Le voyage fantastique

This movie is a great example early stress testing methods, even though the lead character (Mr. Honey, played by James Stewart) is a stereotypical scatterbrained genius. My favorite scenes were of the models and the vibration test chamber at the beginning of the film. The story is pretty compelling to watch, as Honey comes face to face with the horrible reality of his theory. Stewart puts a very human touch on what could have been a two-dimensional B-movie stereotype. He is just eccentric (in modern lingo, nerdy) enough to make you laugh, but when he stands up for something, watch out!

Naturally, engineering stories don't draw large audiences, so the only way I could finally see this movie was to spend $19.95 to buy it online. The money was well spent. My rating is 8 / 10.

I first saw "No Highway in the Sky" when I was 11 years old. What has always impressed me about the film is the fact that it shows how the courage of the little known people of the world can accomplish a greater good. Theodore Honey (Jimmy Stewart's character) is a written-off by his peers, superiors and the outside world as a strange sad little man. He is a widower, and a single parent. All he has is his daughter and his work to keep him going.

But he is also single minded in his pursuit of his knowledge and his craft. He gathers his data, forms his postulate and relentlessly pursues his goal regardless of the establishments thinking on the matter. When he realizes that he or people that he has met and starts to care for may be injured or killed if does not act on his theory, he has the moral fortitude to act to save their lives and prevent tragedy. Unorthodox, yes. Odds against him? Yes. Do you admire him? YES!!! Dr. Honey versus British Government and British Airways is prophetic. (e.g. The British Comet disasters of the early 50's happened after this film was made) (Also think about the engineers at Thiokol battling NASA over the Challenger launch) James Stewart, a pilot himself, shows us that this courage of facts versus opinion and profit is the courage that should be encouraged and rewarded.

35+ years later, I am an engineer and I owe a great deal of it to this film.

This is one of the better examples of how to craft a drama with just enough humor to lighten the load at just the right times. Most of the credit has to go to Jimmy Stewart, who infuses his character with hilarious absent-mindedness. We constantly have a chuckle at Theodore Honey, yet all the while we are witness to his personal metamorphosis from disinterested and detached scientist to caring and energetic activist.

The whole movie uses technology as the vehicle within which the protagonist lives, works, and eventually changes, but this movie is not about nuts and bolts; it is ultimately about personal transformation - Nothing is the same for Mr. Honey by the end of the film. The joy is watching the transformation, bit by bit, as events literally overtake him.

Here is a film about people --real people, of conviction, and of character. The central problem, an aeronautical engineering equation, simply serves as a

vehicle around which unforgettable characters revolve. James Stewart is

simply wonderful as Mr. Honey, and Marlene Dietrich shines, and grows, as

"star" Monica Teasdale. An enduring film masterpiece for thoughtful adults.

The supporting actors are first rate: the daughter was surprising believable, the wonderful Glynis Johns in her usual dream performance. I rate it 9 out of 10, as these films will not happen soon again. Thoughtful dramas about flight and aeronautics abounded in the late 40's and 50's -- I recommend the British entry "The Night my Number Came Up" -- and should be studied and regarded by

serious film devotees.

Frequent fliers will find the portrayal of a TransAtlantic flight in "No Highway in the Sky" to be quaint, if not prehistoric. Security is non-existent, no metal detectors, no pat downs, no baggage search. Passengers have lots of space, smoking is permitted, and tours of the flight deck are offered. The stewardesses work in a spacious kitchen, with a stove, cabinets filled with dishes, and shelves of glassware. Men and women have separate restrooms, and the passengers are all well groomed and appropriately dressed. Flying has certainly evolved, or devolved since 1951.

However, beyond a review of the comforts of flying during the mid-20th century, Henry Koster's "No Highway in the Sky" is a decent little drama, highlighted by an impassioned performance by James Stewart. Set in England, Stewart is Theodore Honey, a scientist in an aircraft design and testing lab, who is studying the propensity of the tail wings on Reindeer aircraft to self destruct after about 1400 hours of flying. As the widowed scientist, Stewart is gangly, clumsy, and socially awkward; absent minded to the point of forgetting where he lives, he is focused completely on science and the problem at hand and largely dismisses other people. In a household cluttered with books, Stewart lives with his intelligent school-age daughter, whom he has isolated from other children. Perhaps overshadowed by his work in "It's a Wonderful Life" and "Harvey" during the same period, Stewart is nevertheless excellent in the part, and his speech to the aircraft committee has elements of his passionate "Mr. Smith Goes to Washington" rouser.

Although the personal aspects of the story are unconvincing, the screenplay by R. C. Sheriff, Oscar Millard, and Alex Coppel, which was based on a novel by Nevil Shute, does throw light on the aviation industry in Britain just after World War II. Pushed to prove his hypothesis, Stewart is sent to Labrador to find the missing tail of a recently crashed Reindeer. Unfortunately, he finds himself aboard a similar Reindeer that is nearing the critical point when he projects that the tail will disintegrate. The drama aboard the tense overseas flight involves Marlene Dietrich as Monica Teasdale, a glamorous film star; a touching Glynis Johns as Marjorie, a sympathetic stewardess; and Kenneth Moore as the co-pilot. Dietrich and Stewart, who were previously paired in "Destry Rides Again," work especially well together. Jack Hawkins appears as Scott, a new department manager, and Wilfred Hyde White makes a brief appearance as a researcher.

While uneven and unconvincing at times, "No Highway in the Sky" offers a priceless look at air travel more than half a century ago, a fine James Stewart performance, and the timeless beauty of Marlene Dietrich. Actually, Stewart's often befuddled Theodore Honey alone is reason enough to catch the film.