Contre-espionnage

There are Things that Highlight this Low-Budget Spy Drama based on a True Account.

Ernest Borgnine in a Rather Restrained Performance that doesn't quite Capture the Suspense and Intrigue Needed to Fully Flesh Out the Super-Serious Story.

But it has some Intrigue with Agents on Both Sides Everywhere except Under the Bed.

Gadgets Galore Proliferate Scenes with Tape Recorders, Cameras, and a Myriad of Privacy Penetrating Hardware Showcased Regularly Through this Detailed Drama.

It Depicts the Soviets in Full Force Plotting Their way to World Domination.

The Second Half Kicks-In after a Slow and Talky Start.

There are Interesting Plot Devices as Director De Toth Builds Suspense with Odd Scenes of Behind the Scenes at KGB.

Above Average and Definitely Worth a Watch for Anyone Attracted to Cold-War Espionage Films.

And this was Before the James Bond Films made all of this Big-Box-Office.

This is a decent Cold War film about a Russian film director working in the United States. While he is not a Communist, his "friends" are and while he tells himself he isn't working for them, he has accepted favors and naively thinks it will all somehow work out. However, when he is confronted by the CBI(?) (a fictional US government agency), he realizes he's become a Communist stooge and agrees to help the US in a counter-espionage mission behind the Iron Curtain.

While the film is a decent enough time-passer and the last 1/3 of the film is pretty exciting, it has one giant problem and a few small ones. Oddly, they decided to cast Ernest Borgnine as the Russian Director yet he never even sounds the least bit Russian and you can STILL detect his New York accent. This makes the entire film seem rather cheesy and very tough to believe. Had they recast the film and perhaps punched up the first 1/3, it could have been an exciting spy yarn. Oddly, just a few years later, Borgnine was cast as a Russian in ICE STATION ZEBRA and he was able to do a decent Russian accent! Additionally, when Borgnine's character went to Moscow, it looked like a bad travelogue with all the stock footage inserted rather haphazzardly into the movie. As it is, it's just passable entertainment and a mildly interesting curio of the Cold War.

By the way, don't get the idea I hate Cold War films--I am a history teacher and naturally love a good espionage film and could recommend several good ones such as I MARRIED A COMMUNIST and ASSIGNMENT Paris.

Well, that's not an authentic red scare period film, as were BIG JIM MC LAIN, INVASION USA, WHIP HAND, and so many US propaganda films that spread during the fifties. It speaks of the war between Western authorities and Behind the iron Curtain forces, the "evil" ones, but in a smart, sensitive, and brilliant way. It is purely espionage, spy scheme, as there were so many in the sixties, and even after. Ernest Borgnine is excellent in this ambivalent role, for whom the audiences of this era, who were more used to be on the good American side, for once, could feel a bit discomfortable with such an unusual lead character. Solid Andre De Toth directing.

André De Toth's Man on a String is a well made film despite its modest budget. The story is based on a real person and is mostly believeable, except perhaps for some of the derring-do in the finale, which I doubt happened. It conveys the tense vibe of the Cold War before the Berlin Wall was erected. The careful and meticulous espionage here, and the manipulation of individuals on both sides, is convincing. The photography is excellent and I didn't mind at all the many process shots of Moscow, as filming on location there was not possible for this subject matter ! Ernest Borgnine gives a fine performance.

"Man on a String" stars the great Ernest Borgnine ("The Wild Bunch") as Boris Mitrov, a character inspired by the real-life Borris Morros. Boris is a Russian-born American citizen running a film studio who is essentially blackmailed into becoming a counter-spy. This will see him travel to both Berlin and Moscow to gather information for the amusingly dubbed "C. B. I." (the "Central Bureau of Intelligence"!).

"Man on a String" is largely notable for taking a documentary-style approach, complete with narration, by both Clete Roberts ("The Swinger") and Borgnine himself. The Roberts narration mostly tells us things we can already see for ourselves, while Borgnines' voice-over is more interesting as he observes the progress of his homeland and its citizens decades later. Overall, the film is generally entertaining, although it's largely dialogue and performance driven, only working in some action and suspense during the finale. But this finale is quite good, as we see the unarmed Boris running for his life and we wonder *how* he can possibly get out of a life-or-death situation.

Borgnine is thoroughly engaging here, and is ably supported by fantasy star Kerwin Mathews ("The 7th Voyage of Sinbad") here wearing a suit and tie as Boris' "assistant" at the studio. The excellent supporting cast also includes Colleen Dewhurst ("The Dead Zone"), Alexander Scourby ("The Big Heat"), Glenn Corbett ("Chisum"), Russian-born character actor Vladimir Sokoloff ("The Magnificent Seven"), who's endearing as Boris' father, and Ed Prentiss ('Trackdown').

Partly working as a travelogue, the globe-hopping also helps to make this espionage thriller decent entertainment, and in fact the film employed four different cinematographers for its four main settings. The efficient direction is courtesy of Hungarian-born Andre De Toth, who made his mark as a filmmaker with such efforts as the original "House of Wax" and the film noir classic "Crime Wave".

Seven out of 10.