Le monde perdu

Unlike `The Lost Continent' (1951), this 20th Century Fox Cinemascope production had an ample budget -- but the money wasn't spent very well. A good cast (Michael Rennie, Claude Rains, Jill St. John, David Hedison, and Fernando Lamas) are all part of an expedition that discovers a plateau in South America where dinosaurs still thrive.

Unfortunately producer Irwin Allen elected not to use stop motion animation to create the dinosaurs. Instead, the audience is treated to two hours of disguised iguanas and enlarged baby alligators. Irwin Allen also co-wrote the script, which is burdened by an excess of soap opera melodrama. The good musical score, however, is by Paul Sawtell and Bert Shefter.

Top quality production values and good photography make the film easy enough to watch, but there's a tragic story behind `The Lost World'. Willis O'Brien, creator of `King Kong', spent several years during the late 1950s making preparations for a big-budget remake of his 1925 version of `The Lost World'. He made his pitch to producer Irwin Allen and the big wheels at 20th Century Fox, showing them the hundreds of preproduction drawings and paintings he had done. He succeeded in persuading them to make the film -- but Fox refused to let O'Brien do the film's special effects, substituting the poorly embellished reptiles instead.

From all reports, O'Brien's version would have been the greatest lost-land adventure movie of all time. Irwin Allen's lack of vision is puzzling in view of the fact that in 1955 he produced `The Animal World' with animated dinosaurs by Ray Harryhausen and Wills O'Brien! See my comments on `Animal World' for more info.

Irwin Allen puts a saddle on the Conan Doyle novel and digs in the spurs in this silly adaptation of the eponymous book. Loaded with action but not much else, and well stocked with useless characters such as Frosty the poodle. SEE! Jill St.John, who starts off feisty but ends up as simpering baggage, explore the Amazon in pink tights. HEAR!! Michael Rennie murder the Spanish language. FEEL!!! The sense of loss as Fernando Lamas deadpans the line: "My helicopter". In an interview years later, David Hedison admitted that he HATED this movie, and it's easy to see why. With typical pre-release hype, Irwin Allen teased the public with promises of unbelievably authentic-looking monsters("like nothing you've ever seen before!"). Wrong: they were exactly like everything we've seen before. The actors, from Claude Rains to Fernando Lamas, are all good to very good, but not in this clunker. Their combined talents were wasted, as will be your money if you buy or rent this film. Get it ONLY if you feel compelled to complete a collection of '50s and '60s B-movies, otherwise: don't walk, run!

Almost all of the 50 or more reviews here have cited and re-cited the repulsively live lizards and overall B-movie ambiance of this controversial remake of the Conan Doyle novel and 1925 silent classic. Does anyone read anyone else's reviews before submitting?????

Anyway, I'll try to say something new (or at least unsaid) about this slightly tarnished Golden Oldie. I think one person did note the excellent score. One of the best things in the film is the Main Title sequence with the tempestuous music of Paul Sawtell and Bert Sheftner playing against FANTASIA-like shots of swirling molten lava. (These are certainly more vividly fantastic than the disgusting looking goo that passes for lava at the climax of the film).

One might say the film goes downhill from there, but the DVD's stereo version of the original 4-track CinemaScope soundtrack makes the entire score (and film) sound even better. The impressive aerial shots of the Amazonian jungles during the flight to the plateau are an especially effective fusion of wide-screen cinematography and music.

I personally was drawn back into this LOST WORLD after revisiting the great Circus-Circus episode in DIAMONDS ARE FOREVER, one of the best sequences in the middle-period Bond cycle.

Her role as Bond girl, Tiffany Case, is certainly a high point of Jill St. John's film career. Her smart pants suits and stylish look in DIAMONDS are possibly modeled on singer Elly Stone in the long-running Off Broadway show, Jacque Brel is Alive and Well and Living in Paris. At any rate, she looks great and the DIAMONDS wardrobe is certainly an improvement on the hot pink Capri pants she impeccably sports throughout the jungle madness and slobbering lizard attacks in LW. (The versatile Ms. St. John also wrote a cookbook, which is still apparently in print).

