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6,8/10
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Ajouter une intrigue dans votre langueIn London, a recently-wed American woman's sanity comes into question after she claims to be the victim of a threatening stalker.In London, a recently-wed American woman's sanity comes into question after she claims to be the victim of a threatening stalker.In London, a recently-wed American woman's sanity comes into question after she claims to be the victim of a threatening stalker.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 5 nominations au total
Avis à la une
As macabre as it sounds, I really enjoyed seeing Doris Day (The Man Who Knew Too Much) get terrorized. She was so convincing in this role especially when she provided a tour de force in acting during that scene where she finally breaks down. I can't believe other commentators were not as moved by this as I was. Rex Harrison (The Ghost and Mrs. Muir, Cleopatra, My Fair Lady) is also very good in this role though I don't think he is challenged very much here. John Williams is once again the diligent inspector as he was in the two Alfred Hitchcock hits Dial M For Murder and To Catch a Thief, both of which coincidentally starred Grace Kelly. The great Roddy McDowell (Planet of the Apes) is here just as a red herring but he is welcome nonetheless. All in all a good thriller, 8/10.
If that telephone voice doesn't give you the creeps, you are one tough cookie! Don't be fooled because this film stars Doris Day, noted for her frothy, professional virgin roles in movies with Rock Hudson, et al. This is another Ms. Day, although the movie showcases her in some great clothes. Driven to the brink of insanity by anonymous threatening phone calls which nobody believes, she plays it to the hilt. The elevator scene is especially gripping. John Gavin is totally miscast and is bland, as usual. The rest of the cast is top drawer....Rex Harrison, suave and sophisticated....Myrna Loy, as the worldly aunt, is wonderful.....and the greatest of English support players, John Williams, repeating his inspector role from Dial M for Murder. In a small part is Anthony Dawson, the perfect villain,also from Dial M for Murder. Herbert Marshall and Richard Ney are good in small roles. This looks and feels like a Hitchcock picture. You may guess the ending but it is worth the watch to see Doris Day give her all. Besides, everybody likes a good thriller and this fits the bill!
The last of Doris Day's dramatic roles came with her being the terrorized wife in Midnight Lace. Henceforth she did nothing but comedies and musicals.
Not that she wasn't good in dramatic parts. Doris did well in Love Me Or Leave Me, The Man Who Knew Too Much, Storm Warning, and Julie. But in Midnight Lace she does pull all the stops out as a woman who seems to have attracted a stalker. In fact she meets the stalker in a fog bound London park near her home who threatens to kill just before the opening credits.
Doris is practically a newlywed, married to Rex Harrison a London businessman who is concerned but never is quite there enough to offer support. Even her visiting aunt Myrna Loy is thinking Doris has lost a step or two in her ladder. The only one who seems to believe her is John Gavin who is boss of a construction job next door. He's even a bit creepy himself because he knew who she was without any introduction.
The Man Who Knew Too Much was probably her best dramatic role and it was done for the master of suspense Alfred Hitchcock. But the Hitchcock film that Midnight Lace is best compared to is Dial M For Murder with Grace Kelly being the stalking victim there. Even the Scotland Yard inspector is the same in both films, John Williams.
By the way Williams unravels the truth behind the harassing phone calls in a most unusual way that the perpetrator never took into account.
The mood of Midnight Lace is somber and tense and Doris, Rex, and the rest of the cast perform their roles to perfection.
Not that she wasn't good in dramatic parts. Doris did well in Love Me Or Leave Me, The Man Who Knew Too Much, Storm Warning, and Julie. But in Midnight Lace she does pull all the stops out as a woman who seems to have attracted a stalker. In fact she meets the stalker in a fog bound London park near her home who threatens to kill just before the opening credits.
Doris is practically a newlywed, married to Rex Harrison a London businessman who is concerned but never is quite there enough to offer support. Even her visiting aunt Myrna Loy is thinking Doris has lost a step or two in her ladder. The only one who seems to believe her is John Gavin who is boss of a construction job next door. He's even a bit creepy himself because he knew who she was without any introduction.
The Man Who Knew Too Much was probably her best dramatic role and it was done for the master of suspense Alfred Hitchcock. But the Hitchcock film that Midnight Lace is best compared to is Dial M For Murder with Grace Kelly being the stalking victim there. Even the Scotland Yard inspector is the same in both films, John Williams.
By the way Williams unravels the truth behind the harassing phone calls in a most unusual way that the perpetrator never took into account.
The mood of Midnight Lace is somber and tense and Doris, Rex, and the rest of the cast perform their roles to perfection.
