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Le diabolique docteur Mabuse

Titre original : Die 1000 Augen des Dr. Mabuse
  • 1960
  • 1h 43min
NOTE IMDb
6,9/10
4,1 k
MA NOTE
Le diabolique docteur Mabuse (1960)
Trailer for The 1000 Eyes of Dr. Mabuse
Lire trailer2:03
2 Videos
99+ photos
CrimeMysteryThriller

Dans l'Allemagne des années 1960, le Docteur Mabuse, véritable génie du crime, hypnotise ses victimes et utilise le matériel de surveillance d'un hôtel pour voler la technologie nucléaire d'... Tout lireDans l'Allemagne des années 1960, le Docteur Mabuse, véritable génie du crime, hypnotise ses victimes et utilise le matériel de surveillance d'un hôtel pour voler la technologie nucléaire d'un industriel américain.Dans l'Allemagne des années 1960, le Docteur Mabuse, véritable génie du crime, hypnotise ses victimes et utilise le matériel de surveillance d'un hôtel pour voler la technologie nucléaire d'un industriel américain.

  • Réalisation
    • Fritz Lang
  • Scénario
    • Fritz Lang
    • Heinz Oskar Wuttig
    • Jan Fethke
  • Casting principal
    • Dawn Addams
    • Peter van Eyck
    • Gert Fröbe
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    4,1 k
    MA NOTE
    • Réalisation
      • Fritz Lang
    • Scénario
      • Fritz Lang
      • Heinz Oskar Wuttig
      • Jan Fethke
    • Casting principal
      • Dawn Addams
      • Peter van Eyck
      • Gert Fröbe
    • 30avis d'utilisateurs
    • 62avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos2

    The 1000 Eyes of Dr. Mabuse
    Trailer 2:03
    The 1000 Eyes of Dr. Mabuse
    The 1000 Eyes of Dr. Mabuse
    Trailer 2:41
    The 1000 Eyes of Dr. Mabuse
    The 1000 Eyes of Dr. Mabuse
    Trailer 2:41
    The 1000 Eyes of Dr. Mabuse

    Photos181

    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
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    Rôles principaux28

    Modifier
    Dawn Addams
    Dawn Addams
    • Marion Menil
    Peter van Eyck
    Peter van Eyck
    • Henry B. Travers
    Gert Fröbe
    Gert Fröbe
    • Kriminalkommissar Kras
    Wolfgang Preiss
    Wolfgang Preiss
    • Prof. Dr. S. Jordan…
    Werner Peters
    Werner Peters
    • Hieronymus B. Mistelzweig
    Andrea Checchi
    Andrea Checchi
    • Hoteldetektiv Berg
    • (as Andrea Checci)
    Marielouise Nagel
    • The Blonde Luck
    • (as Marie Luise Nagel)
    Reinhard Kolldehoff
    Reinhard Kolldehoff
    • Roberto Menil alias 'Klumpfuß'
    Howard Vernon
    Howard Vernon
    • No. 12
    Nico Pepe
    • Hotel-Manager
    Jean-Jacques Delbo
    • Cornelius' Butler
    • (as Jean-Jaques Delbo)
    David Cameron
    David Cameron
    • Michael Parker
    • (as David Camerone)
    Linda Sini
    Linda Sini
    • Corinna
    Renate Küster
    Renate Küster
    • TV-Ansagerin
    Rolf Weih
    Rolf Weih
    • Interpol-Chef
    Rolf Möbius
    Rolf Möbius
    • Police-Officer
    Lotti Alberti
    • Schwester Agnes
    • (as Lotte Alberti)
    Manfred Grote
    • Kriminalassistent Keyser
    • Réalisation
      • Fritz Lang
    • Scénario
      • Fritz Lang
      • Heinz Oskar Wuttig
      • Jan Fethke
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    6,94K
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    Avis à la une

    7Guy_T

    Hugely influential Spy Caper ought to be seen

    You don't necessarily need to have seen Lang's earlier Mabuse films to be able to love this one. Like in his silent spy film 'Spione', Lang creates everything that would go on to be a genre cliche - but they all had to be original once. Here we have the stolen prototype weapon - a gun that fires needle shaped bullets that travel through glass and leave very little trace of assassination; and then there's the villain's car, with its revolving number-plates. Lang was certainly a few quick steps ahead of the makers of the Bond films, and certainly on a level with Hitchcock, Powell et al when it came to commenting on voyeurism.