Claude Rains and Richard Hayden, the voice of the caterpillar in Disney's ALICE IN WONDERLAND, do the best they can with the material. Rains even looks something like the original Challenger in the classic silent version.

Ray Stricklyn as David Holmes was nominated for a 1961 Golden Globe for Best Supporting Actor in THE PLUNDERERS, and also for Most Promising Newcomer in 1959. But for better or worse LOST WORLD (and THE RETURN OF Dracula) remain the films for which he is most remembered. Scarlet Street, the cult genre magazine (for which I used to write about film music) published an interview with the then out-of-the-closet (and since deceased) Stricklyn in issue #35.

The 2-disc LOST WORLD DVD set includes an excellent restoration of the original silent version. The dream-like, sometimes surreal imagery is made even more so by the restored multi-colored tinting.

For viewers who fondly remember the era of the original 1960 release a complete version of the Dell movie tie-in comic will be an especially welcome and nostalgic addition among the bonus features.

Along with King Kong this is one of the first films I remember seeing, on Saturday night TV sometime in the mid '60's. My expert judgement at 6 years old was that it was the best film ever made, over the years since it has somewhat slipped down my list – but at least is still in it! Viewed through rose-tinted spectacles I still enjoy watching it and trot the vid out every 5 years or so for another wallow in personal nostalgia. Viewed dispassionately I think it's also better than both 1925 versions – the long was too slow, the short unintelligible; forget any others.

Eccentric Professor Challenger challenges crusty Professor Summerlee in public to go with him on an expedition to find a plateau in South America where he (claimed) he saw prehistoric dinosaurs roaming around. A motley party is assembled to make the trip consisting of a cynical aristocrat with a secret, his eye-fodder girlfriend in pink and her eye-fodder brother, the hard working reporter who fancies her, and 2 dingy latins with plenty of secrets. A couple of hours after landing they discover … prehistoric dinosaurs roaming around partial to wrecking helicopters, and we discover Challenger appears rather challenged when coming to name them. Corn abounds, the special effects are worse than in 1925, every plot device is telegraphed ahead, and every racial, sexual and class stereotype is out in force – but I love it just the same! At least Jill St. John didn't twist her ankle, and the sets weren't always cardboard though.

If you didn't see this when young and impressionable don't bother, however if you did and you're not a serious type it's worth a try. You still might be horrified but you might return to a lost world of safe family adventure movies.

The Lost World might have been a better film if it had been set back in the time when Sir Arthur Conan Doyle wrote the novel. Which would be in the pre-World War I days of 1912. Back then such a plateau might have escaped detection from modern man.

In any event it's been updated to 1960 and I remember seeing it for the first time at a downtown Rochester theater long since demolished and I was with my grandmother. She took me when I was by myself visiting them in Rochester. I remember the movie, but I also remember how slow she was moving. What I didn't know was that she was in the first stages of Parkinson's disease which would eventually kill her.

Seen as an adult it's a film better left to the juvenile set. And it could use a makeover now and replace those dinosaurs with the more realistic ones of Jurassic Park.

But I doubt we could get a cast as classic as the one I saw. Claude Rains is in the lead as Conan Doyle's irascible Professor George Challenger who was the protagonist in about five books. Not as many as that much more known Conan Doyle hero Sherlock Holmes, but Challenger has his following.

In this film he's back from South America in the country roughly between Venezuela and British Guiana at the time, deep in the interior at some of the Amazon tributary headwaters. He claims he saw some ancient dinosaurs alive on a plateau.

True to his name Claude Rains invites company and financing on a new expedition to prove him right. His rival Richard Haydn accepts as does big game hunter Michael Rennie and David Hedison who is an American newspaperman whose publisher promises financing for an exclusive.

Of course it wouldn't be right in the day of woman's liberation if the shapely Jill St. John, sportswoman and a crack shot doesn't come along with her brother Ray Stricklyn. Guiding the expedition are South Americans Fernando Lamas and Jay Novello who have an agenda all their own involving at least one member of the party.

Watching The Lost World again, I think of myself as a kid back in the day and even with such a cast it really should stay in the juvenile trade. And this review is dedicated to my grandmother Mrs. Sophie Lucyshyn who took me to the movies that day back in 1960.