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La Machine à explorer le temps

Titre original : The Time Machine
  • 1960
  • Tous publics
  • 1h 43min
NOTE IMDb
7,5/10
47 k
MA NOTE
Rod Taylor and Yvette Mimieux in La Machine à explorer le temps (1960)
Regarder Trailer
Lire trailer2:32
2 Videos
99+ photos
Dystopian Sci-FiQuestSteampunkTime TravelAdventureRomanceSci-FiThriller

Inspiré du roman de H.G. Wells: à la fin du 19è siècle, George a inventé une machine a voyager dans le temps. Il l'utilise pour se transporter dans le futur: Première Guerre mondiale, Deuxiè... Tout lireInspiré du roman de H.G. Wells: à la fin du 19è siècle, George a inventé une machine a voyager dans le temps. Il l'utilise pour se transporter dans le futur: Première Guerre mondiale, Deuxième Guerre mondiale, 1966 puis l'an 802 701.Inspiré du roman de H.G. Wells: à la fin du 19è siècle, George a inventé une machine a voyager dans le temps. Il l'utilise pour se transporter dans le futur: Première Guerre mondiale, Deuxième Guerre mondiale, 1966 puis l'an 802 701.

  • Réalisation
    • George Pal
  • Scénario
    • David Duncan
    • H.G. Wells
  • Casting principal
    • Rod Taylor
    • Alan Young
    • Yvette Mimieux
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    47 k
    MA NOTE
    • Réalisation
      • George Pal
    • Scénario
      • David Duncan
      • H.G. Wells
    • Casting principal
      • Rod Taylor
      • Alan Young
      • Yvette Mimieux
    • 290avis d'utilisateurs
    • 94avis des critiques
    • 67Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 1 victoire et 1 nomination au total

    Vidéos2

    Trailer
    Trailer 2:32
    Trailer
    Official Trailer
    Trailer 2:32
    Official Trailer
    Official Trailer
    Trailer 2:32
    Official Trailer

    Photos141

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    + 135
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    Rôles principaux12

    Modifier
    Rod Taylor
    Rod Taylor
    • H. George Wells
    Alan Young
    Alan Young
    • David Filby…
    Yvette Mimieux
    Yvette Mimieux
    • Weena
    Sebastian Cabot
    Sebastian Cabot
    • Dr. Philip Hillyer
    Tom Helmore
    Tom Helmore
    • Anthony Bridewell
    Whit Bissell
    Whit Bissell
    • Walter Kemp
    Doris Lloyd
    Doris Lloyd
    • Mrs. Watchett
    Bob Barran
    • Eloi Man
    • (non crédité)
    Paul Frees
    Paul Frees
    • Talking Rings
    • (voix)
    • (non crédité)
    Mike Hitlner
    • Eloi Man
    • (non crédité)
    Josephine Powell
    • Eloi Girl
    • (non crédité)
    James Skelly
    • Second Eloi Man
    • (non crédité)
    • Réalisation
      • George Pal
    • Scénario
      • David Duncan
      • H.G. Wells
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs290

    7,547K
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    Avis à la une

    9llltdesq

    The special effects are still remarkable after more than 40 years!

    This is a very well-done adaptation of the H. G. Wells novella, with an Oscar for the special effects that are still impressive more than 40 years later. Good performances by an ensemble cast and a good script also help. One interesting side note: character actor Whit Bissell was in both the 1960 version here and the version done for television in 1978, playing essentially the same part with two different character names! Recommended.
    yenlo

    It's always the right time for The Time Machine.

    One of those Sci-Fi films that's made just right to be watched over and over again and never gets old. The special effects were ahead of their time but the film is not bogged down with them and the actors are allowed to ply their trade. Rod Taylor puts in a solid performance as George the time traveler. George Pal did a great job with this picture. A remake would probably be flashier with the FX but would be hard to beat this classic.
    8jhclues

    George Pal Realizes His Vision

    In 1960, filmmaker George Pal brought to fruition a visionary concept for a film based on a novel by H.G. Wells, about an inventor who builds a machine that enables him to travel through time, specifically into the future, where he learns a timeless, universal truth about the machinations of society and some of the basic tenets of human nature. `The Time Machine,' which Pal produced and directed, stars Rod Taylor as George, the inventor/time traveler/hero, who, born into a time and world that doesn't suit him, decides to do something about it.