"Midnight Lace" is an example of a film that does have its problems, but still manages to entertain you and draw you in. It is far fetched and somewhat predictable, and I admit for me the ending was so complicated I had to re watch it to maintain my full understanding. Also there are some loose ends that aren't as well explained as they could have been.John Gavin, while really handsome, is rather bland acting wise. With its flaws though, it is perfectly watchable and entertaining helped by the stylish filming, excellent music score and the fine acting. There are some effective scenes such as when Kit falls into complete hysteria(I will explain later what I thought of Doris Day's acting in that scene), the very first scene in the fog and the elevator scene. Also the voice on the telephone; very chilling. The film's style is strongly reminiscent of an Alfred Hitchcock film, with beautiful cinematography and Day's costumes are fabulous. The music score is truly atmospheric and made most scenes from the film quite tense and suspenseful, the direction is precise enough and there is some decent scripting on the whole. Aside from Gavin, who wasn't entirely insufferable just bland, the acting was well done. Rex Harrison is very suave as the husband, Roddy MacDowell is delightfully creepy, Hermione Baddeley is great and Myrna Loy is a real scene stealer. The best performance definitely comes from Doris Day; I love her in musicals, I love her in comedy, here she shows how wonderful she equally is in drama. Her performance here is outstanding, no overacting as far as I can see, her hysteria scene was so believable and almost heart-breaking. I had difficulty hiding my dismay when I saw the reviews that accused Day of overacting. Overall, it does have its problems, but it is one movie I would definitely see again for especially Day's performance and her costumes. 7/10 Bethany Cox
American Kit Preston (Doris Day) lives in London with husband Anthony (Rex Harrison). She starts being stalked and getting phone calls by a man saying he's going to kill her. But nobody else is around when he calls. Is he real or is she going crazy?
A VERY loose remake of "Gaslight". The film is far-fetched (especially at the end) and full of obvious red herrings. Also there were one or two plot threads never adequately explained at the end. Still, this was entertaining. It's very glossy with breath-taking sets and 17 costume changes (!!!) by Day--but this IS a Ross Hunter movie (he did "Imitation of Life" which had the same kind of treatment). So, even when the movie slows down there's always something to look at.
There's mostly solid acting by the entire cast. Harrison was just so-so as the husband but everybody else was fine. John Gavin pops up a few times just being incredibly handsome but actually isn't that bad. Myrna Loy steals the show as Aunt Bea in every scene she's in--and check out the incredibly ugly yellow hat with green sash she wears at one point! Best of all is Day. You might think she would be terrible in a straight dramatic role but she's actually quite good. Her terror at what's happening is totally believable and there's an incredible scene where she has a complete nervous breakdown. She hated making this film because it emotionally wore her down--she vowed never again to do a thriller. That's too bad--she was so good here.
So it's not believable but is still worth watching. Recommended.
A VERY loose remake of "Gaslight". The film is far-fetched (especially at the end) and full of obvious red herrings. Also there were one or two plot threads never adequately explained at the end. Still, this was entertaining. It's very glossy with breath-taking sets and 17 costume changes (!!!) by Day--but this IS a Ross Hunter movie (he did "Imitation of Life" which had the same kind of treatment). So, even when the movie slows down there's always something to look at.
There's mostly solid acting by the entire cast. Harrison was just so-so as the husband but everybody else was fine. John Gavin pops up a few times just being incredibly handsome but actually isn't that bad. Myrna Loy steals the show as Aunt Bea in every scene she's in--and check out the incredibly ugly yellow hat with green sash she wears at one point! Best of all is Day. You might think she would be terrible in a straight dramatic role but she's actually quite good. Her terror at what's happening is totally believable and there's an incredible scene where she has a complete nervous breakdown. She hated making this film because it emotionally wore her down--she vowed never again to do a thriller. That's too bad--she was so good here.
So it's not believable but is still worth watching. Recommended.
Le saviez-vous
- AnecdotesDoris Day's costumes for this film were created by Irene, a well-known, single-named designer who received her second Oscar nomination for her work here. Two years after working on Midnight Lace, Irene committed suicide, jumping from an upper-floor window of Hollywood's Knickerbocker Hotel.
- GaffesEven in 1960, no construction company would allow pedestrians to walk beneath a 5,000 lb. steel beam as it is being hoisted.
- Citations
Charles Manning: There's nothing wrong about money that having it can't cure.
- ConnexionsEdited into The Scorpio Letters (1967)
- Bandes originalesMidnight Lace
By Joe Lubin and Curly Howard (as Jerome Howard)
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- How long is Midnight Lace?Alimenté par Alexa
Détails
Box-office
- Budget
- 3 500 000 $US (estimé)
- Durée
- 1h 43min(103 min)
- Rapport de forme
- 1.85 : 1
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