Opération dans le Pacifique

I love this movie for two reasons:

1) It causes me to relive my submarine war patrols in WWII. 2) It's a typical John Wayne movie.

It would probably not excite a viewer who does not care for John Wayne or war movies, but for anyone who participated in WWII in submarines, it's a must have.

For the current generation, it would be worthwhile just to get the feel of how things were in those days. For many of my vintage, watching this movie over and over, as I do, is a priceless reminder of those days when a few did so much for so many.

A world war II film set on a submarine with John Wayne, who takes over command after the commander, played by Ward Bond, is killed. It's your basic submarine film, nothing special about this one, but it is well made. John Wayne plays John Wayne, Patricia Neal does a good job and in one scene on the sub, you can see the men watch Destination Tokyo with Cary Grant.

I was stationed on the submarine tender, "U.S.S. Howard W. Gilmore" during the Viet Nam War. It was there that I learned about Cdr. Howard W. Gilmore and the "U.S.S. Growler." The "Growler," under the command of Cdr. Gilmore, was on patrol in early 1942 when she came under attack by a Japanese gunboat. Gilmore was mortally wounded and as he lay on the bridge of the sub gave the command to "Take 'er down!" just as "Pop" did in "Operation Pacific" and thus saved the crew further casualties. He was awarded the Congressional Medal of Honor posthumously for his action. Also the "Growler" rammed the gunboat and bent the bow of the sub just as depicted in "Operation Pacific." I would be interested in knowing if the film used the Gilmore/"Growler" incident as its basis for the scene depicted with Ward Bond, and if there were other facts in the film based on real incidents.

Thank you,

I like submarine films, but in watching them one has to realize that there are only so many plot situations and each film seems to cover just about all of them. In fact the officers and men of the U.S.S. Thunderfish during what little spare time they had were watching another Warner Brother submarine adventure, Destination Tokyo. If you remember they exchanged the film with another submarine crew for George Washington Slept Here.

Operation Pacific unfortunately suffered with an additional handicap, not foreseen by the Brothers Warner. Another film from Paramount entitled Submarine Command came out right about the same time as Operation Pacific. It starred John Wayne's very good friend and box office rival William Holden. A lot of the same situations are covered in that film, hard to distinguish between the two.

That being said Operation Pacific is one of John Wayne's better war films and a good tribute to the men of the Silent Service. I remember back in the day, I had a history professor in college who was a marine in World War II. He said without reservation that for all of what he was doing in places like Tarawa, Saipan, and Iwo Jima, the tipping balance in the Pacific War was the American superiority in submarines. Due in no small part to the Commander-in-Chief of the Pacific Fleet Chester W. Nimitz who trained on submarines and appreciated their worth. Cutting supplies to the home islands helped in no small measure to American combat success ultimately.

John Wayne is the Executive Officer of the Thunderfish which is commanded by Ward Bond. His former wife Patricia Neal is a navy nurse at Pearl Harbor. He'd like to win her back, but she's now dating Philip Carey, a navy flier and Bond's younger brother.

Besides the romantic problems the Thunderfish goes on all kinds of missions. We first see them rescuing some orphan children off a Japanese held island, later they have some real problems with defective torpedoes in which Chief Jack Pennick has a big hand in solving. And of course the usual tangles with the Japanese Navy exploding depth charges around them.

In the supporting cast I have to say that my two favorite performances are from Paul Picerni who plays crewman Jonesy. Picerni's best known for being Robert Stack's number 2 guy in The Untouchables, but he's absolutely great as the comic relief in Operation Pacific. Happy-go-lucky sort of guy, if he were Latino, Gilbert Roland would have had the part.

The second is Jack Pennick. You can't think of too many John Ford films his horseface presence wasn't in. He plays the Chief Petty Officer on the Thunderfish and he's simply known as the Chief. Ford usually gave him minimal dialog in his films, he speaks a bit more here. One of my favorite John Wayne moments in cinema is when Wayne speaks a heartfelt tribute to young ensign Martin Milner after Pennick has been killed. Talking about the accomplishments that people of his rank make to the U.S. Navy. If your eyes don't moisten you are made of stone. It is in fact one of my favorite John Wayne scenes of all time.

Though the Duke and Patricia Neal got a lot more attention fourteen years later in In Harm's Way, I think they do just fine in Operation Pacific and I think you'll feel the same way when you see it.

Duke E. Gifford (John Wayne) is second in command of the USS Thunderfish, a submarine which is firing off torpedoes that either explode too early or never explode at all. It's a dilemma that he'll eventually take up personally. Even more personal is his quest to win back his ex-wife (Patricia Neal), a nurse; but he'll have to win her back from a navy flier who also happens to be his commander's little brother.

We know this movie is going to be an eye-roller during the opening scene in which the Thunderfish is transporting two nuns, a baby and a group of orphans who go running past a ludicrously tolerant crew as they're trying to sink a Japanese ship. While the action scenes are good, nearly every human moment in this film is phony; and the few that aren't are thanks to the usual expert performance from Patricia Neal, not from writer-director George Waggner.

The special effects and production values in this submarine drama are okay, but occasionally we'll see a cable pulling a torpedo or a night-time sky that has a ceiling and a corner. Max Steiner's score underlines every banality in the script and then underlines it twice more. At one point a crew member laughs at the Hollywood hokum in the Cary Grant film, "Destination Tokyo." If only he could have been out in the audience for his own picture.