    A week into the 20th Century, four of George's closest friends, Dr. Philip Hillyer (Sebastian Cabot), Anthony Bridewell (Tom Helmore), Walter Kemp (Whit Bissell) and his best friend, David Filby (Alan Young), are gathered at his house for dinner, but George is late; when he finally shows up, he is disheveled, disoriented and hungry-- and has a story that is beyond belief. It's a tale that actually began one week earlier, on New Year's Eve, 1899, when the five had last been together. On that evening, George, after a discussion of the reality of a `Fourth Dimension,' had given them a demonstration of a model of a `Time Machine,' he had built, a miniature prototype of the machine he hoped would take him some day into the future.

    His demonstration is met with interest, but skepticism; only Filby, it seems, is able to keep an open mind, but even he encourages George to accept the constraints of Time, which to the rational mind are absolute and immutable. George, however, views Time as a parameter; a variable whose value is subject to change. And on that last night of the 19th Century, after his friends leave-- gone off to celebrate the arrival of the new century-- George acts on his theory by stepping into his machine and beginning a journey that will prove to be the adventure of a lifetime. A journey during which he sees a number of wars and changes in the world around him, and which ultimately transports him some 800,000 years into the future, where he finds a world ravaged by fate, where humankind has been divided into two sects: The gentle Eloi, living on the surface of the earth, and the Morlocks-- mutants who dwell beneath as the Master Race, and who prey upon the weak and simple Eloi.

    He also discovers the dark secret of the Eloi and the Morlocks, and determines to address the situation. But first he returns to his own time, to tell his friends the story, and to retrieve something he needs. When his guests leave, Filby remains behind with words of caution for George; but as soon as he leaves, George is off to fulfill his destiny, and he has all the time in the world to do it.

    Going into this project, George Pal had a definite vision of what he wanted to accomplish with this film, from the way the time machine itself looked, to the way he wanted to present the future of mankind and the world. And working from the intelligent, imaginative screenplay by David Duncan, he succeeded by delivering a film that has since become a classic of the Science Fiction genre. The nature of the story demands that the viewer suspend disbelief, of course, but Pal develops his story in such a plausible, straightforward manner that it is easy to do just that. He puts George on the journey of a lifetime, and he takes his audience along for the ride. He does an exquisite job of establishing the Victorian era in which the story begins, as well as the world of the Eloi and the Morlocks. The F/X he employs to convey the sense of George's movement through time-- like the swift arcing of the Sun and Moon, and the quick, subtle (and sometimes not-so-subtle) changes George observes-- are entirely effective. Pal obviously had a devotion to detail that pays off handsomely here. A dedicated filmmaker, he refused to settle for less than what he knew was right for his picture, and it shows. The result is a film that is entertaining, timeless and memorable.

    As George, Rod Taylor is perfectly cast and gives a solid performance in which he embodies the boldness, the imagination and tenacity of his character. Most importantly, he makes George believable and his motivations credible, which enables the viewer to be swept along with the story. Taylor has a commanding presence that serves his character well, and he is, in fact, the veritable personification of the explorer/adventurer, a man willing to take a chance or face unbelievable odds to accomplish his goal. Taylor is a fine actor who has made a number of movies, but of them all, this is the role for which he will probably be best remembered.

    Also perfect in her role is Yvette Mimieux, as one of the Eloi, Weena. A talented actress-- now something of a ‘60s icon, in fact-- her fair beauty, along with the innocent demeanor and vulnerability she manages to convey, makes her character entirely convincing. And the way she plays it makes George's actions more likely, as well. Granted, her character is well written to begin with, but Mimieux's the one who sells it in the translation from page to screen.

