Elle cherche un millionnaire

Jack Warner handed this script to Doris Day, but she begged out. It was too much like the other films she had made at Warners (she made "Lullaby of Broadway" that same year and "Tea For Two" right before that). Virgina Mayo, who was free, loved doing musicals, so she stepped in and Dennis Morgan's name went up one step. Doris, by this time was extremely popular, so she would have gotten billing over Morgan.

This was colorful (I saw it once) and Mayo looked incredible, as usual.

Day, after "Calamity Jane" got "picky" about parts. She also turned down "The Helen Morgan Story" with Paul Newman, "The Jazz Singer" with Danny Thomas and WB had planned "Miss America" for Doris and Virginia, a musical.

This color remake of the landmark 'Gold Diggers' series of musicals of the 1930s is a pretty limp effort, despite individual bits that are excellent. 'Cuddles' Sakall is present for his usual Bavarian doubletalk, partnered, for some reason, with Wallace Ford playing a knife-throwing dessert rat. Dennis Morgan, tailing off in his Warners' career, plays the other guy. Basically this is a typical Warners musical of the era: a lightweight, retread plot and songs lifted from the catalogue. All it misses is Doris Day and she turned down the script.

The real point of this movie is the dance numbers, featuring lead Gene Nelson with choreography by Warners' stalwart dance director Leroy Prinz. Nelson never really became a star, but he was as fine a dancer as any, averaging much more athletic and balletic than headliners Astaire and Kelly; his signature step was a leap onto a table from the floor. Prinz directs him perfectly with monochromatically colored lights that allow him to act and move without words. 'Birth of the Blues' is the real highlight of the film.

Alas, aside from those moments, it's pretty much of a rote production. See it once for the dance numbers and be done.

Warner Brothers' 1950s recycling of their old films and their old songs gave us this remake of Gold Diggers of 1933 (itself a remake of the lost Gold Diggers of Broadway).

Songs which appear within 'Painting the Clouds ...' include Tip Toe Through The Tulips, With a Song in My Heart, You're My Everything, and We're in the Money. About the best routines are those which accompany The Mambo Man, and The Birth of the Blues.

In the cast are Virginia Mayo, Lucille Norman, and Virginia Gibson, as a girl trio of singers and dancers looking for rich men with no ties and lots of spare cash. Dennis Morgan is a slightly dull singer, Gene Nelson a dancer with a secret, and Tom Conway is Nelson's well-to-do uncle (not older brother as in Gold Diggers of 1933, although Conway looks very like Warren William did in the earlier film). An unnecessary subplot gives the irritating Cuddles Sakall something to do.

A likeable musical which gives us nothing new but helps to pass the time.

Lounge singer Vince Nichols (Dennis Morgan) is trying to quit gambling for girlfriend Abby (Lucille Norman). Abby, Carol (Virginia Mayo), and June (Virginia Gibson) are The Dillon Sisters. The men disappoint the ladies. Carol wants a rich man and convinces her sisters on a hunting trip to Vegas. Ted Lansing (Gene Nelson) follows the girls to dance with them. The girls' uncle Felix Hoff (S. Z. Sakall) had expanded from a motel to his new casino, but it is in trouble.

I don't really like gold-digging stories. They are often the antithesis of romance. The girls are literally looking for something other than love. At least, this one sets it up well. The girls are tired of love's disappointments. This is not necessarily the type of story or music that I like. It is still interesting enough since I care about the matchups.

It was discouraging to read the director's anti-his-movie comments. Granted it was not a big ole MGM spectacular, but I enjoyed "Painting the Clouds With Sunshine." The songs were oldies but goodies and delightful to hear, and it kept moving nicely. The 'girls-looking-for-millionaires' plot was - granted -- old hat, but the musical numbers were thoroughly enjoyable.

Special kudos to Gene Nelson who is as good as, or better than, some of his screen contemporaries. Was he really playing the trumpet while dancing? That number was pure joy.

Mayo and the sisters were lovely to look at, Dennis Morgan is, as usual, a pleasant talent.

WB tossed ole Cuddles in every third picture, it seems. The 'cute-mit-accent' stuff eventually wears thin.

Sorry, Mr. Butler, but I enjoyed your efforts on this one.