La reine des Amazones

When leading-man Rod Taylor passed away last year, I remembered his excellent performances in 'The Birds' and 'The Time Machine', and how his charm, good looks and manner could lift very good films such as those to greatness. I was also pleased that for his final role, he got to be in a very fine picture such as 'Inglourious Basterds', playing Winston Churchill--that he was able to end his career on a high-note, which sadly, is the exception rather than the rule. 'Colossus and the Amazon Queen' is an example of where he made an otherwise fun but terrible movie watchable--and that's another fine quality of a gifted thespian. Especially if you are a fan of Taylor's work, the intriguing way that Italian actors made swords-and-sandals' epics ad nauseum from the late-50's to early-60's, when they would become infatuated with the 'spaghetti western', these 94 minutes will be time modestly well-spent.

"Ed Fury stars as Glauco, the strongest man in Greece who finds himself the unwilling member of an expedition across the seas. His pal Pirro (Rod Taylor) accepts money from a band of pirates in return for Glauco's undeniable muscle. When they land, they are drugged and captured by a race of Amazons. Only Glauco escapes and falls in love with the fair Antiope. After considerable action and intrigue, the Amazons and Greeks learn to get along," according to the DVD sleeve's synopsis.

Re-titled "Colossus and the Amazon Queen" for English language listeners, this "sword and sandal" epic benefits by not taking itself too seriously. Bulging in all the right places, Mr. Fury is a blond Adonis-like hero. While Fury strikes the correct light-hearted tone, the more accomplished co-starring Mr. Taylor seems uncertain about the sexual preference assigned his character. He acts gay, but goes for breast-popping Daniela Rocca (as Melitta) over Fury, who digs delectable Dorian Gray.

***** La regina delle Amazzoni (9/8/60) Vittorio Sala ~ Ed Fury, Rod Taylor, Daniela Rocca, Dorian Gray

Taken within the confines of the genre this is a humorous silly adventure. What sets it apart slightly from the usual run of the mill toga films is an odd jazz flavored score and the presence of Rod Taylor at the beginning of his career. Within a few years he's be working for Hitchcock starring in The Birds as well as appearing in other big budget films like The V.I.P.S. and The Time Machine something that no one else in the cast or any other of these sex and sandal flicks ever got remotely close too. Taylor was always a big beefy guy but he is positively dwarfed by Ed Fury, who physique is as usual in awe inspiring shape. Loaded with homo-erotic subtext and dreadful dialog watch this for its camp value and a star on the rise.

This is horrible.

I've seen pretty much every muscle man movie made in the 1950's and 1960's and this is at the bottom of the list.

First off the dubbing is terrible. The cliche of Japanese monster movies are nothing compared to this.

Secondly its suppose to be a comedy. It appears to have been written and acted as one, unfortunately there is nothing funny about it. The problem is that these films run so close to parody as is that its pointless to make fun of them. The only one that ever worked was the original version of My Son The Hero, which was a good movie even without the humor.

Lastly the sets, costumes, ect are overly bad. Again these films run the fine line between reality and parody. Its all of a style that took hold and effectively killed off the genre about five years after this was produced where spandex, beehive hairdos and Max Factor make-up made everything look silly.

The plot, concerning two muscle men and their encounters with the Amazons is stupid and comes from the low sex comedies that rarely traveled outside of Italy because they were more juvenile than funny.

Its over acted and under done.

One out of ten. Its just bad.

Actress Thea Fleming can be seen as one of the dancing girls in the big production number in the temple. She is hard to spot in the actual movie but she is very prominent in one of the stills in my collection. Larry Anderson