Pandora

I was an usher in the Paramount Theater in Wilkes-Barre Pennsylvania when this film came out. That's when ushers were ushers! I must have seen the picture 30 times while working. The picture was not popular at the time -- and I had a heck of a time understanding it. But I do remember being fascinated by the scenery. The film was initially promoted as "Pandora and the Flying Dutchman" -- but when it came to the Paramount, they changed the name to "The Loves of Pandora". I have no clue why that change was made -- but I remember that the revised title as it appeared on the screen was sort of "home made" and not of the quality of a new film. Were they experimenting with changing the name to get more patrons? I have not read anything about this anywhere on the internet. I have always been curious about this picture and intend to rent it to see it now that I'm 75 years old and may understand it at this stage of my life -- a full 58 years after seeing it at the Paramount.

.... cause ,though a bit too long,"Pandora" is an unique film .It is part of those movies in which love refutes everything ,including space and time.It is continuously constructed and when it's over we have the strange feeling of having come full circle.

"Pandora" is wrapped in mystery and it renewed the genre which "Peter Ibbetson "and "portrait of Jennie" had pioneered in the thirties and late forties which "Somewhere in Time" (based on a Richard Matheson novel) would continue in the eighties.

Ava Gardner,the most beautiful woman of that era (and for me the most beautiful woman of all time) is ideally cast as the female lead.Who else could play such a gorgeous creature ?James Mason gives a tormented heartrending performance.

Albert Lewin made few movies but the best of them (the picture of Dorian Gray" "the private Affairs of Bel-Ami" ) are worth seeking out.The only real horror is "Saadia" which even Michel Simon could not redeem.

Ava Gardner and James Mason would play another legendary couple (real this time):Francis-Joseph and Elisabeth of Austria.("Mayerling",Terence Young,1968)

Albert Lewin's work as director had not impressed me prior to seeing "Pandora and the Flying Dutchman" I found myself frankly quite bored by his version of Maugham's "The Moon and Sixpence" as well as "The Private Affairs of Bel Ami". "The Picture of Dorian Gray" has quite the reputation, but I unfortunately haven't seen it yet.

'Exceeded expectations' cannot begin to describe how surprised I was at how absorbing, intense, captivating, and utterly gorgeous "Pandora and the Flying Dutchman" is. Sure, there are flaws, mostly in the script which occasionally seems to think it's smarter than it actually is and goes for the sort of intrusive voice-over narration that never fails to annoy, but also in scenes where Lewin's decisions as director become frustrating and in the score which is generally quite good but often overbearing.

Regardless of its flaws, "Pandora and the Flying Dutchman" is a literate, creative, fairly original, and exceptionally well-acted film, with the exceptional feature of being photographed by Jack Cardiff OBE, who was on quite a run going into this film having photographed the three Powell/Pressburger classics from the 40's: "A Matter of Life and Death", "Black Narcissus", and "The Red Shoes" as well as the underrated if not exactly great 1949 Hitchcock offering "Under Capricorn". James Mason and Ava Gardner are really excellent here in the lead roles.

I was not looking forward to "Pandora and the Flying Dutchman" but I found myself very pleasantly surprised by it. It's far from a perfect film but I did find it to be quite excellent; even the melodrama that tends to bother me in romances from this era of film worked in the context of this film. A surprisingly good film, overall.

8/10

The story of the Flying Dutchman is given a sumptuous production here, directed by Albert Lewin. Set in the 1930s, Hendrick van der Zee, the captain of a yacht, appears in the Spanish seaport of Esperanza. There he meets the mysterious and beautiful Pandora, a man magnet who has every man in the village, it seems in love with her. Pandora herself has never been in love, but there is incredible chemistry between her and Hendrick. Hendrick is soon found to be the 17th century Flying Dutchman, cursed to wander the world forever, unless he meets a woman willing to die for him.

Lewin does a good job both on the screenplay and direction, though both have flaws, and the music is a little overpowering at times. The film moves slowly in places. But the casting is wonderful. The only woman who could have played Pandora in 1951 was Ava Gardner, stunningly beautiful and sexy with that low, husky voice and incredible face. And let's not forget her figure which was dressed in dazzling costumes throughout the film. James Mason is handsome and mysterious as Hendrik, and the entire production is gorgeous to look at.

If you're an Ava Gardner or James Mason fan, don't miss this marvelous showcase for their talents. And do they make a fantastic looking couple or what?

There is much to enjoy in this legendary tale. The story is well told and quickly grabs the viewer. I thought the Spanish setting was perfect and the land speed record and bullfighting scenes in the main convincingly shot. The extraordinary use of Technicolor gives the whole picture an almost dream like ethereal look and many scenes have an almost surreal quality. The whole cast are splendid with Ava Gardner particularly spellbinding - I can't think of any actress today who could carry her role as convincingly.