NOTE IMDb
6,4/10
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Ajouter une intrigue dans votre langueWealthy, heavily-insured men are being murdered at an alarming rate. Scotland Yard investigates and finds clues that lead to a ring of blind men, led by a mysterious "reverend."Wealthy, heavily-insured men are being murdered at an alarming rate. Scotland Yard investigates and finds clues that lead to a ring of blind men, led by a mysterious "reverend."Wealthy, heavily-insured men are being murdered at an alarming rate. Scotland Yard investigates and finds clues that lead to a ring of blind men, led by a mysterious "reverend."
- Réalisation
- Scénario
- Casting principal
Anneli Sauli
- Fanny Weldon
- (as Ann Savo)
Ady Berber
- Jacob 'Der Blinde Jack' Farrell
- (as Adi Berber)
Manfred Greve
- Junger Polizist
- (non crédité)
Günther Jerschke
- Polizeiarzt (German version)
- (non crédité)
- …
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This is the second adaptation of Edgar Wallace's 1924 novel The Dark Eyes of London, the first featuring Bela Lugosi in 1939. A German production, this 1961 version stars Joachim Fuchsberger as Inspector Larry Holt who investigates a series of murders, the victims all wealthy men with hefty insurance policies. Holt's enquiries lead him to believe that the killings are somehow linked to a home for blind men run by Reverend Dearborn (Dieter Borsche). Glamour is provided by Karin Baal as Eleanor "Nora" Ward, an expert in Braille who helps Holt unravel the mystery.
Not nearly as effective as the 1939 movie, Dead Eyes of London suffers from a sloppy, convoluted script and muddled direction that ultimately leads to confusion. That said, even though the plot doesn't make much sense (why were all of the murder victims spectacle wearers?), there are still things to enjoy about the film: the hulking, sightless, hairy maniac called Blind Jack (Ady Berber); a weaselly lowlife by the name of Fleabite Fred (Harry Wüstenhagen); Holt's comedy relief sidekick "Sunny" Harvey, who likes to knit; Klaus Kinski looking creepy; a few cold-blooded killings; a jazzy avant-garde score; and, best of all, a POV shot from inside a man's mouth, which is so unexpected and bizarre that it automatically earns the film an extra point, raising my rating from 4.5/10 to 5.5 (rounded up to 6 for IMDb).
Not nearly as effective as the 1939 movie, Dead Eyes of London suffers from a sloppy, convoluted script and muddled direction that ultimately leads to confusion. That said, even though the plot doesn't make much sense (why were all of the murder victims spectacle wearers?), there are still things to enjoy about the film: the hulking, sightless, hairy maniac called Blind Jack (Ady Berber); a weaselly lowlife by the name of Fleabite Fred (Harry Wüstenhagen); Holt's comedy relief sidekick "Sunny" Harvey, who likes to knit; Klaus Kinski looking creepy; a few cold-blooded killings; a jazzy avant-garde score; and, best of all, a POV shot from inside a man's mouth, which is so unexpected and bizarre that it automatically earns the film an extra point, raising my rating from 4.5/10 to 5.5 (rounded up to 6 for IMDb).
In 1939 Bela Lugosi starred in Dark Eyes Of London.This is the West German version filmed in 1961.
Wealthy men are being murdered all over London.All indications point to an insurance scam and a home for the blind.But how can blind men be the killers of London?
The pace is frantic and you'll be guessing right up to the end.Only drawback is the villains lust for the heroine which is kind of goofy.
All in all a cut above the average Edgar Wallace thriller.
Wealthy men are being murdered all over London.All indications point to an insurance scam and a home for the blind.But how can blind men be the killers of London?
The pace is frantic and you'll be guessing right up to the end.Only drawback is the villains lust for the heroine which is kind of goofy.
All in all a cut above the average Edgar Wallace thriller.
Joachim Fuchsberger is the Scotland Yard inspector again, and Karin Baal the pretty girl who keeps showing up in this mystery about a series of accidental drowning victims, all of whom have insurance policies with Wolfgang Lukschy. Lukschy is being semi-blackmailed about his dead brother, so it all becomes murkier and murkier... and there's Klaus Kinski as a flunky who always wears sunglasses. Gotta keep an eye on him!
Some of these German adaptations of Edgar Wallace mysteries -- I looked at a dubbed version -- seem to spend their time confusing the audience with atmosphere. This one is just as obscure, but it seems to be better put together as a mystery. It's not a great movie, but as usual, it's a well-constructed time-waster.