    The plot's labyrinthine, of course, but it rattles along at such a pace and with such striking visuals that you hardly have time or the inclination to stop and worry - and it all comes clear at the end, with one or two fantastic revelations in addition to the few you expect.

    If one part doesn't quite please as much as you like, it's the context it fails to reference properly. Made at such a crucial time in History by a man who had seen so much, one only wishes it had more commentary to make. Lang's career swung like a pendulum between social commentary and serial escapades - if only he'd been able to pull the two together for his final film.
    8bensonmum2

    My first venture into the world of Dr. Mabuse

    The 1,000 Eyes of Dr. Mabuse represents my first venture into the world of Dr. Mabuse. Pigeon-holing this movie into a single genre is difficult. It's one part traditional krimi, one part spy movie, and one part thriller. Combined, these elements create, at least for me, a one of a kind experience that I really can't compare with much of anything I've seen before. I refuse to give the normal plot synopsis. Any plot details or other information would ruin the many twists and surprises found in The 1,000 Eyes of Dr. Mabuse. Fortunately for me, I went into the movie completely blind, knowing very little of what to expect. I would suggest not even looking over the IMDb page as vital information is presented on Mabuse's identity. The acting is good from a cast that, even if I didn't know all of the names, I recognized from years of watching WWII movies. Actors like Gert Forbe, Werner Peters, and Peter van Eyck give sold performances. Fritz Lang's direction is as competent as ever. The 1,000 Eyes of Dr. Mabuse has style to burn. Considering the movie was made more than 45 years ago, it still feels remarkably fresh. The mystery of who Dr. Mabuse is and what his fiendish plan is all about are wonderfully compelling and really pull you into the movie. The jazzy score is impossible to get out of your mind and fits well within the film. In short, it's movie like this that keeps me excited about exploring "new" cinema. If all of my first time viewings could be this entertaining, I would be very happy indeed.

    If The 1,000 Eyes of Dr. Mabuse has one weakness, it's the slow pace of the second act. The pace grinds to a crawl as the police begin their investigation into the events taking place. While it's fairly interesting and Gert Forbe is a good enough actor, there's not enough action in this portion of the film when compared with what came before and what comes afterward. A little more pep in the middle third of the film would have made it a real winner with me. It's a minor issue I have with the film, but it's an issue nonetheless.

    As I wrote previously, The 1,000 Eyes of Dr. Mabuse is the first Mabuse movie I've seen. After my wonderful experience with the movie, it won't be the last.
    9evilskip

    Fritz Lang's swan song

    What a swan song this is! Wild and wooly fun from Fritz Lang. Dr Mabuse is running his criminal empire from the Hotel Luxor. His henchmen never see his face as they receive their orders via radio.Without giving too much away his plans involve the takeover of a rich man's empire and general blackmail and murder.Gert Frobe plays the inspector out to nab Mabuse before Mabuse kills him.Funniest scene takes place in the Inspector's office when everybody starts to fall before a bomb goes off! After watching 5 Mabuse movies in a row this is easily the best.It is available from Sinister Cinema.
    8El_Rey_De_Movies

    Lang's last classic

    The last film that Lang directed, this was to be his triumphant return to Germany after having fled the Nazis in the late 1930's. Unfortunately, it was brutally cut and re-edited when it was released here, so it never gained the popularity and acclaim that it deserved. It's the story of an American businessman in Berlin who is drawn into a secretive world of conspiracies, spies, and murder. Everyone in this movie is lying to him, with the single exception of the police inspector, played by a pre-"Goldfinger" Gert Frobe. But it's also the movie that effectively laid down the basic rules of the modern spy thriller: the handsome and well-dressed leading man who is equally at home with a gun, a girl, or a drink in his hand, the megalomaniacal and shadowy villain with plans for world domination, the gadgetry and surveillance, the hidden lair, etc. Don't be put off by the fact that it's a foreign, black and white movie – this is an exciting story told by a master director who has been unforgivably forgotten.
    8Boba_Fett1138

    Good last, old fashioned styled, thriller from Fritz Lang.