    The supporting cast includes Doris Lloyd (Mrs. Watchett), Bob Barran (Eloi Man), James Skelly (Second Eloi Man) and Paul Frees (Voice of the Talking Rings). A transporting flight of fantasy, expertly crafted and imaginatively presented, `The Time Machine' is captivating entertainment that will make you believe that time travel is possible. it paints a bleak picture of the future, to be sure, but it gives you and leaves you with that which has kept Man putting one foot in front of the other since Time began: Hope. That's the legacy of H.G. Wells and the promise of George Pal. And it's the magic of the movies. I rate this one 8/10.
    Douglas_Holmes

    I love this movie.

    This movie is truly a gem. There are problems with it when compared to H.G. Wells's original story, but many of the additions and changes actually are improvements, in my opinion. If there is one thing I WOULDN'T have changed, it was the part where the Time Traveler finally figures it all out: the Eloi are merely fatted cattle and the Morlocks are their "cowboys." In the book it comes through that the Eloi are not particularly good and the Morlocks aren't really evil- both groups are merely evolutionary products. Of course, theater audiences in 1960 wouldn't have accepted this.

    Back to the film: the story is touching and I liked the sets and model-work. I have the DVD and I have watched it multiple times. And THAT is an endorsement.
    9ccthemovieman-1

    Fourth Time Was A Charm: A Thought-Provoking Film That Looks Better Than Ever On DVD

    Boy, did a nice DVD transfer of this not only mak me appreciate the visuals in here more but made the story seem better, too, for some reason. I only acquired the DVD as a memento, so to speak. I had to have at least one movie which had the woman I had a crush on back in the early '60s: Yvettte Mimieux. She still looks great, too. The main thing, however, is how I now viewed this story and how much more I wound up liking it than in the past. This was my fourth look at this movie over a 45-year span and I enjoyed it the most this last time.

    Since time travel stories always fascinate me, my favorite part of the film is when "George" (Rod Taylor) is actually in his time machine and experiments with it, slowing it down here and then and then stopping it a couple of times to observe World War I and then WWII. Then, he stops in 1966 when supposedly there was a nuclear attack. (Apparently, scare-mongers back in '60 thought that was a short-term likelihood.)

    Anyway, when "George" (H.G. Wells, the author of this story) finally stops, in the year 200,000-something, the story loses some of its momentum. However, it's a fairly interesting study of a group of ultra-passive people being dominated by others who live underground and then literally eat the good people. Taylor is astounded that mankind has not progressed as he had figured but seemed to have regressed.

    The message I got on this last look is that man is still man, meaning sinful and capable of anything bad as well as good, and to put one's faith totally in man is a mistake. It's only going to lead to disappointments as "George" found out on each of his stops. (Notice he never stopped during a peaceful, progressive period.) Yet, "George" is still an optimist and wants to be one to help initiate change for the better. There's always hope for a better world and people like George, with his idealism put to action, can make a difference.

    Overall, an entertaining and thought-provoking film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Yvette Mimieux was actually underage when shooting began (she turned 18 during the shoot) and was not legally supposed to work a full shooting schedule, but did. She was inexperienced, but as she worked on this film she kept getting better and better, so that by the end of the shoot the producers went back and re-shot some of her earliest scenes.
    • Gaffes
      In the great hall whenever George is inside, parallel and perpendicular white lines are seen painted on the floor. The table arrangements do not conform to any arrangement that fits these lines. This is because the set was constructed over a studio parking lot and they did not put down a floor covering. The revealing parking lines are simply ignored. This info came from a special effects veteran who was on the set during the filming of these scenes.
    • Citations

      Filby: Which three books would you have taken?

    • Connexions
      Edited into Des agents très spéciaux: The Project Deephole Affair (1966)

    Meilleurs choix

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    FAQ

    • How long is The Time Machine?
      Alimenté par Alexa
    • How close does the movie follow the story in the H.G. Wells novel?
    • What is 'The Time Machine' about?
    • Is "The Time Machine" based on a book?

    Détails

    Modifier
    • Date de sortie
      • 7 décembre 1960 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La máquina del tiempo
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis(Studio)
    • Sociétés de production
      • Loew's
      • Galaxy Films Inc.
      • George Pal Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 750 000 $US (estimé)
    • Montant brut mondial
      • 5 902 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Rapport de forme
      • 1.85 : 1

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