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Ajouter une intrigue dans votre langueSent to a dude ranch in the west to recover her health, a New York actress falls in love with a ranch owner recently acquitted of the murder of his wife.Sent to a dude ranch in the west to recover her health, a New York actress falls in love with a ranch owner recently acquitted of the murder of his wife.Sent to a dude ranch in the west to recover her health, a New York actress falls in love with a ranch owner recently acquitted of the murder of his wife.
- Réalisation
- Scénario
- Casting principal
Marjorie Bennett
- Drug Store Customer
- (non crédité)
Arthur Berkeley
- Bus Passenger
- (non crédité)
Ralph Byrd
- Salesman
- (non crédité)
Frank Cady
- Gas Station Man
- (non crédité)
Irene Calvillo
- Raquel
- (non crédité)
Albert Cavens
- Lunch Counter Patron
- (non crédité)
Leo Cleary
- Editor
- (non crédité)
Eileen Coghlan
- Gossip
- (non crédité)
Byron Foulger
- Hotel Clerk
- (non crédité)
Nacho Galindo
- Pedro
- (non crédité)
Avis à la une
Fun overheated histrionics in the desert with two of the more under-appreciated actresses of the 50's.
Ruth Roman is a big city actress looking for a bit of rest in the wilderness and finding little. Right from the get go things in this docile community seem a bit off even though the residents appear friendly. Next thing you know she's neck deep in contretemps with suspected murderers and intrigue! It's all pitched to the higher notes of melodrama but kept grounded by the competence of the cast and no nonsense direction.
The movie is a routine Warners programmer but given some snap by the quality performances of Ruth Roman, subtle and dignified, and Mercedes McCambridge, controlled for most of the film but she gets her chance to do some florid emoting later in the picture.
Professionally done this is enjoyable in an over the top way especially for fans of either actress.
Ruth Roman is a big city actress looking for a bit of rest in the wilderness and finding little. Right from the get go things in this docile community seem a bit off even though the residents appear friendly. Next thing you know she's neck deep in contretemps with suspected murderers and intrigue! It's all pitched to the higher notes of melodrama but kept grounded by the competence of the cast and no nonsense direction.
The movie is a routine Warners programmer but given some snap by the quality performances of Ruth Roman, subtle and dignified, and Mercedes McCambridge, controlled for most of the film but she gets her chance to do some florid emoting later in the picture.
Professionally done this is enjoyable in an over the top way especially for fans of either actress.
It's lurid and ludicrously plotted. Yet despite, or perhaps because of its overwrought melodrama, it's oddly entertaining, like a Carol Burnett parody of one of those classic "women's pictures". If you can just give in to the absurdities of the story, you might have a good time. The acting is slightly over-the-top, but it suits the material.
While staying at a deserted dude ranch, a woman (Roman) gets involved with a man (Todd) suspected of murder
Apparently, the movie was intended to showcase rising stars Roman, Todd, and Mc Cambridge. Trouble is they're undone by a screenplay that can't make up its mind. Is it a whodunit, a noir, a "woman in danger", or a soap opera. Actually, it's a little of all four that turns out more like an overloaded dish of stew than a tasty soufflé. Too bad because it's a waste of some fine performers like Conroy, Givney, and especially Scott.
There is one ridiculous scene almost worth the overlong 90-minutes. That's where Todd and Roman decide to have a romantic interlude perched atop a narrow cliff. Now, why a woman would choose a drop-off as a trysting spot with a suspected wife killer remains the movie's biggest mystery. In fact, the scene is almost a parody of every poorly staged soap opera on film. As an old movie fan, I wondered why I'd never heard of this film. Now I know.
Apparently, the movie was intended to showcase rising stars Roman, Todd, and Mc Cambridge. Trouble is they're undone by a screenplay that can't make up its mind. Is it a whodunit, a noir, a "woman in danger", or a soap opera. Actually, it's a little of all four that turns out more like an overloaded dish of stew than a tasty soufflé. Too bad because it's a waste of some fine performers like Conroy, Givney, and especially Scott.
There is one ridiculous scene almost worth the overlong 90-minutes. That's where Todd and Roman decide to have a romantic interlude perched atop a narrow cliff. Now, why a woman would choose a drop-off as a trysting spot with a suspected wife killer remains the movie's biggest mystery. In fact, the scene is almost a parody of every poorly staged soap opera on film. As an old movie fan, I wondered why I'd never heard of this film. Now I know.
Definitely worth a look. Immediately following his "Beyond the Forest" and "The Fountainhead" (also Warners), this Vidor film is somewhat less feverish and over-the-top than those two, and accordingly does not pack the same punch, but still has a nice erotic frisson. It's a whodunit with romance--including a rainstorm when the two leads meet in an isolated house. Ruth Roman is lovingly photographed and underscored by luscious Steiner music in this threatened-bride tale. Mercedes McCambridge does some of the same kind of scenery chewing that Davis did in "Forest," while Zachary Scott reprises his charming scoundrel from many Warner's films.
A murder mystery/romance from 1951. Richard Todd has just been released from prison for murder. A witness came forward who gave convincing testimony prompting his parole. Even though he knows he's going to be on the tongues of the gossiping hordes back home who believe he was guilty, he returns home. Into this melodrama comes an actress, played by Ruth Roman (famously for fighting rubber monsters in 1955's This Island Earth), out looking for a dude ranch for much needed R & R. Getting her rental car stuck in the mud during a torrential downpour, she finds herself in a seemingly desolate cottage where Todd has holed up who takes her in for the night & even provides her breakfast the next morn before she makes her way to her destination. Once there, we find out the caretaker, played by Mercedes McCambridge (who will forever be known as the voice of the demon in The Exorcist) & her younger brother, played by future Dobie Gillis star, Darryl Hickman, had a history w/Todd & who claims she witnessed the murder. As her curiosity soon starts to overwhelm her, Roman soon becomes enamored of Todd much to the chagrined of the townsfolk, especially those who knew the murder victim. Once marriage is proposed & consummated, the truth of the past crime soon rears up, putting Roman in doubt of the man she married. Pretty good for the most part, the film only falters (still, for some, in a good way!) when it veers into sheer camp as Roman realizes the potential error in her ways moments after she's exchanged vows & when the killer is revealed, no piece of scenery is safe from excess chewing. Also starring my favorite cinematic sleaze, Zachary Scott, here playing an old friend of Todd's.
Le saviez-vous
- AnecdotesDirector King Vidor's own ranch in Paso Robles, California was used as a filming location for the Nolan Ranch.
- GaffesShelly drives through the rain to a part in the road, then later gets stuck in the mud. She sees a house and makes her way to the door stoop. Once in the house, she comments on Texas hospitality (thereby placing the movie in Texas). But there are Joshua trees where the road parted, as well as in front of the house, and Joshua trees are found only in the Mohave Desert (southeastern California, southern Nevada, southwestern Utah, western Arizona, and northern Baja California).
- Citations
Richard Trevelyan: You can sleep in the den. There's a lock on the door.
Shelley Carnes: Do I need it?
Richard Trevelyan: I want you to feel that you're safe.
Shelley Carnes: From what?
Richard Trevelyan: From your thoughts.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Celos mortales
- Lieux de tournage
- Paso Robles, Californie, États-Unis(The Nolan's house)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 108 000 $US (estimé)
- Durée
- 1h 31min(91 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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