ideas, but it never does much with them. Ultimately, the film is quite dull. Too much focus is placed on Jekyll's poor marriage and the affair his wife is having. It might not have been so bad if his wife were actually desirable, but she's an annoying shrew. Jekyll should just rid himself of her and consider his life all the better for it. Christopher Lee plays the friend with whom she's having the affair. He's playing against type here and is actually sort of the protagonist, but it's hard feeling sympathy for a philanderer. Paul Massie plays Jekyll and Hyde. He's actually not that great as either. His line delivery just sounds unnatural, especially when he's playing Jekyll.

There are some interesting twists towards the end, but it's too little, too late. This isn't one of the better films from Hammer.