    Of course this isn't the most classic or best Fritz Lang movie but it nevertheless is a more than worthy last one by him. It's not that he died shortly afterward (he lived till 1976) but he lost his eye sight and by 1964 he was already nearly blind. It feels right that he ended his directing career with a Dr. Mabuse movie. His previous 2 directed Dr. Mabuse movies, "Dr. Mabuse, der Spieler - Ein Bild der Zeit" and "Das Testament des Dr. Mabuse" are among his best and also best known works. He obviously had some real passion and respect for the character of Dr. Mabuse. Why else would he had made 3 movies involving the character, over the course of 4 decades. The character is of course also a real intriguing ones. He was one of the first real movie villain in the 1922 movie "Dr. Mabuse, der Spieler - Ein Bild der Zeit". A character that manipulates, influences peoples will, all for his own benefits, with the help of hypnotic and supernatural powers.

    Just like 7 of the 8 Dr. Mabuse movies made, this movie is shot in atmospheric black & white. Fritz Lang made a few color movies late in his career but for this movie he went back to his beloved black & white. No doubt he did this on intentions to let this movie connect more and better to the previous 2 Dr. Mabuse movie, made before this one. After all, the last Dr. Mabuse made before this one dates back from 1933.

    Even though this movie is made 27 years later, it's still a direct sequel to to "Das Testament des Dr. Mabuse". It makes lots of references to the events which occurred in that movie. However if you haven't seen the previous 2 movies, I think you'll also still have a good time watching this movie and understand the events in it.

    The visual style and style of film-making is also mostly the same when compared to the 1933 movie. A style Fritz Lang was of course very experienced in, being one of the best directors of the '20's and '30's. Nevertheless the movie is still set in its 'present' day 1960. It makes this a '60's movie in '30's style, which also provides the movie with a few clumsiness's and at times makes this movie feel, sound and look way more outdated. It therefor can be argued if this was the right approach. No doubt it is also part of the reason why this movie isn't as well known and appreciated as the previous two Dr. Mabuse movies from 1933 and 1922.

    The cinematography within this movie is especially great and helps to give the movie its own unique atmosphere and old fashioned feeling style.

    Gert Fröbe was really excellent in this movie. He proofs himself once more to be one of the best German actors that ever lived. Ir's fun that many actor appearing in this movie also appeared in the later Dr. Mabuse sequels, often in completely different roles, including Gert Fröbe.

    It's sort of too bad that the whole movie doesn't have the pace and excitement of the movie its first halve. There is more talking than real thriller or suspense moments in the second part. Still the whole mysterious atmosphere and question; 'Who is Dr. Mabuse?', remains present throughout the entire movie. The movie also ends with a real blast and gets surprisingly action filled toward its ending.

    Yet another real recommendable Dr. Mabuse movie!

    8/10

    http://bobafett1138.blogspot.com/

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Fritz Lang's final directorial project.
    • Gaffes
      Dr. Mabuse rips a telephone from its cord and throws it on the ground, in a later shot the telephone is still on the table and intact.
    • Citations

      Henry B. Travers: Try to relax. You know what you're doing just doesn't make sense. There's no way back. You're young and quite beautiful. Yes, you should know that. Please, give life another chance. If you jump you might not die instantly. You might linger on for months. Wake up and find that you're a cripple. Think about it.

      Marion Menil: It's hopeless. Too scared.

      Henry B. Travers: Give me your hand. Come, reach out to me. You can do it.

      man in crowd: Thank God. Otherwise I couldn't eat any supper at all tonight.

    • Versions alternatives
      Most versions end with Marion waking in what appears to be a hospital. Travers is at her bedside, and the two hold hands and exchange some unheard dialogue as the picture fades to black. In the French release this scene lasts a few seconds longer, and we see Marion's eyes close as she slumps back against the bed, presumably dying.
    • Connexions
      Edited into Die 1000 Glotzböbbel vom Dr. Mabuse (2018)

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    FAQ14

    • How long is The 1,000 Eyes of Dr. Mabuse?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 juin 1961 (France)
    • Pays d’origine
      • Allemagne de l'Ouest
      • France
      • Italie
    • Langue
      • Allemand
    • Aussi connu sous le nom de
      • The Thousand Eyes of Dr. Mabuse
    • Lieux de tournage
      • Eiswerderstraße, Spandau, Berlin, Allemagne(car falling off the bridge)
    • Sociétés de production
      • Central Cinema Company Film (CCC)
      • CEI Incom
      • Critérion Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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