Le Monstre au masque

Like a previous poster mentioned, I also purchased this film for about 50 cents (USD). I wasn't expecting much from a DVD film that didn't even cost one dollar. It turned out to be a pleasant surprise! The change sequences from human to monster were amazingly well done for the time and the acting and dubbing to English were not bad either. Also, the late 50s early 60s black and white look and feel to the film was a plus. Many of the Italian made horror films I've seen from this era have a certain atmosphere and charm to them that is fascinating to watch. They often have a more bizarre or off beat story then USA made horror films of the same period. That's refreshing if you are a horror film fan like me and see lots of these movies hoping for something a little different. If you have the chance to view it, this film is well worth your time.

Having read comparisons between this movie and Mario Bava's films, I'd looked forward to seeing it for sometime. It's the story of a horribly disfigured woman who goes to a doctor for some unconventional treatments. It seems he has developed a serum that will restore the woman's beauty. But, the serum must be applied regularly and the supply soon runs out. As the doctor has fallen in love with the woman, he must do whatever it takes to get the ingredients to make more serum - even if that means killing other women.

Let's see, comparisons with Bava. 1. Black & white - so is Bava's Black Sunday. 2. Well, there really isn't a 2 as far as I'm concerned. Atom Age Vampire makes most other "slow" movies seem like roller coaster rides. I actually had to wake myself twice and rewind the movie. Also, while I'm generally one of those people that will defend dubbing in Italian movies, I can't do that here. This is one of the first times I can actually say that the dubbing got in the way of my enjoyment of a movie.

When the opening credits end on ATOM AGE VAMPIRE, there is a sloppy jump cut to the opening scene (A bathrobe clad showgirl returning to her dressing room) This tells us the film has been heavily censored. This is an Italian film, being released here in the states. When somebody opens their mouth, horrific dubbing, best suited for a bad porno film, takes over the scene. The showgirl (the strangely beautiful Susanne Loret. She has this hard look to her face. With her blonde peek-a-boo hairdo, she resembles a crazed Veronica Lake) survives an auto accident that scars her face. In a last ditch effort, she goes to a mad doctor, who makes good on his promise on restoring her face. You can probably figure out what happens in this somewhat predictable sci-fi offering. The one thing that shines thru the censoring and dubbing is this movie moves at a rapid pace. It should be re-made with the same haunting and disturbing qualities.

"An exotic dancer has a terrible automobile accident and, as a result, is horribly scarred, on her face. Hoping for a miracle treatment, the dancer visits a scientist who has had marvelous results in restoring patient's (sic) appearances, and is cured of her scars. Unfortunately, there are some terrible side-effects from the procedure … the scientist must use unethical methods to try and make the cure permanent. With suspicions (growing, and) the dancer's boyfriend and the authorities closing in…" according to the DVD sleeve's synopsis.

Inappropriately re-produced as "Atom Age Vampire"; this is actually an adaptation of "The Strange Case of Dr. Jekyll and Mr. Hyde", with some other horrific clichés, quite neatly layered into the mix. Mad scientist Alberto Lupo (as Alberto Levin), unappreciated Franca Parisi (as Monique), and lackey Roberto Bertea (as Sacha) are an intriguing set-up. Horribly dubbed (although, the voices are good), and painfully predictable; it very obviously wouldn't be a completely awful film, in its unaltered Italian version.

**** Atom Age Vampire (1960) Anton Giulio Majano ~ Alberto Lupo, Susanne Loret, Sergio Fantoni

I love Italian horror, but this one just didn't have the punch that I am used to with Fulci or Bava. The premise was good, but it didn't deliver completely.

It was interesting anyway as a girl (Susanne Loret) gets disfigured in an auto accident and a mad scientist doctor (Alberto Lupo) promises to make her beautiful again.

The Doctor and his assistant work on the girl, but the results are only temporary and they are out of serum. That's when the Doctor's secret is revealed and he goes into action attacking young girls to keep his treasured beauty alive. The first to go is his assistant.

He has a way of transforming himself into a Mr. Hyde and back to Dr. Jeckyl. The girls old boyfriend and the police are hot on his tail.

Interesting tale, but Fulci would have done it better.