Some of these German adaptations of Edgar Wallace mysteries -- I looked at a dubbed version -- seem to spend their time confusing the audience with atmosphere. This one is just as obscure, but it seems to be better put together as a mystery. It's not a great movie, but as usual, it's a well-constructed time-waster.
Interesting film with some really thoughtful details and noirish elements. The camera work was especially arresting with liberal facial close-ups and scenery that reminded me of "The Third Man". The story is interesting enough to keep the viewer occupied although the dialog dubbed from German to English was quite distracting. It would have been better to release it with subtitles. Part of its appeal was the diversity of the characters and the fact that the outcome was truly unexpected. It kept me guessing all the way up to the end like all good thrillers. On the negative side it dragged at times and some of the scenes, especially some with the Inspector's sidekick, seemed to have been inserted as fillers. Overall though I was pleasantly surprised.
This is the sixty of Edgar Walace's novel series adapted to screen by the Danish Rialto Film henceforth labeled as German Krimi, quite sure one the most structured plot even seen on 39 pictures made by them, right now the American amateur detective Larry Holt (Joachim Fuchsberger) already had raised on Scotland Yard as inspector meanwhile his butler-sidekick Sunny Harvey (Eddi Arent) as Sergeant when some bodies were found drowned at Thames river, Larry Holt in charge of investigation with the awkward Sunny, soon they find out that all dead men had a life insurance by Greenwich Assurance and Judd Bros. Ltda. Where the owner Stephen Judd (Wolfgang Lukschy) which had lost his brother-partner in a fatal death and he has been blackmailed by a mystery man.
Soon appears the beauty Nora Ward (Karin Baal) a former nurse that is able to read writing in braille at behest of Insp. Larry Holt concerning the unusual deaths, whereof the corpses contained so piece of papers in braille, turns off afterwards both have a mutual romance interest according the story is unfolding, further many witness describe to Insp. About a bulky-ugly-blind man (Ady Berber) that was carried out those crimes, instead as the forensic doctor wanted implied as simple drowning , also many hints come over as a white van often linked with the disappearance of the victims, mostly probable used by several laundries in London.
This movie grabs the audience by fear and mystery, the fog atmosphere in a wet London at night is replicated in this picture, also the bleak character of the newest Klaus Kinski that for now on appears on the plot, pay attention in a couple of macabre stage props as the skull cigarette holder and a scary black cat lighting up their eyes when the phone rings, plus Sgt. Sunny Harvey knitting at office, priceless and odd experience, fine story and well-draw up screenplay, something alike Sherlock Holmes-noirish style as well.
Thanks for reading.
Resume:
First watch: 2024 / How many: 1 / Source: DVD / Rating: 7.5.
Soon appears the beauty Nora Ward (Karin Baal) a former nurse that is able to read writing in braille at behest of Insp. Larry Holt concerning the unusual deaths, whereof the corpses contained so piece of papers in braille, turns off afterwards both have a mutual romance interest according the story is unfolding, further many witness describe to Insp. About a bulky-ugly-blind man (Ady Berber) that was carried out those crimes, instead as the forensic doctor wanted implied as simple drowning , also many hints come over as a white van often linked with the disappearance of the victims, mostly probable used by several laundries in London.
This movie grabs the audience by fear and mystery, the fog atmosphere in a wet London at night is replicated in this picture, also the bleak character of the newest Klaus Kinski that for now on appears on the plot, pay attention in a couple of macabre stage props as the skull cigarette holder and a scary black cat lighting up their eyes when the phone rings, plus Sgt. Sunny Harvey knitting at office, priceless and odd experience, fine story and well-draw up screenplay, something alike Sherlock Holmes-noirish style as well.
Thanks for reading.
Resume:
First watch: 2024 / How many: 1 / Source: DVD / Rating: 7.5.
Le saviez-vous
- AnecdotesFor the first time in Rialto's Edgar Wallace series, this black-and-white film featured colored opening credits with blood-red letters on a b/w background. This tradition was kept in the future with many different colors used. Until the late '90s, the colored opening credits were always shown in black and white on German television and were sometimes unreadable.
- GaffesWhen Flicker-Fred falls down the elevator-well, his scream lasts 6 seconds. This would be equal to a free fall of 176 meters.
- Versions alternativesTill 2003 the opening credits of the movie were shown in black & white in TV. In the theatrical version and the TV versions since 2003 they show the opening titles in red.
- ConnexionsFeatured in Monstrous Movie: Dead Eyes of London (1974)
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- How long is Dead Eyes of London?Alimenté par Alexa
Détails
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 1.66 : 1
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What is the Spanish language plot outline for Les mystères de Londres (1961)?
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